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Digbeth Canal walk

Meeting at Centrala Space for a Digbeth Canal Walk

PRISM Photography linked up with the Canal and River Trust and organised a Digbeth Canal walk along the towpaths of the Birmingham Canal Navigations. Our guide for the photographic walk was Tom Hicks, of Black Country Type fame. We met at Centrala, which has a canal side location. The group of photographers included a mix of familiar and new faces, and soon there were friendly discussions between us.

Tom Hicks and Black Country Type: A Colourful Presentation

Francesco Falciane from PRISM Photography welcomed us and introduced Nick Cleaver, community engagement officer from the Canal and River Trust West Midlands. Next, Tom Hicks gave us a short presentation about his photographic work with Black Country Type. His pictures are full of colour and display a humorous take on life in the Black Country.

Digbeth Canal walk
Tom Hicks explaining his photographic practice with Nick and Francesco (taking photos) on either side.

Onto the Towpath: Graffiti and Wild Foliage at Bordesley Junction

For the start of our Digbeth Canal Walk, Tom and Nick led us onto the canal via Great Barr Street. Immediately we were on the towpath, and the area became quiet, with the busy traffic fading to a low hum. We walked up to Bordesley Junction and explored the area. The walls are covered with bright, colourful graffiti, and the foliage had grown wild, escaping the constraints of the towpath. Old industry dominated the sides of the canal. Broken windows and missing drainpipes reflected its rundown nature.

Digbeth Canal walk
The mix of colours along the walls.
Digbeth Canal walk
Reflections of the canal bridge at Bordsley junction.
Digbeth Canal walk
Remnants of the industrial heritage of the canals.

Rubbish in the Canal: A Conversation with the Canal and River Trust

Rubbish was present both in and around the canal, much to Nick Cleaver’s disgust. “Why do people persist in dropping rubbish in the canal?” he asked. He went on to tell us that the Canal and River Trust spends much of its budget on keeping the canals clean.  If people looked after the canals, then the money could be spent on more worthwhile projects.

Digbeth Canal walk
A tin can sits amongst the fallen leaves in the water.

The Bond, Peaky Blinders Studios and MasterChef’s Warehouse

Tom Hicks was on hand to talk about his work, but what was most fascinating was watching what he photographed. I learnt a great deal just from watching Tom take pictures and seeing how he composed them. All his photographs were taken with his phone camera.

Digbeth Canal walk
Colourful graffiti seen on our Digbeth Canal Walk.

We retraced our steps along the towpath. The Bond centre looked neat and tidy from our side of the canal.  We were also next to the film studios of Stephen Knight, creator of Peaky Blinders.  The studios were just behind the graffiti on the canal walls. 

Beneath Curzon Street Bridge: Digbeth Canal Photography Meets HS2

We passed artwork by Annatomix on Our Digbeth Canal Walk and then the warehouse where MasterChef is filmed. In comparison to the Bond, the area alongside the canal looked ill-kempt. Canal boats passed through as we entered the magical underworld beneath Curzon Street railway bridge. We had now left Digbeth as we emerged on the other side of the bridge and were immediately greeted by the high steel pillars of the HS2 works.

Digbeth Canal walk
The Fox by Annatomix is an impressive mural.

White plastic sheeting covered the large engineering statues, which would soon become part of the HS2 terminal for Birmingham. We moved on to the Birmingham City University campus and photographed the new developments taking place there. One of my favourite buildings is the lockmaster’s cottage, with its boarded door and windows decorated with Lucy McLauchlan’s artwork.

Digbeth Canal walk
Walking underneath Curzon railway bridge towards the light.
Digbeth Canal walk
A view of the new buildings which form part of the campus of Birmingham City University.
Digbeth Canal walk
The towering HS2 foundations covered in white plastic sheeting.
Digbeth Canal walk.
Detail from the old Lockmaster cottage on BCU campus. Artwork by Lucy McLauchlan.

Back to Centrala Space: Reflections and What’s Next

It was time to make our way back to Centrala for a debrief and refreshments. This was the third and final instalment of the recent canal walks run by PRISM Photography in conjunction with the Canal and River Trust. I was pleased that I was able to join one of the walks.  Of the three the Digbeth Canal walk was the one that I wanted to join most. Next, we submit three photographs from the day and wait to see which of these is selected for the exhibition at Centrala in August. More details to follow.

Digbeth Canal walk
A canal boat on its way down the canal will pass Centrala further down on the right.

Digbeth has been covered in my blog and here is a link to get you started.  As a member of the Canal and River Trust, I enjoy walking along the canals and I have covered other cities including Manchester and the Regents Canal, London.

Visit to Stirchley Steve Coel

Meeting Steve Coel

I first met Steve Coel on the streets of Stirchley during the “Stirchley Observation Project” in 2024. I took his picture and we started talking. He mentioned his artist background, but I did not fully connect that he was interested in photography as well. We next met at the Tom Hicks exhibition at Birmingham City University and have since met on a regular basis at the PRISM photography talks at 1000 Trades in the Jewellery Quarter.

The Artist Steve Coel and the 11.59 Production Studio
Steve Coel, an 11.59 publication.

Steve Coel’s work is produced under the name ‘an 11.59 publication’. He invited me to his studio in Stirchley to view examples of his artwork. I arrived early so that I could take a few pictures of Stirchley, then met Steve on the road bridge on the border of Stirchley and Bournville. Steve took me to his studio, which is behind the Attic Brewery. The old industrial estate houses several thriving businesses, the majority of which have artistic inclinations.

The Artist Steve Coel and the 11.59 Production Studio
A view over the old Stirchley industrial estate.

Imbue’s Workshop

On the way up to the second floor, we passed Imbue’s studio. This was a chance to meet the artist and see his workshop. I have written about Imbue’s work before, and I enjoy the combination of digital scanning with his thought-provoking vision of everyday life. After a look around his workplace, and the generous gift of one of the Imbue lucky rabbits (the plastic variety, not the gold ones), we went up to Steve’s studio.

The Artist Steve Coel and the 11.59 Production Studio
An Imbue rabbit still in its packaging.

Inside the 11.59 Publication Studio

There are around ten artist spaces on the floor, and Steve gave a brief background to each one. His own studio held many fascinating paintings and pictures. Steve browsed through his back catalogue of pictures, and I enjoyed viewing his work, which combines deep, rich colours and textures. He has a wide-ranging back catalogue, examples of which are displayed on the ‘an 11.59 Publication’ instagram account.

The Artist Steve Coel and the 11.59 Production Studio
A view of Stirchley from Steve’s studio. (B&W flipped image)

Steve is an artist first and foremost, but he is also an accomplished photographer. His recent pictures of the Selfridges building are excellent and formed the basis of a book cover for local artists. I enjoyed browsing through all the artwork and hearing Steve’s interpretation of how the different pieces of work came together. His artistic background allows him to push the boundaries of his work. Having a Welsh background means that many pictures have Welsh names, which adds intrigue to the interpretation of his work.

The Artist Steve Coel and the 11.59 Production Studio
Steve Coel, the artist, in the 11.59 Publication Studio

A chat over a cuppa

The afternoon finished with a cup of tea in the hot summer sun, on one of the wooden benches in the concrete Stirchley Triangle. We reflected about art, photography, Stirchley and life over a great cuppa, crafted by the Stirchley Spud Co.

The Artist Steve Coel and the 11.59 Production Studio
The Stirchley Triangle

Finally here are a few pictures of Stirchley taken during my visit to Steve Coel’s studio.

The Artist Steve Coel and the 11.59 Production Studio
Is this the classic Stirchley street view?
The Artist Steve Coel and the 11.59 Production Studio
A view of the canal with algae

As always there is a chance to explore my previous blog entries and I include an account of my earlier visit to Stirchley.

Photographing Digbeth: the bridge over the River Rea. Art work includes Gent48.

Photographing Digbeth is always a creative and enjoyable time. My first serious photographic journey through Digbeth was in 2018. Since then, I have photographed Digbeth and the surrounding area on numerous occasions.

Photographing Digbeth: Including work by @brumpasteup
Photographing Digbeth: Trinity Street Including work by @brumpasteup

With the advent of the HS2 works, I wanted to see how construction was progressing near the Curzon Street canal towpath. The nearby Birmingham City University campus (BCU) is taking full advantage of the investment generated by the HS2 project. There is an incredible amount of building work taking place across the area. In spite of this, many problems still surround HS2, including repeated delays to its completion date.

Exiting Ashted tunnel on my way to Photographing Digbeth.
Exiting Ashted tunnel on my way to Photographing Digbeth. The evolving campus of BCU greets you.

However, one cannot help but admire the engineering involved, and I was keen to photograph the large steel bridge that crosses the Birmingham to Lichfield railway on the approach into Curzon Street. To get close to the bridge, I walked down Northumberland Street behind the West Midlands Fire Service Headquarters. The bridge is tall and imposing, and the future trains will pass close to nearby apartment blocks. Walking across Lawley Middleway and looking up, the scale of the bridges dwarfs the surrounding roads and railways. The structures throughout the HS2 works are remarkable, although I do feel sorry for the nearby residents and businesses that have endured continual disruption during the construction.

Photographing Digbeth: The steel bridge that will take HS2 trains to Curzon Street.
The steel bridge that will take HS2 trains to Curzon Street.
Photographing Digbeth: A local train passes by the larger HS2 bridge over Lawley Middleway,
A local train passes by the larger HS2 bridge over Lawley Middleway,

Another noticeable change is the slow but definite gentrification taking place around Digbeth’s canal network. The Curzon Street railway bridge creates a long tunnel where the Digbeth Branch Canal passes underneath. This was once, not an area you would walk through alone. Now there are cyclists, runners and students making their way to lectures at Birmingham City University or just commuting into the city. You also encounter interesting people. During my walk, I came across guides from Birmingham Design Festival, whose handheld placards were helping visitors explore the canals. There is also a definite increase in canal boats along the old industrial waterways, bringing the area to life.

Photographing Digbeth: volunteers from the Birmingham Design Festival.
Photographing Digbeth: Photographing Digbeth: volunteers from the Birmingham Design Festival.
Photographing Digbeth: Canal boats and street art
A canal boat makes it way down the canal passing by the Fox mural by @Annatomix.

I continued on to Bordesley Junction, where the towpath becomes much quieter, yet even here I passed a runner. At the canal junction, the graffiti-covered walls provide a colourful backdrop, while the old industrial buildings tower above the waterways. Despite these changes, the area still feels uncertain and is not somewhere I would readily explore alone. No doubt the creeping gentrification will eventually reach this part of Bordesley as well.

Photographing Digbeth: Bordesley Junction
A lone runner passing through Bordesley Junction.

Heading back into Digbeth, I soaked up the atmosphere created by the busy shops and cafés. Redevelopment continues, and high-rise apartment buildings are increasingly surrounding the area.

Photographing Digbeth: The Old Crown with new flats being built.
The Old Crown has seen many changes through its 650 year history. Now the flats have arrived.

The streets around Gibb Street and Trinity Street are constantly evolving, with new businesses, nightclubs and street art appearing all the time. There are still a few artworks that I have to photograph, and I found this mural by @ginger_dan. Looking back at my photographs from 2018, the changes are striking. Old murals have disappeared beneath fresh paint, while new venues continue to emerge. Digbeth still retains its unique charm, and I hope it continues to preserve its distinctive character.

Photographing Digbeth: Street art by Ginger Dan.
Street Art on Trinity Street by @GingerDan.
Photographing Digbeth: Satellites of Love.
Photographing Digbeth: Satellites of Love.
Photographing Digbeth: Pink Limousine on Floodgate Street.
Photographing Digbeth: Pink Limousine on Floodgate Street.
Photographing Digbeth: Britpop rules.
Photographing Digbeth: Britpop rules. It sure does.

If you enjoyed this read then compare the changes in Digbeth to my first blog about the area. I have photographed Digbeth on several occasions so please review my index of articles to see more.

A long shadow on the towpath near to Brindley Place.

A shadow cast by the sun may often produce lovely, interesting shapes on the ground or walls.  There is a spot in Birmingham where shadows are created by the tall canal-side lamps that stretch over the towpath along the Birmingham Canal Navigations. The area around Brindley Place offers many opportunities for street photography, urban landscapes, and other candid moments.

I had planned a visit to Oozell’s Square, adjacent to Brindley Place. The blossoms there appear only briefly during March and April, and I arrived early to photograph them.

Being in Brindley Place on a bright early morning was a bonus. The combination of water and the warm red brick of the surrounding buildings create excellent conditions for reflections and shadow play. I spent some time walking along the canals before heading towards Gas Street Basin for yet another photograph of this beautiful area.

A cyclist and a pedestrian approach a long shadow of a street lamp.
A cyclist and a pedestrian approach a long shadow of a street lamp.

I eventually sat on a bench opposite Brindley Place, near the ICC entrance. My attention was drawn to the shadows on the far side of the canal, cast by the canal lamps overlooking the towpath.  The walkway runs beneath the “Black Sabbath” bridge into Gas Street Basin and is a popular place for pedestrians. As people passed by these elongated shadows, there was an opportunity for some interesting street photography. Positioning myself on the other side, I waited for the right moment.

An overview of the shadows created by the early morning sun at Brindley place.
Abview of the shadows created by the early morning sun at Brindley place.

The shadow formed a bold diagonal across the scene, with its far end resembling the outline of a UFO. A steady flow of pedestrians allowed me to capture several images using my Canon R6 Mark II with my 24-70mm EF lens.  When I got home, I was really pleased with the images that I had captured.

One of these photographs was entered into the weekly #ShareMondays2026 competition on BlueSky. I was pleasantly surprised by the response as I recieved many likes and comments. The image proved particularly successful and was selected as the weekly winner of #sharemondays.

A chance meeting under a shadow.
A chance meeting under a shadow.

I am very pleased with the outcome and hope the photograph continues to resonate with viewers. In the meantime, I shall continue exploring, always looking for compelling scenes to capture and share.

If you want to see how I have researched the area in the past for street photography then take a look at my blog “Walk on by”. As you can see the shadows do create interesting interactions with pedestrians.

Stannels Bridge shows patterns of rust and peeling paintwork.

Stannels Bridge is part of the Stratford Greenway, located just outside Stratford-upon-Avon. The disused railway track is now a haven for cyclists and walkers. A landmark structure near the start of the greenway is an old railway bridge. It was built in the early 1900s and formed part of the Great Western Railway. The steel girder structure allowed the railway line to cross the River Avon.

Stannels Bridge shows patterns of rust and peeling paintwork.
Close up of Stannels Bridge iron work shows patterns of rust and peeling paintwork.

Now used for recreational purposes, the rather grand structure shows signs of neglect, with rusting and peeling paint. The bridge has been well documented from a historical point of view. Many photographers have become fascinated by it, as this website demonstrates, with photographs dating back to 2012.

The interlacing pattern of iron girders of Stannels Bridge creates an imposing structure.
The interlacing pattern of iron girders of Stannels Bridge creates an imposing structure.

I spent time focusing on the details of the rust and peeling paint on Stannels bridge, then on the repeating patterns of the ironwork, and finally on an overview of the structure. I have taken several other pictures, as shown.

The paintwork of lStannels Bridge reveals the different layers added over the years.
The paintwork of lStannels Bridge reveals the different layers added over the years.

I am adding a few of my own photographs to this interesting iron bridge.

Stannels Bridge spans the river Avon which is seen in the background of this picture.
Stannels Bridge spans the river Avon which is seen in the background of this picture.

Stannels Bridge is a distinctive structure found along the Stratford Greenway, the former Great Western Railway line that once connected Stratford-upon-Avon with the wider rail network. Accessing the Greenway by foot or bike allows you to take in the old railway line. Stannels bring is near to the start of your journey on the Greenway.  Whilst you visit, you can add to the enjoyment of the day with two cafes offering refreshments. They are strategically situated along the Greenway and they are based in former passenger dining coaches.

Stannels Bridge is now part of the Stratford Greenway used by walkers and cyclists.
Stannels Bridge is now part of the Stratford Greenway used by walkers and cyclists.

This is an old account back in 2021 of my first visit cycling along the Stratford Greenway.

Atmospheric black and white canal photography in Birmingham

The day was black and white, and the Birmingham weather matched the mood. A dull sky hung overhead as mist rolled in, partially obscuring several buildings along the way.

Atmospheric black and white canal photography in Birmingham
The area of my journey at Snow Hill Station
Atmospheric black and white canal photography in Birmingham
The tree branches out and covers the tower blocks

Walking beside the Birmingham Canal Navigations, the mist created a stark, atmospheric view of the city. I found the conditions ideal for photography, with a strong black and white theme naturally emerging in my images.

Atmospheric black and white canal photography in Birmingham
Pointing the way to what is happening in Birmingham.
Atmospheric black and white canal photography in Birmingham
A close up of the moss on the brickwork around the canal

I was using what I like to call my big camera, a Canon R6 Mark II. Paired with a fast zoom lens, it’s a setup I’m comfortable with, although it’s not something you can slip into a coat pocket like a compact camera. Because of that, I was careful not to keep the camera out from under my coat for long periods.

Atmospheric black and white canal photography in Birmingham
I saw this person with a white coat and she lined up perfectly with the surround views
Atmospheric black and white canal photography in Birmingham
A classic view of the Gas Street Basin

During those brief moments when I did take it out, I looked for both unusual and familiar views of the canals focussing on the black and white. The walk from Snow Hill to Gas Street Basin was an enjoyable one, and the photographs reflect that journey through Birmingham in misty, monochrome conditions.

Atmospheric black and white canal photography in Birmingham
A cyclist goes past at speed just off Water Street.

If you enjoyed this read then please delve deeper into my blog with this entry into my blog. Written in 2019, the entry describes the 250th anniversary of the Birmingham Canal Network.

Wolverhampton, City Centre, Changes to the City

Photographing Wolverhampton is a city in transition and is another addition to my list of places that I have visited with my camera. My last photographing blog subject was the City of Gloucester with my visit there taking place last year. For this January, my visit to Wolverhampton aligned with the Wildlife photographer of the year exhibition.

Wolverhampton is a large city with a long history, Wolverhampton is often overshadowed by its larger neighbours, Birmingham and Coventry. The city’s economy is based on engineering alongside a large service industry. Many of the older industrial companies have moved out, and their buildings remain as ghosts of the past. The different buildings provide good subject matter for photographing.

Photographing Wolverhampton, a city in transition, Street
Catching a silhouette on the bridge from the train station to the city.
Wolverhampton, City Centre, Changes to the City
Wolverhampton’s Top Lock shows how important the canals were to the City. The lockmaster’s cottage is impressive.

I arrived early so that I could photograph the city. The weather was grisly, with intermittent rain and drizzle. I wanted to explore the canals that I often saw from the train windows as I passed through the station. You can pick up the canal towpath from the station. Abandoned boats sit alongside those still in use by present-day canal boaters. The lock keeper’s cottage contrasts with the newer, box-like architecture nearby which is Victoria Hall student accommodation. Leaving Wolverhampton train station and the canals, one of the first imposing buildings you encounter is the triangular Chubb Building, which towers over the road and canal network.

Photographing Wolverhampton, Victoria Hall of residence amongst the bare trees.
A dominant building, Victoria Halls of Residence underpin the importance of the University of Wolverhampton to the city.
Photographing Wolverhampton, the impressive Chubb locks building is a ghost of the past.
Photographing Wolverhampton, the impressive Chubb locks building is a ghost of the past.

Moving through the city, there is more than a sprinkling of betting shops and hairdressers; in fact, they seem to be the main attraction, along with a few pubs and coffee houses. The grand shopping building Beatties looks sad and dejected. Its Art Deco architectural style makes it stand out, but the billboarding and red fencing detract from its appearance. I stood outside the boarded-up building, imagining what it must have been like in its heyday, bustling with shoppers.

Photographing Wolverhampton, the Grand theatre, looking majestic.
The Grand Theatre stands out with its colourful updated facade.

Now the streets are empty, apart from a few art murals. “Empty” is a word that describes the city well. The covered shopping centre does attract shoppers, but once again, looking at what is available makes me think that a quick look on Amazon would reveal far more choice.

Photographing Wolverhampton, empty streets
A single figure negotiates the empty city streets.

My spirits were lifted by the Wolverhampton Art Gallery. Inside, the white walls were covered with pictures and artwork. The atmosphere inside is cheerful, and the staff were genuinely interested in what you were going to view. Wildlife Photographer of the Year is a big draw, and I had an early ticket. By late morning, there were many people around looking at the pictures. The exhibition was absorbing. The photographs were incredible, and there were so many highlights. I was taken aback by the quality. The 10-and-under category blew me away. I definitely have a lot more learning to do about photographing wildlife.

Photographing Wolverhampton, Wildlife Photographer of the Year, Viewing the exhibition.
The Wildlife Photographer of the Year is very popular.

The restaurant, like the rest of the gallery, was very good. After lunch, I went to Molineux Stadium and, on the way, passed buildings belonging to the University of Wolverhampton. These were a magnet for young people who were milling around, undeterred by the miserable conditions. The underpass between the city and the football stadium is a good place to pause for photographing street scenes. There is a constant stream of people with umbrellas, and the central section is busy with bikes passing through. The stadium is bright and yellow, and I enjoyed walking around the perimeter, taking pictures of the architecture and sculptures.

Photographing Wolverhampton, The Pedestrian underpass leading to Molineux football stadium.
A cyclist roars past me as I am taking photographs in the underpass.
Photographing Wolverhampton, a man with an umbrella, raining outside Molineux football stadium.
A man with an umbrella, raining outside Molineux football stadium.
Photographing Wolverhampton, Sharp angles around the Molineux Stadium.
Sharp angles around the Molineux Stadium.

I walked back, this time to the tram terminus, and on the way found more street art. It was lunchtime, so there were a few more people around. I was relieved to find that the city does have a lifeblood of people.

Photographing Wolverhampton, Wolf mural in the street.
Watch out there are Wolves about on Victoria street.
Photographing Wolverhampton, Street Art on King street
Graffiti on King Street
Photographing Wolverhampton, Street art on  King Street
No future (but that was back in the seventies)
Photographing Wolverhamptoni, catching the tram at Wolverhampton St Georges.
Catching the tram at Wolverhampton St Georges. A shot of blue on a grey day.

Photographing Wolverhampton, a summary.

As the BBC has reported, there is both good and bad things happening in Wolverhampton. The Victorian and Georgian buildings are beautiful but I guess they are a challenge to regenerate. Meanwhile the town centre looks vacant. Yet at lunchtime, the city is alive with office staff and casual shoppers. The area around the university is vibrant, with many students moving around. The football stadium is a colourful focal point, and I hope the team remains in the Premier League for the good of the city. Photographing Wolverhampton does provide a rich source of subject matter for the camera.

Birmingham is also going through change and photographing Digbeth shows the transition.

Snowfall at first light, Knowle, Solihull

Snowfall at first light is an uplifting sight.  The cold weather is welcome and the snow creates idyllic winter scenes.  The long range weather forecast was predicting snow and the BBC weather watchers were getting very excited.  On the night when the snow fell, pictures were flooding my social media feed as people ventured out to see the first flakes.  I did not get drawn into going out as for me too cold!  I would wait for the first light of the morning.  

Snowfall at first light, Knowle, Solihull
The classic view of Knowle High Street in the Snow

Walking through the park and already there were several snowmen.  My goal was to get to the village highstreet and take what is for me the classic view up towards the shops.  I used both iPhone and my Canon cameras to take the picture.  The iPhone picture was uploaded immediately to the BBC weather watchers page.  

Snowfall at first light, Knowle, Solihull
Looks a touch cold for Bikinis.

My next goal was the red pillar box and telephone box.  The bright red contrasts well with the white snow and I spent several minutes photographing them.  I went onto take pictures of Knowle Parish Church which dates to 1400 and always looks wonderful when snow has fallen.  The Grand Union canal passes by Knowle and the large flight of locks was built to negotiate the hill.  Knowle is an old English word for hill.  The landscape around the locks was enhanced by the beginning of a sunset.  The colours were short lived and when present lifted the landscape.  

Snowfall at first light, Knowle, Solihull
Knowle Church and the Guild House in the Snow.
Snowfall at first light, Knowle, Solihull
Knowle Village sign with the church and Guild house in the background.
Snowfall at first light, Knowle, Solihull
Knowle locks in the snow
Snowfall at first light, Knowle, Solihull
Snowman in Knowle Park

The cold weather was now taking its toll and I headed home for a hot cup of coffee.  On the way back I found out from friends that my picture of Knowle High Street had been shown by Matt on Breakfast TV.  This news made my trip worthwhile.

Snowfall at first light, Knowle, Solihull
My snowfall picture of Knowle on BBC Breakfast time.

Previous links to snowfall in my blog.

Birmingham photowalk capturing winter street photography and long shadows.

Marcin SZ has been leading Birmingham photowalks since 2020. An accomplished photographer, he shares his work on Instagram under Birmingham_Photography, capturing the city during the golden and blue hours in vibrant colour and bold black and white.

Birmingham photowalk capturing winter street photography
Marcin our host for the Birmingham photowalk

As part of my New Year’s resolution to explore new photographic opportunities, I joined one of Marcin’s photowalks. We met outside the Library of Birmingham, where a small group of photographers gathered before heading out to explore the city.

Marcin our host for the Birmingham photowalk
Dancers gather outside the windows of the Library to practice their routines. This causes bemusement to people passing by.
Birmingham photowalk capturing winter street photography and long shadows.
A street cleaner creates a striking silhouette in the light.
Birmingham photowalk capturing winter street photography and long shadows.
The brand new Octagon building towers over the former four-star Copthorne Hotel now scheduled for demolition.

Despite the cold winter weather, Centenary Square was full of activity. The low afternoon sun reflected off the Library’s glass façade, creating long shadows and strong contrast—ideal conditions for street photography in Birmingham.

Birmingham photowalk capturing winter street photography and long shadows.
Whilst the walkways between buildings are wide, they are made to look narrow by the height of the buildings.
Birmingham photowalk capturing winter street photography and long shadows.
Two figures move along the walkway between buildings.
Birmingham photowalk capturing winter street photography and long shadows.
The Town Hall is partly revealed by the available light.
Birmingham photowalk capturing winter street photography and long shadows.
Major Birmingham landmarks take their turn in catching the light.

Our Birmingham photowalk took us through Chamberlain Square and past the Town Hall, where Marcin encouraged us to look for architectural details and light patterns often overlooked. Hill Street, bathed in winter light, offered compositions reminiscent of New York. Along the way, spontaneous moments appeared, including a group of cyclists performing wheelies near Brunel Street.

MaBirmingham photowalk capturing winter street photography and long shadows.rcin Walk
Hill street has those New York vibes about it especially with the low level sun.
Birmingham photowalk capturing winter street photography and long shadows.
This picture is to remind me that sometimes the best pictures arise when you least expect them.
I went on a super photowalk and this picture is to remind me that sometimes the best pictures arise when you least expect them.
This cyclist was performing a wheelie on his bicycle as he ride down Brunel Street.

We continued towards the Mailbox and the Cube, where intense horizontal light produced striking graphic shadows. After photographing the frozen waters of Gas Street Basin, Marcin invited us to his studio on the 10th floor of Quayside Tower. From there, we enjoyed panoramic views across Birmingham as the setting sun filled the sky with warm tones and soft pink clouds.

Birmingham photowalk capturing winter street photography and long shadows.
Overlooking the towpath from the Cube bridge. Long shadows in the setting sun start to look atmospheric.
Birmingham photowalk capturing winter street photography and long shadows.
The surface of the water in Gas Street Basin has frozen leaving consumer debris on the ice.
Birmingham photowalk capturing winter street photography and long shadows.
Golden hour over the City generates vibrant colours.

Birmingham Photowalk reflections

I highly recommend joining such a Birmingham photowalk with Marcin SZ. He is genuinely passionate about photography and has a natural ability to guide people towards compelling scenes. The atmosphere is relaxed, welcoming, and suitable for all experience levels. It was a memorable afternoon, made even better by beautiful winter light and inspiring company.

If you enjoyed this account of a Birmingham photowalk then here are some links to previous walks done in Manchester and London.

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