Overall, the Photography and Video Show 2026 at the NEC Birmingham was an enjoyable experience. With so much to see and explore, the day passed quickly. I may differ from many delegates, as I was not there to purchase equipment or products on the spot. I consider myself a reflective photographer and, for the time being, I am content with my current equipment. My main interest lies in how to present my work through photobooks and in exploring accessories that might support my photography.
A key feature of the show is the programme of talks, which I find can be somewhat variable. The open theatre sessions are often difficult to follow due to the noise from surrounding activities in the hall. In addition, space is limited for the more popular speakers. I particularly liked the Canon speaker setup, which felt more intimate and made it easier to hear the presenters. I found the talks given at the Amateur Photographer magazine festival of photography held in Greenwich earlier this year to be much more informative. Check out my blog on this event.
One talk I was especially keen to attend was by Helen Bartlett on family photography. Her work is highly distinctive, with a strong preference for black and white processing. She also shared valuable insights on how to approach younger members of the family. I came away with several practical ideas and felt inspired to try them out with my grandchildren. I attended other sessions as well, including those on double exposure and Photoshop techniques. Whilst these were informative, the background noise made them challenging to follow at times. This is one area where the photography and video show 2026 disappoints.
The show is also excellent for networking and meeting people. The Creator Playground (CreatorCon) was particularly enjoyable. One of my highlights was dressing up as a spaceman, and fortunately a local photographer, Jack Babbington, was on hand to take my photograph. The area was creatively set up with a variety of backgrounds, allowing visitors to immerse themselves in scenes ranging from snowy landscapes to the casinos of Las Vegas.
The models on the stands attracted considerable attention from visiting photographers. I have learned to be cautious about joining these crowded groups, where many are competing for the same shot. On this occasion, I chose to keep a respectful distance and simply observe the atmosphere.
I also enjoyed the virtual reality experience of deep-sea diving over coral shelves in the Seychelles. This carried an important environmental message, illustrating the contrast between healthy, dying, and regenerated coral ecosystems. However, the picture of people with their headsets on does look very dystopian.
Other favourites included the Disabled Photographers’ Society stand, where there is always interest in vintage cameras and accessories. I also enjoy trying the long lenses displayed on podiums, which allow you to appreciate the remarkable reach of such equipment. All the major manufacturers had impressive cameras and lenses on display.
One unexpected highlight of the photography and video show was the lucky dip at the SanDisk stand. After queuing to take part, I won an SD card holder. It was not something I had previously considered essential, but since the show it has proved to be a very useful accessory. Who would have thought?
I look forward to the next Photography and Video Show in London in 2027.
How has the Photography and Video Show changed over the years? Read my account of the show held in Birmingham in 2021.
At long last, the Golden Lion is coming back to life. I first visited the building last year, before restoration began, when Irene from Birmingham Conservation Trust gave us a fascinating behind-the-scenes look at the plans for this Grade II listed gem. Now, with work well underway, I had the chance to return to see the progress taking place.
The Golden Lion has quite a story. Built in the early 1600s, it originally stood in Deritend High Street and has lived many different lives over the centuries. In 1911 it was moved to Cannon Hill Park, where it later served as a cricket pavilion and refreshment room. For more than 20 years, however, it has stood empty until support from Historic England and local funders allowed Birmingham Conservation Trust and the City Council to begin the restoration.
This latest visit was something special. The hard hat tour was limited to just six people, making it a rare opportunity to see the restoration up close. Irene once again led the visit, starting with an update on progress so far before introducing us to Richard, the site manager from Reynolds Conservation. After the essential health and safety briefing, we were suited up in hard hats and high-vis and then it was time to explore.
Unlike my previous visit, when we viewed the interior, this time we walked around the outside via scaffolding. It gave a completely different perspective to the house. The focus of the work is currently on the timber frame i.e. the true skeleton of the building. The roof timbers are in surprisingly good condition, but the lower sections have needed careful repair. Everywhere you looked, numbered markings showed where attention was required, and skilled carpenters were meticulously blending new timber with old. The result is a fascinating mix of a centuries old building meeting modern craftsmanship.
The same careful approach is being taken with the brickwork. Damaged bricks are removed and replaced with historically appropriate materials, following Historic England guidelines. Listening to Irene and Richard discuss the restoration was a highlight. Their passion for getting every detail right was obvious. Even the replacement window glass has been specially researched to ensure it matches the original look and character of the Golden Lion.
From a photography perspective, it was a dream visit. The exposed timber frame was particularly striking. I loved the geometric angles, and the texture of the wood used, new and old. Standing there, you could almost feel the building poised between past and future, ready for its next chapter.
I felt incredibly lucky to be part of such a small tour, and I can’t wait to see the Golden Lion fully restored. It’s one of those projects that reminds you how much history still survives and in this case fortunate that the right people provide the chance for the building to shine again.
A major grant from Historic England has made the restoration of the Golden Lion possible, and without that support it’s unlikely the work would have started so quickly. If you’d like to learn more about the Golden Lion and its history, be sure to check out the links below.
Birmingham Light Festival is back for its second year, brightening up Valentine’s weekend. The nights are still dark; the weather has been wet for so long that a burst of colour and light is exactly what is required to lift the mood before spring finally arrives.
I signed up for a photo walk organised by IgersbirminghamUK as part of the Birmingham Light festival. Our mission was to cover as many installations as possible on foot. Birmingham is a big city, but the artworks are placed at key spots, each linked by a brisk 5 to 10 minute walk.
Firefly Field
We met at St Paul’s Church, where the lawn shimmered with tiny moving lights. Up close, they revealed themselves as hundreds of glowing points gently “dancing” in the dark. This ‘Firefly Field’ looked magical to the eye, but photographing the movement was a challenge. A tripod and long exposure did the trick, turning the flickers into sweeping trails of light.
Ideas Happen Here
Our next stop was Newhall Square hear to the canal. Here, a giant glowing lightbulb sat beside a reflection pool. The artwork was bold, playful, and perfect for photography. The reflections doubled the impact, offering endless composition options. I had seen this at last year’s Birmingham Light Festival, but it still felt fresh when viewed for a second time.
Victoria Square
Victoria Square was packed with activity. In nearby Chamberlain Square, a giant Valentine’s heart glowed for the selfie crowd. Meanwhile, Birmingham Town Hall was watched over by huge, illuminated eyes. These were quirky and slightly surreal surrounded by the columns which were lit in shifting colours.
In the square, a silly statues x silent disco was in full swing. Dozens of people danced freely in total silence, headphones glowing. Light projections covered the Council House, inflatable figures waved overhead, and the whole scene felt wonderfully absurd. Even the Floozie in the Jacuzzi looked extra glamorous for the Birmingham Light Festival.
The Heartbeat of Brindleyplace
After more walking, we reached Oozells Square, where glowing green boxes pulsed gently with real human heartbeats from across the city. Each box represented a person going about their day creating a strangely intimate and surprisingly moving concept. Capturing their reflections in nearby restaurant windows added another layer of storytelling.
Our Beating Heart
The walk between the artworks became part of the experience as we headed off towards the Mailbox. There were canal reflections, glowing restaurant lights, and even a rogue flamingo hat floating in the water. At the Mailbox, we found a giant illuminated heart installation. I preferred the Heart’s past location at Snow Hill where there is more space, but it still made an eye-catching stop for photography.
Roof of Stars
On Thorp Street outside Birmingham Hippodrome’s stage door, strings of star-like lights stretched overhead They are beautiful to see, but tricky to photograph. Thankfully, some shiny parked cars nearby provided perfect reflective surfaces.
Reunion
Back to our walk and the 1,000 trades square had arches of light symbolising connection between people. The colourful arches outside New Street station symbolised reunions and framed the streams of passing travellers. This was a dream place for street photography with light, movement, and real human moments all in one place.
My Heart Belongs in Birmingham
By now, my legs were protesting, but there was time for one final stop. Tucked into a tree near the Shakespeare pub were glowing hearts withthe “Instagram-ready” slogan, “My heart belongs in Birmingham. We joined the long line of photographers capturing the same shot but it was worth it.
Huge thanks to Nadia, Kasim, and Jack from IgersbirminghamUK for leading such an energetic tour of the Birmingham Light Festival. Covering that much ground and that many installations in one evening was seriously impressive.
FORGED
I returned the following night to catch a fiery animatronic installation featuring pounding industrial music (Insurgent), flame effects, and dramatic mechanical movement. It perfectly captured Birmingham’s industrial heritage brash and noisy, it was spectacular and impossible to ignore.This year’s festival clearly built on the success of the first. If this is the direction that the Birmingham Light Festival is heading, then it will be a highlight of Birmingham’s winter calendar for years to come.
You may wish to compare this year’s description of the Birmingham Light Festival with the one that took place in 2025 and here is my blog of the event.
The day was black and white, and the Birmingham weather matched the mood. A dull sky hung overhead as mist rolled in, partially obscuring several buildings along the way.
Walking beside the Birmingham Canal Navigations, the mist created a stark, atmospheric view of the city. I found the conditions ideal for photography, with a strong black and white theme naturally emerging in my images.
I was using what I like to call my big camera, a Canon R6 Mark II. Paired with a fast zoom lens, it’s a setup I’m comfortable with, although it’s not something you can slip into a coat pocket like a compact camera. Because of that, I was careful not to keep the camera out from under my coat for long periods.
During those brief moments when I did take it out, I looked for both unusual and familiar views of the canals focussing on the black and white. The walk from Snow Hill to Gas Street Basin was an enjoyable one, and the photographs reflect that journey through Birmingham in misty, monochrome conditions.
If you enjoyed this read then please delve deeper into my blog with this entry into my blog. Written in 2019, the entry describes the 250th anniversary of the Birmingham Canal Network.
January offers many advantages when photographing Digbeth. The sunset lines up along many of the streets, including Floodgate Street. The main thoroughfares through the area have lights strung across the sides of buildings. The combination of the yellow lights and the blue-hour skies makes for a pleasing picture. My blog has photography of my visit last year.
When I arrived in Digbeth, I was despondent, as there were roadworks under the railway arches and traffic light controls were in place. This was going to spoil the aesthetics of my pictures. I walked around the familiar sights along Gibb Street and Floodgate street. I took photographs of the murals and other interesting features. I like the satirical messages from Fokawolf and his posters were in the garden of the Old Crown. There is so much to see in Digbeth.
As the sunset began, there were some colours in the sky, which helped create a suitable backdrop. The light faded further, and the yellow lights above became more prominent. The blue hour was well underway, and the bright lights shone strongly overhead. I found that the roadworks had turned to my advantage. The traffic lights made the cars slow down and stop. The green, red and yellow lights added colour to the scene.
Young people had finished at the local colleges for the day and added their silhouettes to the street scenes as they blocked the bright lights from the cars. Some of the street art appeared to come alive, as the silvers and yellows jumped out when stray light caught the paint.
There is a classic puddle that is ever-present at the end of Gibb Street. I am aware that the area has a high water table, but this may simply be a blocked drain. I enjoy seeing this puddle, as I like photographing reflections. Using the reflections, I captured several images that were different from those I had taken before. I was able to catch more of the Digbeth lights.
I returned to Floodgate Street and captured the lights, people, and buildings against the blue-hour sky. Pleased with the results, I walked back towards Moor Street. On the way, I noticed the bus station fully lit and, of course, took a few photographs of the scene. As I reflected on the train, photography in Digbeth always delivers.
Digbeth features a lot in my blog over the years and here are some links to get you up to speed with the area.
Snowfall at first light is an uplifting sight. The cold weather is welcome and the snow creates idyllic winter scenes. The long range weather forecast was predicting snow and the BBC weather watchers were getting very excited. On the night when the snow fell, pictures were flooding my social media feed as people ventured out to see the first flakes. I did not get drawn into going out as for me too cold! I would wait for the first light of the morning.
Walking through the park and already there were several snowmen. My goal was to get to the village highstreet and take what is for me the classic view up towards the shops. I used both iPhone and my Canon cameras to take the picture. The iPhone picture was uploaded immediately to the BBC weather watchers page.
My next goal was the red pillar box and telephone box. The bright red contrasts well with the white snow and I spent several minutes photographing them. I went onto take pictures of Knowle Parish Church which dates to 1400 and always looks wonderful when snow has fallen. The Grand Union canal passes by Knowle and the large flight of locks was built to negotiate the hill. Knowle is an old English word for hill. The landscape around the locks was enhanced by the beginning of a sunset. The colours were short lived and when present lifted the landscape.
The cold weather was now taking its toll and I headed home for a hot cup of coffee. On the way back I found out from friends that my picture of Knowle High Street had been shown by Matt on Breakfast TV. This news made my trip worthwhile.
Previous links to snowfall in my blog.
Marcin SZ has been leading Birmingham photowalks since 2020. An accomplished photographer, he shares his work on Instagram under Birmingham_Photography, capturing the city during the golden and blue hours in vibrant colour and bold black and white.
As part of my New Year’s resolution to explore new photographic opportunities, I joined one of Marcin’s photowalks. We met outside the Library of Birmingham, where a small group of photographers gathered before heading out to explore the city.
Despite the cold winter weather, Centenary Square was full of activity. The low afternoon sun reflected off the Library’s glass façade, creating long shadows and strong contrast—ideal conditions for street photography in Birmingham.
Our Birmingham photowalk took us through Chamberlain Square and past the Town Hall, where Marcin encouraged us to look for architectural details and light patterns often overlooked. Hill Street, bathed in winter light, offered compositions reminiscent of New York. Along the way, spontaneous moments appeared, including a group of cyclists performing wheelies near Brunel Street.
We continued towards the Mailbox and the Cube, where intense horizontal light produced striking graphic shadows. After photographing the frozen waters of Gas Street Basin, Marcin invited us to his studio on the 10th floor of Quayside Tower. From there, we enjoyed panoramic views across Birmingham as the setting sun filled the sky with warm tones and soft pink clouds.
I highly recommend joining such a Birmingham photowalk with Marcin SZ. He is genuinely passionate about photography and has a natural ability to guide people towards compelling scenes. The atmosphere is relaxed, welcoming, and suitable for all experience levels. It was a memorable afternoon, made even better by beautiful winter light and inspiring company.
If you enjoyed this account of a Birmingham photowalk then here are some links to previous walks done in Manchester and London.
Photography inspiration can be hard to find, especially when it feels like you have already photographed everything around you. Many photographers reach a point where creativity feels stalled, making it difficult to see familiar places with fresh eyes.
Wondering what to photograph? Stuck with subject matter? Feel like you’ve photographed everything before and need some new inspiration? We’ve all been there, and trying to lift the gloom on our creative inspiration is never easy.
My own personal solution is to revisit one of my favourite places and try to do something a little different, even if that means standing in the same spots or walking along familiar paths.
This time, my choice was to visit a woodland, as the natural chaos of tree shapes always brings fresh insights and new perspectives. My go-to place is Hay Wood, near Solihull. Managed by Forestry England UK, Hay Wood is large enough to make you feel removed from civilisation, yet not so isolated that traces of human presence disappear entirely.
Here is a photo essay from my recent walk through the woods. In the captions, I include details of what I was trying to achieve or what caught my eye. Some images focus on the shapes of trees, while others highlight moments where human influence intrudes upon the natural beauty of the wood.
Feeling inspired after seeing this photographic essay? My advice is to go out and revisit your favourite photographic haunts and try something different as I have attempted to do here.
Here are more blog entries on Hay Wood for you to enjoy. The first happened during a sunrise three years ago and then there are more woodland visits to read about.