Visit to Stirchley Steve Coel

Meeting Steve Coel

I first met Steve Coel on the streets of Stirchley during the “Stirchley Observation Project” in 2024. I took his picture and we started talking. He mentioned his artist background, but I did not fully connect that he was interested in photography as well. We next met at the Tom Hicks exhibition at Birmingham City University and have since met on a regular basis at the PRISM photography talks at 1000 Trades in the Jewellery Quarter.

The Artist Steve Coel and the 11.59 Production Studio
Steve Coel, an 11.59 production.

Steve Coel’s work is produced under the name ‘an 11.59 production’. He invited me to his studio in Stirchley to view examples of his artwork. I arrived early so that I could take a few pictures of Stirchley, then met Steve on the road bridge on the border of Stirchley and Bournville. Steve took me to his studio, which is behind the Attic Brewery. The old industrial estate houses several thriving businesses, the majority of which have artistic inclinations.

The Artist Steve Coel and the 11.59 Production Studio
A view over the old Stirchley industrial estate.

Imbue’s Workshop

On the way up to the second floor, we passed Imbue’s studio. This was a chance to meet the artist and see his workshop. I have written about Imbue’s work before, and I enjoy the combination of digital scanning with his thought-provoking vision of everyday life. After a look around his workplace, and the generous gift of one of the Imbue lucky rabbits (the plastic variety, not the gold ones), we went up to Steve’s studio.

The Artist Steve Coel and the 11.59 Production Studio
An Imbue rabbit still in its packaging.

Inside the 11.59 Production Studio

There are around ten artist spaces on the floor, and Steve gave a brief background to each one. His own studio held many fascinating paintings and pictures. Steve browsed through his back catalogue of pictures, and I enjoyed viewing his work, which combines deep, rich colours and textures. He has a wide-ranging back catalogue, examples of which are displayed on the ‘an 11.59 Production’ instagram account.

The Artist Steve Coel and the 11.59 Production Studio
A view of Stirchley from Steve’s studio. (B&W flipped image)

Steve is an artist first and foremost, but he is also an accomplished photographer. His recent pictures of the Selfridges building are excellent and formed the basis of a book cover for local artists. I enjoyed browsing through all the artwork and hearing Steve’s interpretation of how the different pieces of work came together. His artistic background allows him to push the boundaries of his work. Having a Welsh background means that many pictures have Welsh names, which adds intrigue to the interpretation of his work.

The Artist Steve Coel and the 11.59 Production Studio
Steve Coel, the artist, in the 11.59 Production Studio

A chat over a cuppa

The afternoon finished with a cup of tea in the hot summer sun, on one of the wooden benches in the concrete Stirchley Triangle. We reflected about art, photography, Stirchley and life over a great cuppa, crafted by the Stirchley Spud Co.

The Artist Steve Coel and the 11.59 Production Studio
The Stirchley Triangle

Finally here are a few pictures of Stirchley taken during my visit to Steve Coel’s studio.

The Artist Steve Coel and the 11.59 Production Studio
Is this the classic Stirchley street view?
The Artist Steve Coel and the 11.59 Production Studio
A view of the canal with algae

As always there is a chance to explore my previous blog entries and I include an account of my earlier visit to Stirchley.

Lost all meaning by Imbue, Digbeth, Birmingham

I follow Imbue on Instagram and enjoy his thought-provoking artwork. Over the last few weeks, my Instagram feed went wild with notifications about his forthcoming exhibition. The images circulating included the Mona Lisa as viewed on mobile phones and a horse constructed from Amazon boxes. The exhibition was called ‘Lost All Meaning’, so I headed down to Digbeth to see the artwork. I do enjoy contemporary art. Having lived through the glam rock, punk and new romantic music movements, the album covers were always treasured. Imbue’s work captures much of that excitement and brings it right up to date.

Lost all meaning by Imbue, Digbeth, Birmingham
The exhibition space for the Imbue artwork.

I arrived at the building on Floodgate Street and was immediately drawn to the walls where Imbue had arranged his work. A food and drinks machine was set up to dispense “faith healing” drugs. I bought a pack from the machine dispenser, and inside the blister pack, the tablets were arranged in the shape of a cross. This religious theme ran throughout the exhibition, with pieces such as The Fall of Man (UV print on a used MacBook lid) and McChurch, which, when cut out, resembles a McDonald’s Happy Meal box. The 100 Phones exhibit depicting the Mona Lisa was remarkable, though it makes me feel I really must go and see the actual Mona Lisa now!

Leonardo da Vinci
Faithhealers make a cross.
Lost all meaning by Imbue, Digbeth, Birmingham
Mc Church which if brought allows you the option to but out and make a box.
Lost all meaning by Imbue, Digbeth, Birmingham
Close up of the 100 phones Mona Lisa.

Many of the prints were mounted on the wall and arranged in a 3-by-3 grid, including Leonardo da Vinci–inspired printed circuit boards with images of the Mona Lisa, Salvator Mundi, and Saint John the BaptistKids with Guns used shooting targets with added Mickey Mouse ears, a powerful indictment of the world’s current gun problems. Nearby was a bullet encased in a bottle, designed to be used in a 3D-printed gun.

Lost all meaning by Imbue, Digbeth, Birmingham
Leonardo da Vinci series
Lost all meaning by Imbue, Digbeth, Birmingham
Shooting targets for kids.
Lost all meaning by Imbue, Digbeth, Birmingham
A bullet for a 3D printed gun.

The theme of 3D printing ran through the exhibition, with the interplay of technology and everyday life presented not only to shock but also to make you think.

Lost all meaning by Imbue, Digbeth, Birmingham
Liquidising Alexa which I have to admit is such a good idea.

Two large exhibits dominated the centre of the warehouse. The horse made from Amazon boxes must have stood 12 metres tall, as shown in the photos. Quite a few home deliveries were needed to construct this horse. To my mind, it resembled a Trojan Horse. Very fitting, as we bring Amazon boxes into our homes without a moment’s thought.

Lost all meaning by Imbue, Digbeth, Birmingham
The Amazon Boxes Horse.

The other large exhibit was a veiled statue that Imbue had secretly scanned during a visit to the Louvre. The replica of Antonio Corradini’s Femme Voilée rotated in front of a bank of 3D printers. Small white statues were being printed and stored in a box, ready to be sold. This work raised many questions: how is it possible to scan such famous statues and then make them accessible to all? Did Imbue “steal” the statue from the Louvre, or is this simply how art will be shared in the future?

Lost all meaning by Imbue, Digbeth, Birmingham
The veiled lady in front of a bank of 3D printing machines.
Lost all meaning by Imbue, Digbeth, Birmingham
A reflection of the veiled lady in the 3D printing window.
Lost all meaning by Imbue, Digbeth, Birmingham
The one that I want.

There were many other exhibits, too many to describe in detail. There are several accounts of the exhibition on the Internet each featuring their favoured artwork.

Personally, my favourite work was DNArk. I am currently watching a cheesy but entertaining TV series on the Syfy channel called The Ark, where the last of humanity is sent into space carrying the DNA of the animal world. Imbue’s artwork consists of a transparent boat with multiple rows of red vials representing DNA samples. It left me wondering: how are we going to preserve the world’s DNA if we keep destroying the environment?

Lost all meaning by Imbue, Digbeth, Birmingham
DNArk

The bonus of the visit was meeting Imbue himself and taking his picture. He was open to conversation and happy to discuss his artwork and the ideas behind it. The exhibition only ran for a few days, but I will be on the lookout for his future work. Imbue has created artwork that resonates with today’s technology, cleverly weaving in references to past masters while exploring how we interact with the modern world. The role of religion seems to have morphed into technology, as people reinvent the world around them.

Lost all meaning by Imbue, Digbeth, Birmingham
The artist, Imbue.

As a photographer, I appreciated how the exhibition was staged against the backdrop of an old industrial engineering workshop. The natural light from the ceiling windows and the texture of the walls provided the perfect setting for the artwork. As always, I used my X100VI for most of the pictures, whilst favouring my iPhone’s wide-angle lens for the overall views.

Lost all meaning by Imbue, Digbeth, Birmingham
Lost all Meaning.

I found this exhibition space interesting as last year I was at the same place for the final day of the Floodgate an entertainment complex. As ever Digbeth changes and I have added my blog link below.

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