Ozzy Osborne, Black Sabbath, Birmingham, July 2025

The passing of Ozzy Osborne leaves a large imprint on the people of Birmingham. The band Black Sabbath are very much loved and their Birmingham origins are celebrated throughout the city. Back in 1974, I remember “Paranoid” blasting out loudly through the student common room speakers. I loved the Black Sabbath album covers which stood out from others at the time with their own distinctive take on the early seventies. Even as my musical tastes moved towards glam rock, punk and new wave, I still had fondness for the distinctive Tony Iommi guitar riffs from “Iron Man,” and “Paranoid”. Black Sabbath and Ozzy Osbourne still connect with me especially as their influences are all around Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The shrine to Ozzy outside the Crown pub on Station Street.

Getting caught up in the emotion around the city from the reunion concert and people gathering to honour Ozzy, I went in the day before his funeral to visit the notable Black Sabbath sites in the city and pay my respects.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The Crown pub, Station St.

My first stop was the Crown pub often known as the birthplace of legends. Many famous bands played there including the early Black Sabbath concerts. Closed since 2014, the building is now protected by its Grade II listed status although what the future will be is uncertain. The Crown has had a lick of paint and the boarded-up windows now have pictures of the band. A small shrine has taken shape below the picture of Ozzy. There are a few candles, flowers and fan messages set out. Pedestrians entering New Street rail station glance curiously at all the commotion.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy the Bull at New Street station.

Then there is Ozzy the Bull. Towering above the concourse of New Street Station, this animatronic sculpture was a massive success during the Commonwealth Games. Once forgotten, now restored, much like the man himself, Ozzy the Bull is a great symbol of the City.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy’s signature on the wall in Navigation Street.

Outside the front of the station, Navigation street has attracted the City’s attention where Mr Murals, a local artist has created a striking Black Sabbath mural. Along the wall facing the station are photorealistic spray can pictures of the four band members. The Black Sabbath logo looms large beside them. Less than a month ago, the group came to look at the murals and each signed their name against their picture. The signatures have been protected with Perspex glass. The length of the street has become another shrine for Ozzy with flowers lined up against the wall.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
More floral tributes along the Black Sabbath mural.

The focus of the outpouring of grief for Ozzy was taking place at the Black Sabbath Bridge on Broad Street. In 2019, the city dedicated this space to the band with a bench featuring the faces of Ozzy, Tony, Geezer, and Bill. Now, the bench is transformed with flowers, tributes, hand-written notes, empty Jack Daniels bottles, and even a guitar. The tribute has taken over the pavement and security are required to keep a semblance of order. On the day of the funeral, this was the place where the hearse bearing Ozzy stopped and the family paid their respects. The news and pictures from the BBC and Rolling Stone magazine show how much he will be missed.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
This is the day before the funeral at Black Sabbath Bridge.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
A guitar with inscription amongst the tributes.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
More details of the tributes.

Next I find myself in the Birmingham Museum and Art Gallery. Here a special tribute holds centre stage. The ” Ozzy Osbourne (1948-2025): Working Class Hero” exhibition celebrates the lead singer’s astonishing career. Videos play on loop; photographs of his successful career adorn the walls. The many gold and platinum records are displayed. At the entrance, The civic book of condolence for Ozzy waits. I stood in the queue, looking up at all the artwork around waiting my turn to add my condolences.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The working class hero exhibition.

On my way home, I pass through Victoria Square where there is an exhibition of Black Sabbath with many posters arranged to tell the history of the band that will forever be associated with Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The Black Sabbath poster board exhibition in Victoria Square.

Even at Selfridges, the modern temple of retail, screens shimmered with Black Sabbath’s images. Pictures of the band and Ozzy great you at the store entrance. A place is set aside to stand and watch a continual loop of the greatest Black Sabbath songs.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Tributes to Black Sabbath.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
A mini theatre inside the store.

There is much to take in and the legacy of Ozzy and Black Sabbath is celebrated on the streets. He is a hero not only of the working class but everyone who looks to make a better future for themselves. Ozzy with his charismatic personality will forever symbolise the City of Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy at the Commonwealth Games in 2022. (picture from the Working class hero exhibition).

There are a few Ozzy images in my past blogs. See if you can spot one in this blog.

Lost all meaning by Imbue, Digbeth, Birmingham

I follow Imbue on Instagram and enjoy his thought-provoking artwork. Over the last few weeks, my Instagram feed went wild with notifications about his forthcoming exhibition. The images circulating included the Mona Lisa as viewed on mobile phones and a horse constructed from Amazon boxes. The exhibition was called ‘Lost All Meaning’, so I headed down to Digbeth to see the artwork. I do enjoy contemporary art. Having lived through the glam rock, punk and new romantic music movements, the album covers were always treasured. Imbue’s work captures much of that excitement and brings it right up to date.

Lost all meaning by Imbue, Digbeth, Birmingham
The exhibition space for the Imbue artwork.

I arrived at the building on Floodgate Street and was immediately drawn to the walls where Imbue had arranged his work. A food and drinks machine was set up to dispense “faith healing” drugs. I bought a pack from the machine dispenser, and inside the blister pack, the tablets were arranged in the shape of a cross. This religious theme ran throughout the exhibition, with pieces such as The Fall of Man (UV print on a used MacBook lid) and McChurch, which, when cut out, resembles a McDonald’s Happy Meal box. The 100 Phones exhibit depicting the Mona Lisa was remarkable, though it makes me feel I really must go and see the actual Mona Lisa now!

Leonardo da Vinci
Faithhealers make a cross.
Lost all meaning by Imbue, Digbeth, Birmingham
Mc Church which if brought allows you the option to but out and make a box.
Lost all meaning by Imbue, Digbeth, Birmingham
Close up of the 100 phones Mona Lisa.

Many of the prints were mounted on the wall and arranged in a 3-by-3 grid, including Leonardo da Vinci–inspired printed circuit boards with images of the Mona Lisa, Salvator Mundi, and Saint John the BaptistKids with Guns used shooting targets with added Mickey Mouse ears, a powerful indictment of the world’s current gun problems. Nearby was a bullet encased in a bottle, designed to be used in a 3D-printed gun.

Lost all meaning by Imbue, Digbeth, Birmingham
Leonardo da Vinci series
Lost all meaning by Imbue, Digbeth, Birmingham
Shooting targets for kids.
Lost all meaning by Imbue, Digbeth, Birmingham
A bullet for a 3D printed gun.

The theme of 3D printing ran through the exhibition, with the interplay of technology and everyday life presented not only to shock but also to make you think.

Lost all meaning by Imbue, Digbeth, Birmingham
Liquidising Alexa which I have to admit is such a good idea.

Two large exhibits dominated the centre of the warehouse. The horse made from Amazon boxes must have stood 12 metres tall, as shown in the photos. Quite a few home deliveries were needed to construct this horse. To my mind, it resembled a Trojan Horse. Very fitting, as we bring Amazon boxes into our homes without a moment’s thought.

Lost all meaning by Imbue, Digbeth, Birmingham
The Amazon Boxes Horse.

The other large exhibit was a veiled statue that Imbue had secretly scanned during a visit to the Louvre. The replica of Antonio Corradini’s Femme Voilée rotated in front of a bank of 3D printers. Small white statues were being printed and stored in a box, ready to be sold. This work raised many questions: how is it possible to scan such famous statues and then make them accessible to all? Did Imbue “steal” the statue from the Louvre, or is this simply how art will be shared in the future?

Lost all meaning by Imbue, Digbeth, Birmingham
The veiled lady in front of a bank of 3D printing machines.
Lost all meaning by Imbue, Digbeth, Birmingham
A reflection of the veiled lady in the 3D printing window.
Lost all meaning by Imbue, Digbeth, Birmingham
The one that I want.

There were many other exhibits, too many to describe in detail. There are several accounts of the exhibition on the Internet each featuring their favoured artwork.

Personally, my favourite work was DNArk. I am currently watching a cheesy but entertaining TV series on the Syfy channel called The Ark, where the last of humanity is sent into space carrying the DNA of the animal world. Imbue’s artwork consists of a transparent boat with multiple rows of red vials representing DNA samples. It left me wondering: how are we going to preserve the world’s DNA if we keep destroying the environment?

Lost all meaning by Imbue, Digbeth, Birmingham
DNArk

The bonus of the visit was meeting Imbue himself and taking his picture. He was open to conversation and happy to discuss his artwork and the ideas behind it. The exhibition only ran for a few days, but I will be on the lookout for his future work. Imbue has created artwork that resonates with today’s technology, cleverly weaving in references to past masters while exploring how we interact with the modern world. The role of religion seems to have morphed into technology, as people reinvent the world around them.

Lost all meaning by Imbue, Digbeth, Birmingham
The artist, Imbue.

As a photographer, I appreciated how the exhibition was staged against the backdrop of an old industrial engineering workshop. The natural light from the ceiling windows and the texture of the walls provided the perfect setting for the artwork. As always, I used my X100VI for most of the pictures, whilst favouring my iPhone’s wide-angle lens for the overall views.

Lost all meaning by Imbue, Digbeth, Birmingham
Lost all Meaning.

I found this exhibition space interesting as last year I was at the same place for the final day of the Floodgate an entertainment complex. As ever Digbeth changes and I have added my blog link below.

The Confetti Fields, Wick, Pershore, June 20225

This year, the Real Confetti Company offered evening viewings of the Confetti Fields for the first time, and I signed up immediately. There is always a short window when the Confetti Fields at Wick, near Pershore, open to the public. The weather and the timing of the delphinium blooms have a significant influence on this.

The Confetti Fields, Wick, Pershore, June 20225
The view from the top of the field looking down towards Bredon Hill.

Although the dates did not suit the family calendar during the day, the evening timing worked for me. On a warm June evening, I arrived at the fields two hours before sunset.

The Confetti Fields, Wick, Pershore, June 20225
On top of the viewing platform.
The Confetti Fields, Wick, Pershore, June 20225
The Delphinium flowers

As always, the vibrant colours of the flowers, neatly arranged in colour zones, were quite magical. The evening opening meant the field was less busy, allowing time to take pictures without the usual distractions of people walking through the lanes and avenues. When I arrived, the light was excellent and really brought out the colours. I met up with fellow photographer Dave Wells, and we were able to compare notes as we took our pictures.

The Confetti Fields, Wick, Pershore, June 20225
The wildflowers were spectacular.
The Confetti Fields, Wick, Pershore, June 20225
Colour contrasts in the field.

Unfortunately, a sunset never materialised. The sun disappeared behind clouds on the horizon, and rain arrived just as we were leaving. However, this did not dampen my enthusiasm for photographing the flowers. Enjoy the pictures—and I have provided links to previous visits to the Confetti Fields in 2023, 2020, 2019, and 2018.

The Confetti Fields, Wick, Pershore, June 20225
Three empty chairs.
The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025

The Golden Lion is a building with a long and varied history. Walk along the main path in Canon Hill Park, and you will soon come across it. The scaffolding surrounding the structure gives its location away. You then realise that it commands a striking view of the green space, the boating lake, and the MAC.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Hard Hats at the Ready.

The Golden Lion has served many purposes over the years, including being used as a living space, public house, and a cricket pavilion. Its original location was on Deritend High Street, but it was moved to Canon Hill Park in 1911. If you wish to learn more about its background, the Birmingham Conservation Trust (BCT) website is a good place to start.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
The outside scaffolding.

This blog describes my hard hat tour of the Golden Lion, organised by the BCT. Irene from the Trust was our guide, and she explained that restoration work on the building would soon begin. Only a few tours were scheduled before work commenced, so this was a rare opportunity to see inside the structure before any changes took place.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Inside the Golden Lion, Ground Floor inspecting the ceiling.
The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Looking at the walls.
The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Looking up to the roof and the space where orignially there was a second floor.

Irene was full of enthusiasm. As she explained both the history and the upcoming plans for the building, it became clear how closely the two are connected. We donned our hard hats and entered. Since the windows were boarded up, we needed torches to see. We were warned about low ceilings—and spiders. The latter, we were told, were actually a good sign, as they indicated that bats had not nested in the building, which would have delayed the restoration.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, Birmingham, June 2025
Debris on the floor.

We explored the ground floor and then the first floor. Debris lay scattered on the floors, and shards of light pierced through cracks in the walls. Despite this, the building was remarkably dry and structurally intact. Small holes in the walls provided natural ventilation, allowing the building to dry out quickly after rain.

As we moved through the space, there were clear reminders of its previous uses as a cricket pavilion and a ranger’s office. These later modifications were visible on the interior walls. There were fittings for benches, and the windows had been fitted with modern locks and latches. Originally, the building had another floor, and the outlines of where it once stood could still be seen on the walls. Early records from the 1851 census report that up to 50 people once lived in and around the building when it stood in Deritend. This included the courtyard at the rear where there were 6 small (slum) dwellings

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, Birmingham, June 2025
Going down the stairs

The visit was fascinating, and the history embedded in the walls came alive during our conversations. I am looking forward to seeing the Golden Lion restored and given a new lease of life. Thank you to the Birmingham Conservation Trust for organising the visit, and to Irene for being such an informative and enthusiastic guide. Finally a special thanks to Pat Rodwell for obtaining tickets.

There is a good article with arguably better pictures by Birmingham Live in 2024

If you are interested in exploring historical buildings around Birmingham which are a lot safer and accessible then I would recommend a visit to Selly Manor as my blog shows below.

Poppy Field, Witherley, Atherstone, May 2025

The poppy season does throw up surprises. Most poppy fields in the West Midlands are found around Bewdley and Kidderminster. Last year, there was a spectacular field in Kinver. Occasionally, a field appears closer to home, such as in Leamington Spa. This year’s surprise poppy field which was initially photographed by Jack March, a fellow weather watcher based around Nuneaton. He had posted some striking pictures taken in a poppy field in Leicestershire which were featured on the BBC.

Poppy Field, Witherley, Atherstone, May 2025
The dramatic red of the poppies at dusk.

After some internet detective work, it became clear that the field was in Witherley, a charming village just outside Atherstone — only a 30-minute drive from home. As soon as I discovered the location, I checked the weather forecast. The month of May had brought good weather, though a change was expected later in the month. Fortunately, the forecast looked promising for the evening and the following morning. It was time for action. I packed my camera kit and tripod into the car and set off for Witherley to catch the evening light.

Poppy Field, Witherley, Atherstone, May 2025
Sunset on the poppy field.

Finding the field was straightforward compared to some other locations I have written about. It was both easy to find and to access. When I arrived, two photographers were already there, focusing on close-ups of the poppies. I parked at the top of the field, and walked down towards the village along the side of the poppies. I found a good vantage point and began taking photographs. I captured some lovely images of the church bathed in the warm evening light. Looking back up the field, I noticed the sun setting beautifully over the crest. I quickly reset my camera to catch several shots of the golden sunset. The poppies glowed, their paper-thin red petals shimmering with life and shadows of nearby flowers. Poppy fields lend themselves both to sweeping landscapes and intimate portraits of individual flowers. Time passed quickly, and soon dusk settled in. I stayed to capture the colours of the clouds and the twilight. As the temperature dropped sharply, I was grateful for the warmth of the car once it had heated up.

Poppy Field, Witherley, Atherstone, May 2025
One of many close ups of the flowers.
Poppy Field, Witherley, Atherstone, May 2025
Panorama of the field

It was a superb poppy field. I had enjoyed the evening session so much that I decided to return the next morning. With sunset at 9:00 pm in late May, I knew sunrise would be early — at 5:00 am. After just a few hours of sleep, I was up again and back with the poppies before dawn. This time, I parked closer to the village and entered the field via the footpath. I made my way to the opposite side and settled in to await the sunrise. The field is bordered on the west by the River Anker. As the sun began to rise, the scene transformed. Mist started to rise from the river and slowly spread across the field. For a surreal five to ten minutes, the entire field was shrouded in mist. Just as suddenly as it appeared, the mist lifted as the sun’s warmth burned it away.

Poppy Field, Witherley, Atherstone, May 2025
The rise of mist from the river Anker.
Poppy Field, Witherley, Atherstone, May 2025
Sunlight bursting through the poppies.
Poppy Field, Witherley, Atherstone, May 2025
Close ups of the different poppies taking in the sunrise.
Poppy Field, Witherley, Atherstone, May 2025
Mist hanging over the poppy filed.

The sunrise was glorious, and I took many photographs with the cameras I had brought. The iPhone, always a reliable companion, captured some great shots as well. Eventually, there comes a point where you know you have taken enough pictures. Unbeknown to me, Jack March,  the weather watcher himself, had been observing me and taking photos. I was so engrossed in my work that I had not realised he was there. At the end of the session, as I returned to my car, I met Jack, who had been waiting. Jack is an excellent photographer, and I have long admired his work. We had a fantastic chat about the poppy field, weather watching, and photography in general. I even took a selfie of us with the poppy field in the background. After saying our goodbyes, I set off home to review and post my pictures.

Epilogue

There was another benefit from this trip to Witherley. On my way home after the evening session, I took a short detour to Church End Brewery. I found it tucked away behind Ridge Lane in a small village near Nuneaton. The tap room was open, and I came away with bottles of Fallen Angel and Goat’s Milk pale ale. It was a perfect photographic outing — capturing poppies at both sunset and sunrise, and returning home with some excellent beers for the evenings to come.

Church End Brewery, Nuneaton, May 2025
A few bottles brought at Church End Brewery to help during editing of my pictures.

If you enjoyed the latest addition to my poppy field journey then please read last year’s visit to Kinver. There are many other places I have visited and sadly some of these fields are no more. However, there are good memories of these places.

Birmingham BnW, May 2025

I took a walk from Snow Hill train station up towards Edgbaston village where I had a meeting. This is a collection of 10 images in black and white from my walk. All taken with my Fujifilm x100vi and converted to monochrome.

Enjoyed this, then read some more about Birmingham in Black and White.

Spring Equinox, Chesterton Windmill, March, 2025

Early starts in photography are always exciting, but only once you have set things in motion. As soon as the alarm goes off, I am on a mission. This time, my destination was Chesterton Windmill to see its newly restored sails. Sunrise at the spring equinox made the occasion even more significant. Since the clocks had not yet gone forward, the start was not too early.

https://www.bbc.co.uk/news/articles/cp3yx9ykxxdo
A proud windmill on the top of the hill.

Driving towards Chesterton, I noticed a lingering mist over the fields. On arrival, the scene was too good to pass up, so I pulled over, took out my camera, and captured the ethereal landscape. This was one of the first photographs of the windmill with its restored sails, and the conditions were perfect—a leading fence, mist-covered trees, and in the distance, the windmill’s sails standing proudly.

https://www.bbc.co.uk/news/articles/cp3yx9ykxxdo
The start of the spring equinox

When I reached the top of the hill, the moon was still visible, adding to the atmosphere as I prepared for the arrival of the day. The sunrise was beautiful, and though there were no clouds, the first rays of sunlight made the trip worthwhile. As the sun rose higher, its light reflected off the white sails, making them shine brilliantly. I took several more photographs with both my camera and iPhone before heading home for breakfast.

Spring Equinox, Chesterton Windmill, March, 2025
The moon sits alongside the sails.

I plan to return in a few weeks, as the windmill holds a special place for our family, particularly during those bleak lockdown days.

A pleasant surprise awaited me later—my early morning photograph of the windmill in the mist was featured by the BBC, and another image served as the backdrop for the Midlands Today weather bulletin.

Spring Equinox, Chesterton Windmill, March, 2025
The windmill with sails (Editor’s Pick on BBC Weatherwatchers)
https://www.bbc.co.uk/news/articles/cp3yx9ykxxdo
The sign that greets you on the way up to the windmill.

I hope you enjoyed reading this entry which marks the conclusion of my earlier entry, where I documented the restoration of the windmill’s sails.

Chesterton Windmill, return of the sails, March 2025

I was absolutely thrilled to learn that the sails were finally going to be placed back on Chesterton Windmill. This Grade I listed building holds so many cherished memories from before lockdown—a place to explore, take photographs through the changing seasons, or simply enjoy the historic beauty of this iconic location. During lockdown, the windmill became a refuge, a meeting point for family while maintaining social distancing. As a lover of landscape photography, the windmill has featured in many of my pictures. In fact, the Chesterton Windmill is an iconic location for many landscape photographers and is high on the list of Instagram influencers’ favourite buildings.

Chesterton Windmill, return of the sails, March 2025
This classical view of the windmill with leading lines from the fields will soon have the addition of windmill sails.

Then, in the spring of 2021, the sails were taken down. There was no notice, no explanation, and no indication of when they would return. For years, the windmill stood without them—dignified yet incomplete. Over time, many local people gave up hope that the sails would ever be restored.

Behind the scenes, however, Warwickshire County Council had commissioned the production of brand-new sails, carefully crafted to honour the windmill’s heritage. The company appointed for this task was Owlsworth Conservation, specialists in the preservation and repair of historic buildings. Behind the scenes of apparent inactivity, both the council and Owlsworth Conservation had been diligently working through the challenges that come with such a project.

When I received an email from my close friend John Bray with the news that the sails were being installed, I was, as I said at the beginning, absolutely thrilled.

Chesterton Windmill, return of the sails, March 2025
The newly made sails lie to the side of the Windmill as the supporting stocks are put in place.

The day arrived, and I gathered my cameras and set off for the windmill. When we arrived, the site was buzzing with activity. The sails were being installed using traditional, handcrafted techniques—pulleys and ropes at the ready. The only concession to the modern day was the use of a motorised articulated boom. One of the stocks that will hold the sails was already in place. Over the course of the morning, the second stock was hoisted into position. Although the sails would not be attached until the following week, the cross-bar mechanism was now ready to accept them.

Chesterton Windmill, return of the sails, March 2025
The craftsmanship is evident of the newly constructed sails (plus attached earthing metal tape.)

The team was happy to talk about the process and the dedication required to restore the windmill. The work demanded skill, patience, and perseverance. The weather was bright, with blue skies and white clouds, but it was bitterly cold. The previous day, the restoration had continued despite a wave of hailstones. Yet none of this dampened the enthusiasm of the men working on the windmill. A video of the work being done is on the BBC website

Chesterton Windmill, return of the sails, March 2025
From above, the work aims to pull the second beam upwards.
Chesterton Windmill, return of the sails, March 2025
From below, all hands keep the beam ready as it is hoisted upwards.
Chesterton Windmill, return of the sails, March 2025
The cross bars are ready for the addition of the sails.
Chesterton Windmill, return of the sails, March 2025
Paul Millwright of Owlsworth Conservation with the windmill in the background.

I look forward to seeing the sails in place, and in the coming months, my family will visit to relive our treasured memories of this beloved landmark. This ancient monument has witnessed so much change over the centuries, standing tall through shifting landscapes and history itself. Now, as it regains the sails that define it as a windmill, it is once more ready to embrace whatever the future may bring.

Chesterton Windmill, return of the sails, March 2025
The team includes members of Warwickshire county council and Owlsworth Conservation

I have included one of several blogs I have written about Chesterton Windmill. The blog featured was written in 2019 and shows how the windmill looked with sails prior to their breakage.

Further details and the background to the construction of the sails may be found on the following web link.

16 Acre Wood, Berkswell, HS2, February, 2025

I encouraged my daughter and grandson to join me on a walk to see the HS2 works next to 16 Acre Wood. It’s now 2025, and it’s time for an update on my visits to the site. These visits began in 2021, and I’ve kept a diary documenting all the changes that have taken place over the years.

16 Acre Wood, Berkswell, HS2, February, 2025
Over the hill and far away
16 Acre Wood, Berkswell, HS2, February, 2025
HS2 signs
16 Acre Wood, Berkswell, HS2, February, 2025
New bridges on the line.
16 Acre Wood, Berkswell, HS2, February, 2025
Concrete structures.
16 Acre Wood, Berkswell, HS2, February, 2025
Heavy machinery.
16 Acre Wood, Berkswell, HS2, February, 2025
The gate

We’ve had a lot of rain recently, and the walk reflected this as the footpath became quite muddy. When we reached the area, the first thing I noticed was the progress made with two bridges. A lot of concrete had been poured, resulting in two large structures. The special pond had also received some attention. The overgrown foliage had been cut back, and we were now able to see the water and grass more clearly. No trees have been planted around the pond yet, so it will be interesting to see how it fares over the coming summer.

16 Acre Wood, Berkswell, HS2, February, 2025
Lots of numbers
16 Acre Wood, Berkswell, HS2, February, 2025
The new pond.
16 Acre Wood, Berkswell, HS2, February, 2025
The pond is still looking on.
16 Acre Wood, Berkswell, HS2, February, 2025
Nature is always near.
16 Acre Wood, Berkswell, HS2, February, 2025
The wood is a lot thinner.

Walking around the site on the weekend meant there were no concerns about taking photographs, which was a nice bonus. However, it was a long walk which Noah was not so happy about!

16 Acre Wood, Berkswell, HS2, February, 2025
Walking along the footpath.

This is an update on a continuing story on 16 Acre Wood and the intrusion of HS2. Feel free to read the my other entries starting with the one highlighted below.

Birmingham Light Festival, February, 2025

The Birmingham Light Festival has brightened up the city as look to the end of winter. Light festivals have been held previously, and this year, the company Opus supplied 11 imaginative light installations. Although many other activities were taking place, the BBC was planning a feature on the lights.   I tagged along with John Bray, and we systematically tracked down most of the installations.  It was also an opportunity to try out my night lens filter for my Fujifilm X100vi which was a present by my daughters. I was eager to try it out.

‘The Roof of Stars’ lights up Thorp Street, and transforms the area around Birmingham Hippodrome’s Stage Door.  It was fun trying to capture both the cars and the reflections of the stars. Near to the main entrance of the Hippodrome, there is a peace poem – the words are very much needed at present. 

Birmingham Light Festival, February, 2025
The Roof of Stars
Birmingham Light Festival, February, 2025
Peace Poem

‘The Light Door’ at New Street Station was very bright.  There were also many people around and catching either a clear shot or getting one where they were interacting with the light was not straight forward.  I soon realised that taking pictures of these light installations was going to be tricky due to their placement and the challenge of capturing the atmosphere of people interacting with the displays.

Birmingham Light Festival, February, 2025
The light door

The Mailbox featured a fruit machine installation, “Positive spin”. My Fujifilm did not have the wide angle view and I should have reached for my iPhone for a wide angled view. As we walked towards Gas Street Basin and Centenary Square, we spotted a light boat passing by on its way to the Mailbox, allowing us to capture the scene at just the right moment. There were volunteers from the Canal and River Trust who had been involved with the lights on the narrow boat.

Birmingham Light Festival, February, 2025
Positive Spin
Birmingham Light Festival, February, 2025
The narrowboat of light arrives at the Mailbox

Centenary Square had two installations: “Dance on Lava” Floor is LAVA x Silent Disco and “Night Badminton.”  People were having fun especially on the dance floor.  The badminton installation had a purple shuttlecock which was difficult to follow against the city lights and the dark night sky.  The people playing the game did not seem to mind.

Birmingham Light Festival, February, 2025
Dance Floor is Lava
Birmingham Light Festival, February, 2025
Night Badmington

I was not disappointed with the last three installations we visited. The first was “Ideas happen here” in Newhall Square, where the fountains and water reflections provided plenty of opportunities for great pictures. Saint Paul’s Square had a bioluminescent fungus display in lights, offering numerous leading lines and a quieter setting that made it easier to capture images. The final installation was “Flux” in Snow Hill Square. Fortunately, I found a display board where I could rest my camera, allowing me to take a long exposure shot of the bars of light as they whirled around.

Birmingham Light Festival, February, 2025
Ideas happen here.
Birmingham Light Festival, February, 2025
Mycelium network
Birmingham Light Festival, February, 2025
Flux

The one I missed was Alright Bab but as this is a legacy installation, I have time on my side to take pictures of it.  I returned on the Monday and took pictures of this iconic phrase.

Birmingham Light Festival, February, 2025
Alright Bab.

Tracking down the light installations made for an super night of photography. I was pleased with how my lens filter performed, as it cut down on light pollution and allowed for very small apertures, resulting in some nice starbursts. Winter is almost over, and spring is just around the corner, but I always enjoy these light installations.

Here are my blog entries from previous light festivals in Birmingham to enjoy.