The Library of Birmingham is one of the most popular visitor attractions in the UK. Built in September 2013, the building is spectacular both inside and out. There is so much to photograph and there are so many different layers to the building. There is a photo opportunity around every corner. Since the opening in 2013, I regularly visit the building with the aim of taking photographs during the different seasons. You will find many pictures of this building throughout my blog.
Going up on the escalators.One of the many quiet areas to work in the Library.“Inception” style reflections. This could be a still from the film.The ExchangeParadise circus.
This set of photographs is from my recent visit in August 2023. I took several pictures with my iPhone as I moved up the escalators. I then went out onto the first balcony and took several reflective pictures. When the library first opened this was one of the favourite pictures styles that appeared on the social media channels. There is one new building that features in my pictures and this is the Library’s tall neighbour, the Octagon. This 49 floor skyscraper is the tallest building in Birmingham and is nearing completion.
ReflectionGood neighbours
This is a link to the next blog which features photographs of the Octagon as it now dominates the Birmingham Skyline.
Balcony view
Some more exciting views of the Library may be seen in this weblink
I was a student in Manchester in the seventies when punk and new wave were the big thing. I caught up with the New Romantics music whilst in London. In the eighties it was all about getting my qualifications and working for promotion. Family arrived and that was my life. The rave culture happened and it was just news headlines. I loved the music and often read about the rave gatherings that were taking place in Coventry and Birmingham. Sadly, I never attended a rave although the popular music of Orbital, Future Sound of London, Massive Attack and Underworld was very much a fav at the time.
Getting ready to see where the illegal rave will be. Wow an A-Z map and cassettes.
When I read about “In pursuit of repetitive beats” at Birmingham Museum and Art Gallery, I knew that I must experience it. This art installation transports you into a wild and immersive VR experience. You are thrown into a story set in 1989 about attending an illegal rave around Coventry. The story focusses on three young people attending the event alongside the accounts by police who were trying to stop the illegal raves from taking place.
Here I am kitted out and dancing in my VR space.
Once I was kitted out with Virtual Reality headset and hand controllers, I was ready to go into this virtual world. The experience was surreal. You followed the story by picking up leaflets with your virtual hands and there was a talking head providing information as you removed around your virtual world. In one part, I was flying towards a gigantic eye with electricity bolts steaming out of my hands. It was so cool. I became immersed in the story of an illegal rave. Realistic car journeys, the police chase and then the rave itself. All the time I was moving and dancing with the beats of the music. I must have looked a real sight whilst I was in a virtual world! Still such great fun. Attention to detail was spot on.
A range of posters that were used to advertise the upcoming raves.ConcertsPhone cardStoriesMemoriesTelephone 80s style
Whilst I am unable to provide pictures of the VR experience there were pre-show displays at the entrance to the experience. This detail is from the phone box display which was set up to show how people communicated and navigated to the raid before the advent of mobile phones.
IgersbirminghamUK were contacted by the National Trust to ask if we were interested in holding an Instameet at Coughton Court. This approach is part of the National Trust’s summer campaign to bring people together to explore their properties and enjoy the outdoors. This aligns with the IgersbirminghamUK group which aims to organise photographic Instameets with the aim of photographing and enjoying a day out at different locations.
Scaffolding around the historic Tudor building.
Coughton Court is a historic Tudor House and is undergoing an extensive program of repairs to the roof of the building. The cost of these repairs is £3.3 million and the conservation project will finish in 2025. During the building work, parts of the house remain open to the public.
Hard hats and high visibility vests. IgersbirminghamUK photographers ready to go “Through the roof”.
We gathered at the property early on a Sunday morning in August. The often-photographed building looked so different with the scaffolding and plastic sheeting covering the brickwork. Our National Trust host, Gum, gave a warm welcome and outlined the plans for the day. After introductions and the obligatory picture, we split into two groups of 10. One group visited the house whilst the other climbed the scaffolding to review the restoration project. Both groups then swapped over.
Beautiful views from the top.Looking out towards the Birmingham Road.Dropping a penny from the viewing platform.Details of the repairs on the Tower roof.
There are 88 steps up to the Visitor Viewing Platform. We donned blue protective hats and hi-vis yellow jackets and then we made the journey to the top. On the way up, we began to see the beautiful Warwickshire countryside. There were many photographs to be taken of the unique views of the house and the surrounding estate. The view of the restoration work on the roof of the tower showed the extensive renovations being done. I have climbed the tower in previous years and this view was different to what has gone before. I have photographs taken before the restoration, but to see the stonework close up was very exciting. The drop penny shute was fun especially as James had a coin to drop into it. Whilst the views made it tempting to linger around the top of the tower, there was another group waiting to go up and there was still the house to visit.
A view of the ceiling in the entrance hall
The “Through the roof” project is highlighted throughout the house and we were shown around via the temporary entrance to the main hallway. Everything looks different to what I am normally used to as the restoration of Coughton Court is extensive and involves several areas. Some of the rooms are inaccessible and others have furniture stored away. There is a feel of a family house undergoing decoration, as items are cleared away, although this is on a much grander scale than your average family house! There are informative displays throughout the large room that normally has a grand table set out for dinner. One of the most impressive areas was the lounge. The National Trust has taken the opportunity to lower the chandeliers to allow cleaning of these intricate beautiful creations. There were a few more rooms to pass through and then it was out to the gardens. The house visit was a new experience and as photographers we were getting a feast of opportunities for pictures.
New displays of the different rooms undergoing restoration.Storage room with ceiling decorations and other items carefully stored away.Lego men helping with the work.The chandeliers are at ground level allowing detailed inspection and cleaning.Crystals and family photographs.ChandelierPiano and notices
The gardens were looking beautiful and the lime tree walks lead out to the large green space. Looking back there are views of the building, although this time it is covered up for the restoration work. As I made my way up to the river Arrow, I saw the stalls for Myton Hospice who have a summer display along the river. Along the west riverbank, there are numerous butterflies planted along the waterside as memorials to loved ones. These lead onto the footbridge and the riverwalk. There is so much to explore at Coughton Court and each visit is a different experience.
The rear view of the Tudor house under renovation.The butterfly display by Myton Hospice on the river banks.
There was still one more treat in store as we were given an early access to the walled garden. This was a wonderful opportunity to view the various ‘rooms’ of this extensive garden without too many people spoiling the picture. There are several picturesque views and the flowers were in full bloom. There were many bees out and about especially on the lavender borders. I took many pictures in the garden and I noticed that many other photographers were doing the same thing. I particularly liked the quirky growth on the Lysimachia flowers. They resembled ducks with their crooked growth. After taking our fill of the gardens, we retired to the outside courtyard for a well-deserved coffee break. There was a quick review of our pictures and the we said our goodbyes.
The water feature within the walled garden with St Peter’s church in the background.Bees on the lavenderLysimachia
The National Trust is highlighting the importance of take time out of our busy lives to reconnect with nature. This reminds us of how beautiful nature is and the joy and happiness that it can bring. This IgersbirminghamUK Instameet was an opportunity to do just this and we wish to thank the National Trust for allowing us to visit Coughton Court. Thanks to Nicky Warwickshire of the IgersbirminghamUK team for organising the Instameet.
Thanking Gum and her team for allowing us to spend time in Coughton Court. We loved our time and the opportunity to take photographs.
If you enjoyed this report on the IgersbirminghamUK meeting or wish to visit other National Trust properties I have put links to other blog entries below.
Stirchley has many good memories as a place to visit. Our first family drink, after lockdown restrictions were relaxed, took place on a cold night in May at an outside table at Birmingham Brewing Company. I have also visited the other two breweries Attic and Glass House, the latter brewery is on the other side of the canal and is just in the Stirchley boundary.
Street scene Stirchley style.
I took part in previous Birmingham half marathons when the route passed along Bourneville Lane with a return down Mary Vale road. In the process, you ran along part of the Stirchley High Street. The Birmingham suburb is easy to reach using the No 45/47 bus route that connects the city via the Pershore Road. All this contrasts with how Stirchley would have looked in 1600 as the area got its name from pastures where cattle grazed undisturbed. There are records of Roman roads that went to the nearby fort which is now the University of Birmingham campus. Stirchley does have history. These days the suburb is recognised as one of the best places to live in the Midlands, an accolade given by the Sunday Times
Arriving on the Stirchley side of the tracks. Bourneville Station.
Therefore when I heard about an in-depth photographic project involving Stirchley then I took advantage of the unique offering from the Prism Photographic Network. The aim is to develop a documentary photography project focussed on the neighbourhood of Stirchley. The course is run by Oksana Bischin with support from the Prism Network. Full details are on their web site. I attended the second of two taster workshops where we had a lecture on an aspect of photography followed by a photographic walk in Stirchley. When the course starts in September, there will be several themes which will come together allowing participants to produce an exhibition of the group work.
The duck at Stirchley BathsArchitectural details
We gathered at Stirchley baths which is a beautifully restored community centre. A representative from the Stirchley Residents Association outlined their work and extolled the benefits of living in the area. She was not a great fan of the Stirchley beer mile but recognised the benefits such activity creates for Stirchley. She highlighted the presence of several industrial units either side of the high street and the layout of the terraced houses that are around the area. After introductions, Oksana introduced the camera topic which was how to use the program controls on the camera and then Francesco discussed Typography using the work of Tom Hicks who created “Black Country Type”. After a question-and-answer session, it was time for us to discover Stirchley with our cameras. I am not sure what the shopkeepers and coffee shop owners thought of the small army of photographers patrolling down the street, taking pictures of their shops.
The lamp posts have a story to tell.
Before I arrived at the baths, I spent a few minutes taking photographs and scouting the area. There was an opportune moment as carpets were being moved at the shops with the Stirchley Gorilla overseeing the activity. On the way onto the street, I like to spend time by myself and I noticed some letter boxes and the typography of 70 in a doorway. But there was also a need to stay with the group and see what the others were up to. Being a Saturday morning, there was a great deal of activity so the picture taking began. One shopkeeper came out to check what we were doing, other people just wandered by keen to get on with their shopping.
Letter boxesIs this no 70?
The high street is a mix of lively coffee shops and general shops. Several shop fronts have roller shutters that ensure privacy. A lone gorilla logo on one of these shutters adds colour. After photographing the high street we turned right and walked along Ash Tree road onto Charlotte Road. I like the style of the houses and my eye is drawn to the names and dates of the houses. We walked along Mary Vale Road to the Industrial estate that houses Attic Brewery.
Then it was time to get a brunch and talk about the pictures we took and those that got away. The taster session gave me an insight into how the course will develop. I like the idea of the themes as outlined and the idea of curating one’s work for an exhibition.
As a postscript, I discovered on my research of Stirchley an informative website created by users which is a mix of photographic links and historical notes. I am sure that this will prove to be a good background resource and provide a source of inspiration.
Mapping Stirchley is a Walkspace project that came out of the spring lockdown of 2020.
When visiting the Back to Backs in Birmingham, your booking includes an hour and a half tour of the premises. The buildings were built with speed and were cheap to both buy and live in. In 1870, Birmingham was undergoing tremendous change as people were coming into the city looking for work. The backs to backs were quickly put up to accommodate the increasing population. The buildings now blend into the modern landscape around this area of Birmingham known as Southside.
Back to backs entrance on Hurst Street.
Our National Trust guide was Dick, who met us outside on Hurst street and after an introductory talk of the background to the Back to Backs led us into the buildings. We started in the yard and this was followed by the inside tour of the Back to backs known as Court 15. The rooms are small and negotiating the staircases between the properties is challenging. As we progressed through the 4 houses that make up the Back to Backs, Dick kept us entertained and informed about how life would have been. Through his descriptions of the people, we began to understand what living in these cramped houses meant and learnt how these humble residences were much loved family homes.
Pictures from the Yard of Court 15
View of the yard looking towards the first two Back to backs.
– There is a bike, skateboard, a pram and other games that would be part of life.
There are four houses to visit and the first one is an early reproduction of life in the 1870’s. The second house exemplified life of a large family. There were 11 children and often a couple of lodgers were taken in. They all lived in the same place. Space was so scarce that the chest of drawers doubled up as a cot for the baby. Birmingham was known as the City of a 1,000 trades and in this house, the family were proficient at glass work and in particular glass eyes. The properties changed hands at a regular rate yet the occupants of the third property lived in the Back to Backs for most of their lives. This house illustrated how electricity was introduced and there were other comforts such as a radio.
Dinner table set up in the first house.A chamberpot tucked under a bed.Reproduction of elaborate stencilling patterns.The second house accommodated a family of 11 and lodgers. A bed for three youngsters and a curtain partition to the right.Space for the baby.Tools of a toymaker enabling them to make many different items.Fancy a glass eye?Assorted items from the third house.
Court 15 is unusual in that it survived the demolition that took place all around the area. The City removed the back to backs and replaced them with flats and other houses. The reason that these Back to backs survived, is likely to have been the businesses that were associated with them. The National Trust have recreated a tailor’s shop in the final property. George Saunders came from St Kitts and after a variety of jobs set up his tailor’s shop in Court 15. He was an enterprising man and his made to measure suits were sought after by the local clientele. The shop’s position near to the Hippodrome assisted with much of the business in this area.
The tailor’s shop notice the Roy Rodger’s wallpaper.
We started and finished in the communal yard where we visited the communal washhouse. At the end of the tour, I asked Dick if he would be part of my 100 strangers project and he agreed. The picture is taken around the outside toilets which gives an insight to the conditions that people had to endure in the Back to Backs.
The communal wash house.Dick who was our guide pictured holding open the door to one of the outside toilets.
There were many details in the Back to backs that caught my eye. The yard has many angles and props that bring the place to life. There are old prams, bottles, skittles to name a few. Each house is a treasure trove of differing objects including chamber pots and mini work tops where craftsmen worked. The living rooms contained items that would have been commonly used by the family. These rooms have been photographed many times before and I am adding to the many records. For myself the journey was fun as much of it reminded me of my own childhood when I was sitting in family houses around Manchester looking up at the pictures on the walls and the pieces of China on the mantlepiece.
A China miniature reminds me of my childhood view of my grandparent’s house.
The layout of the living quarters were not that dissimilar. The accompanying guidebook is a good companion to your visit to the Back to Backs and beings out more details about the life and times of the people who lived in these unassuming buildings. This year is the 20thanniversary of the renovation of the Back to Backs by the National Trust and I was pleased to be able to visit after passing them so many times in my walks through Birmingham.
A striking picture of what the unrestored rooms looked like in the Back to backs.
If you enjoyed this blog on the Back to backs then please visit my visits to other National Trust properties on my blog. Just search National Trust. I have added one link but there are many more.
All the colourful street art on the walls around Cheltenham Spa have stories to tell. Last year the river of colour captured my imagination and my photography. Returning on a Sunday in July 2024, I was looking forward to photographing a new set of murals. Last year I missed out on visiting the town centre East car park painting area. I also went to the Aggs pavilion and did not visit any of the underpasses. Looking at this year’s audio guide, I planned my walk from the Northeast car park to the HQ at the Two Pigs pub and from there to the East car park. On the way home I planned a stop over at the underpass near CHCQ. That was the plan.
My daughter and grandson came along for the ride. We parked by the North Place car park and I took a few pictures of the artists. There were a couple of mural artists that I recognised from my Digbeth and Shoreditch travels. Noah started a trend of posing in front of those murals he liked such as the cyclist. We then grabbed a bite to eat at Mowgli’s before exploring the Festival. The Brewery Quarter is one of the sponsors of the Festival so pleased I did my bit by eating there.
On our walk to the Two Pigs pub, we encountered several murals. Having a camera out and about on the day of the Festival looks normal and helps with the street photography.
Ideal day out for Street Photography with work by the talented @pogo.stencilsThe work of @Perspicereaetist is mesmerising and is all done by strings
The Two Pigs Pub
The pub was quiet on the Sunday lunchtime with a few artists out painting in the back yard. When photographing the work, I always aim to get the painter’s permission for a picture. I know that street art is public work but I still believe it is polite that you get the artist’s blessing for the picture. As you see, I enjoy recording how they interact with their artwork. Knowing the person behind the work gives the bigger picture and tells the story about the mural. There were many ‘faves’ in this area and my pictures show the range and variety of work. I did like the train ticket murals and the happy faces at the pop up shop in the pub.
Painting in the yard with @vanemg.art I love this landscape image and could spend hours looking at this country scene by Snug OneNoah lines up with the bear of @GeorgieartistFriendly faces at the Cheltenham Paint Festival shop.Poster by @johnmanspraycanShop items
East car park
Inside the car park there are stunning murals. Outside a painting by @krimsone
Next stop East car park. Once we were signed in by the cheerful volunteers, we were directed up to the top floors where several murals were reaching completion. I stopped to talk to @apparan and @stockartwork. Both were adding the final touches to their work and were happy to be photographed. They also gave me the background about their artwork. @apparan was passionate about her work. “Uprising” highlights how women rise above the struggles they face in life. There were many murals at this venue and the interaction of colour, mural and car park was good for composing pictures. I am sorry I missed @sould_art as she was very kind advertising my blog last year. The camaraderie and friendly atmosphere that permeates the two days of the Cheltenham Paint Festival is what attracts me to visit.
beautiful dreamy colours from @must_mesThis artwork by @sould_art was a favourite of Noah. Love the colours 😉So good to meet up with the talented @apparan@Stockeartworks agreed to have his portrait taken with the essential gear of a street artist.Light, lines, shadows and concrete in the car park. Artist to be namedThis is the top floor.@sledoneA selection of art work in the car park
Some artists to be named in above pictures
Sherbourne place car park
Exiting the car park I realised that we were near to some of the new art that was being done at Sherbourne place car park which was just next door. There was an epic and expansive mural by @Dale_Grimshaw. Furthermore, there was a wonderful fun message below the beautiful mural. Girl painters need a dinosaur was done by @chinagirltile. Having granddaughters who love painting, these words are spot on and do resonate. There was also work on display by another artist who was coming to the end of his painting. We had a good chat but he looked tired after all his work in the sun.
A grand style mural by @dale_grimshaw with a fun message by @chinagirltile underneathBeing a dinosaur notice by @chinagirltile At the end of the paint Artist to be named.Super tones to this mural @voidoneuk
On the way back there was a previous mural by Curtis Hylton to see and then there was another look at the artwork in North street car park. I took out my Yashika film camera and took a few pictures. The film will be developed in a week’s time so I am interested how the pictures turn out. We walked back to the car and drove to the underpass which was on the A40 not far from the GCHQ building.
The underpass was alive with artists painting on the downward slopes and then into the underpass. You get drawn to certain pieces of art and I met @pad303 who was painting an Evel Knievel mural under one of the arches. The model bike with action figure placed on a box next to his spray cans was a super touch to the proceedings. There were many other artists at work and I took many pictures underneath and around the Arle Court area. There was so much variation and colour in the artwork. I may well miss out on several names of artists around here but I will try my best.
Evel Knievel model in the foreground and pad303 and mural at the back.The serpent and the paint cans by @erika.rosendaleDramatic mural nearing completion. @doppelwashereBe careful where you park your bike (Artist – Syd)You just gotta smile @ajarts_hadland
What caught my eye at Arle court was the leading lines and intersections as the colourful images interact with the concrete and steel. So much texture and colours. The light and shadows in the underpass provided different ideas for picture composition. I used the available light to line up silhouettes of the people against the entrance. All murals blended in well with their surroundings. I could have spent a long time here but I knew that the trip back home up to Solihull was a pressing matter as we wanted to leave early to avoid the motorway jams.
Silhouettes under the A40Looking west.Looking east and @5kyh1gh mural is down to the left.Taking in the work of the festival. This work is by Skewer.Expansive work by @7th_PencilColourful work by @artsee_eMy final picture of the day before heading home was this work by Memphis.
Memories of the Day
The Cheltenham Paint Fest is a day out with a difference. There is the chance to go shopping and enjoy the Regency architecture of the town. The paint festival is an added bonus to your visit and one not to be missed. I must thank Dice67.co.uk and his team for all the excellent work and the ever so helpful volunteers. The quality of the artwork is high and a privilege to view the artistic output of so many talented people. Great memories to hold onto whilst we wait for next year’s festival.
Thanks to Andy Dice Davies who is the lead of the organising committee for putting the Cheltenham Paint Festival together. All the volunteers were helpful and eager to direct you to the different areas. Thank you to all the artists who were happy to have their picture taken and chat to me. I was the guy with the Cowboy hat and silver camera. Sorry I could not see every mural but if you want a good idea of what was going on please follow Max Johnson (@moxsblag) where she documents many of the artists and their work. She is a good photographer too. All pictures were taken with my Fujifilm x100vi which excelled in the low light situations of the East Car Park and Arle Court Underpass. I have tried to name all artists wherever possible and will update my account as soon as I learn the names of the artists. I recommend Inspiring City website which has an extensive write up with pictures of the Cheltenham Paint Festival 2024.
If you enjoyed this then be sure to sign up to the Cheltenham Paint Festival site. Also you may wish to read my account of last year’s festival.
Black and white landscapes appear to be one of my specialities. I do not necessarily look for them but they seem to find me. I was very pleased to receive an honourable mention in the MonoVisions 2024 international photographic competition. This was a picture taken in Wychwood Wood which is local to me and surprisingly not a place that I have visited until recently. The tree trunks in the picture remind me of two people dancing. Whilst the trees are not able to shout, they can twist and turn. Full details of the competition and the honourable mention are on the web site. I was successful in the Monovisions landscape category in 2001 and 2003.
The alarm was set at 4.15am but I was awake long before the music “Insomnia” kicked off my waking routine. Early starts are a necessary evil if the early bird wants to catch the preverbal worm. Within 20 minutes, the dog had been out and I was ready to leave with a hot cup of coffee in a thermos. My destination was Middleton Lakes RSPB where I wanted to photograph the wildlife. The lakes are easy to get to from the M42 and there was no traffic at that time of the morning. Passing the Aston Villa Bodymoor training grounds I reached the lakes and parked the car. There was a lovely mist over the meadows and when I passed over the canal there was a dreamy quality about the air. I was the only person around and had the place to myself.
A canal boat on the Birmingham and Fazeley CanalEarly morning flightFirst light on the lakesButterflies are back and soaking up the sun.Fish are jumping and catching flies.
Then there was the decision, the wetlands or the woodlands. I am glad I made the decision to visit the lakes. The Canada Geese were taking turns to set off on group flybys In the lake, I saw fish jumping out of the water to catch insects on the water. I saw a heron and other birds which I need to identify. The butterflies were waking up and enjoying the sunshine. I moved onto the meadows to see if there were any owls hunting. Whilst the owls were not out the Konik ponies were moving around. I walked around the meadow and came close to the riverbanks where there were several dragonflies and damsel flies. I was not quick enough to catch the dragonflies but the damsel flies were more sluggish. The sun was warming up the vegetation and my landscape picture was selected for the main BBC weather photograph. One downside is that there were many midges around and I found later that day that I had picked up many insect bites that persisted for several days afterwards.
A heron waits patiently.Looking for fish from above.A damselfly takes in the sunMy picture on the BBC Midlands evening news.
If you enjoyed this visit to Middleton Lakes RSPB then please read my previous blog.
Exploring Birmingham in the early morning is a great pastime and the city opens up for many different photographic opportunities. One morning in July, I moved towards the law courts with no particular plan other than to take some street photography pictures. My eye always finds something that looks different and as I looked down towards Birmingham Crown Court and the Maclaren building, I noticed a metallic structure in the form of a triangle. I set off to investigate. I discovered a new square amongst all the newly built office blocks and student residences.
The metal branches reach out to the surrounding buildings.There is little colour in the square.A solitary figure walks up the steps
The architecture of the square may simply be described as brutal. Lots of concrete pavements and to one side, someone has “planted” three metallic trees with pointed branches that reach up to the sky seeking a sun above the concrete. This is a wonderful place for photography and I took many pictures with both my iPhone and Fujifilm x100vi camera. People stop in the square, taking a seat whilst waiting for their bus to arrive on the Priory Queensway. There is a restaurant on one side of the square that may look out of place but a search on the web shows that it has received good reviews. There is a bleak passageway that leads onto the Masshouse residential buildings. These flats were built around 10 years ago but are now looking a touch tired. A lone Palestinian flag hangs from one of the building balconies. The metal triangle that first caught my eye, is some form of decorative cover which adds to all the sharp angles and hard brutal feel to the square.
A lone Palestinian flag hangs from one of the balconies on Masshouse.The metal triangular structure that caught my eye.An abstract image of the metal branches.
In summary another brutalist concrete jungle with the ironic touch of metal trees. The square makes for great photographic opportunities although I am not sure I would wish to live and work in the area.
Web link – if you like concrete then you will enjoy this blog entry.
The HS2 construction is transforming the landscape around the Curzon Street building. Once this was a sleepy backwater and a relatively quiet part of Birmingham. However first came Millennium Point and then the ThinkTank museum. Then HS2 rolled into town. Birmingham City University also moved location so that they were near to the station. This series of pictures provides a construction update of the area and the viaducts that will carry the trains into the station which are starting to appear. The area around the Birmingham canal allows a view of the enormous construction taking place.
Back in 2013 the scene was very quiet then before construction began.20202024
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Life goes on around the HS2 changes.Curzon street is quiet for now. This will be a busy station thoroughfare in the future.The scene from the canal onto the City.Viaduct sentinelsCranes oversee the site.
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A few interesting stories developed whilst I was taking pictures. I added to my 100 strangers project whilst I was walking around the perimeter of the HS2 development works. As I was taking pictures over the canal bridge looking towards the new viaducts for the trains, I met Mace who was from London. He was on a stopover in Birmingham on his journey to Scotland. He immediately engaged me in conversation and was a lively personality. After discussing the state of play of the HS2 and Birmingham, he willingly posed for my 100 strangers’ project. (More of this photographic project at a later date). The sun was out creating lighting difficulties so I asked Mace to stand under the shade. In the portrait, Curzon street is to the right and the view is down towards the ThinkTank museum and Birmingham City University. The new Curzon Street station is further down the road.
Mace who I met on Curzon Street.
Another interesting finding was that to my surprise I found a narrowboat moored up on the other side of the Curzon Street railway bridge near to the Birmingham Gun Barrell proof house. It is a rare sight to see canal boats on this stretch of the canal. However as the area starts to receive more investment then it is likely that such occurrences will be more frequent.
A narrowboat tied up near to the Curzon Rail bridge overlooks the City
One of my photography projects is to photograph the changes occurring in other places of the HS2 development. You may wish to view the changes to 16 acre wood near Berkswell.
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