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Digbeth Canal walk

Meeting at Centrala Space for a Digbeth Canal Walk

PRISM Photography linked up with the Canal and River Trust and organised a Digbeth Canal walk along the towpaths of the Birmingham Canal Navigations. Our guide for the photographic walk was Tom Hicks, of Black Country Type fame. We met at Centrala, which has a canal side location. The group of photographers included a mix of familiar and new faces, and soon there were friendly discussions between us.

Tom Hicks and Black Country Type: A Colourful Presentation

Francesco Falciane from PRISM Photography welcomed us and introduced Nick Cleaver, community engagement officer from the Canal and River Trust West Midlands. Next, Tom Hicks gave us a short presentation about his photographic work with Black Country Type. His pictures are full of colour and display a humorous take on life in the Black Country.

Digbeth Canal walk
Tom Hicks explaining his photographic practice with Nick and Francesco (taking photos) on either side.

Onto the Towpath: Graffiti and Wild Foliage at Bordesley Junction

For the start of our Digbeth Canal Walk, Tom and Nick led us onto the canal via Great Barr Street. Immediately we were on the towpath, and the area became quiet, with the busy traffic fading to a low hum. We walked up to Bordesley Junction and explored the area. The walls are covered with bright, colourful graffiti, and the foliage had grown wild, escaping the constraints of the towpath. Old industry dominated the sides of the canal. Broken windows and missing drainpipes reflected its rundown nature.

Digbeth Canal walk
The mix of colours along the walls.
Digbeth Canal walk
Reflections of the canal bridge at Bordsley junction.
Digbeth Canal walk
Remnants of the industrial heritage of the canals.

Rubbish in the Canal: A Conversation with the Canal and River Trust

Rubbish was present both in and around the canal, much to Nick Cleaver’s disgust. “Why do people persist in dropping rubbish in the canal?” he asked. He went on to tell us that the Canal and River Trust spends much of its budget on keeping the canals clean.  If people looked after the canals, then the money could be spent on more worthwhile projects.

Digbeth Canal walk
A tin can sits amongst the fallen leaves in the water.

The Bond, Peaky Blinders Studios and MasterChef’s Warehouse

Tom Hicks was on hand to talk about his work, but what was most fascinating was watching what he photographed. I learnt a great deal just from watching Tom take pictures and seeing how he composed them. All his photographs were taken with his phone camera.

Digbeth Canal walk
Colourful graffiti seen on our Digbeth Canal Walk.

We retraced our steps along the towpath. The Bond centre looked neat and tidy from our side of the canal.  We were also next to the film studios of Stephen Knight, creator of Peaky Blinders.  The studios were just behind the graffiti on the canal walls. 

Beneath Curzon Street Bridge: Digbeth Canal Photography Meets HS2

We passed artwork by Annatomix on Our Digbeth Canal Walk and then the warehouse where MasterChef is filmed. In comparison to the Bond, the area alongside the canal looked ill-kempt. Canal boats passed through as we entered the magical underworld beneath Curzon Street railway bridge. We had now left Digbeth as we emerged on the other side of the bridge and were immediately greeted by the high steel pillars of the HS2 works.

Digbeth Canal walk
The Fox by Annatomix is an impressive mural.

White plastic sheeting covered the large engineering statues, which would soon become part of the HS2 terminal for Birmingham. We moved on to the Birmingham City University campus and photographed the new developments taking place there. One of my favourite buildings is the lockmaster’s cottage, with its boarded door and windows decorated with Lucy McLauchlan’s artwork.

Digbeth Canal walk
Walking underneath Curzon railway bridge towards the light.
Digbeth Canal walk
A view of the new buildings which form part of the campus of Birmingham City University.
Digbeth Canal walk
The towering HS2 foundations covered in white plastic sheeting.
Digbeth Canal walk.
Detail from the old Lockmaster cottage on BCU campus. Artwork by Lucy McLauchlan.

Back to Centrala Space: Reflections and What’s Next

It was time to make our way back to Centrala for a debrief and refreshments. This was the third and final instalment of the recent canal walks run by PRISM Photography in conjunction with the Canal and River Trust. I was pleased that I was able to join one of the walks.  Of the three the Digbeth Canal walk was the one that I wanted to join most. Next, we submit three photographs from the day and wait to see which of these is selected for the exhibition at Centrala in August. More details to follow.

Digbeth Canal walk
A canal boat on its way down the canal will pass Centrala further down on the right.

Digbeth has been covered in my blog and here is a link to get you started.  As a member of the Canal and River Trust, I enjoy walking along the canals and I have covered other cities including Manchester and the Regents Canal, London.

Stirchley Taster, July, 2024

Stirchley has many good memories as a place to visit.   Our first family drink, after lockdown restrictions were relaxed, took place on a cold night in May at an outside table at Birmingham Brewing Company.   I have also visited the other two breweries Attic and Glass House, the latter brewery is on the other side of the canal and is just in the Stirchley boundary.  

Stirchley Taster, July, 2024
Street scene Stirchley style.

I took part in previous Birmingham half marathons when the route passed along Bourneville Lane with a return down Mary Vale road.  In the process, you ran along part of the Stirchley High Street.  The Birmingham suburb is easy to reach using the No 45/47 bus route that connects the city via the Pershore Road.  All this contrasts with how Stirchley would have looked in 1600 as the area got its name from pastures where cattle grazed undisturbed. There are records of Roman roads that went to the nearby fort which is now the University of Birmingham campus.  Stirchley does have history. These days the suburb is recognised as one of the best places to live in the Midlands, an accolade given by the Sunday Times 

Stirchley Taster, July, 2024
Arriving on the Stirchley side of the tracks. Bourneville Station.

Therefore when I heard about an in-depth photographic project involving Stirchley then I took advantage of the unique offering from the Prism Photographic Network.  The aim is to develop a documentary photography project focussed on the neighbourhood of Stirchley.  The course is run by Oksana Bischin with support from the Prism Network. Full details are on their web site.  I attended the second of two taster workshops where we had a lecture on an aspect of photography followed by a photographic walk in Stirchley.  When the course starts in September, there will be several themes which will come together allowing participants to produce an exhibition of the group work.

We gathered at Stirchley baths which is a beautifully restored community centre.  A representative from the Stirchley Residents Association outlined their work and extolled the benefits of living in the area.  She was not a great fan of the Stirchley beer mile but recognised the benefits such activity creates for Stirchley.  She highlighted the presence of several industrial units either side of the high street and the layout of the terraced houses that are around the area.  After introductions, Oksana introduced the camera topic which was how to use the program controls on the camera and then Francesco discussed Typography using the work of Tom Hicks who created “Black Country Type”.  After a question-and-answer session, it was time for us to discover Stirchley with our cameras.   I am not sure what the shopkeepers and coffee shop owners thought of the small army of photographers patrolling down the street, taking pictures of their shops.  

Stirchley Taster, July, 2024
The lamp posts have a story to tell.

Before I arrived at the baths, I spent a few minutes taking photographs and scouting the area.  There was an opportune moment as carpets were being moved at the shops with the Stirchley Gorilla overseeing the activity.  On the way onto the street, I like to spend time by myself and I noticed some letter boxes and the typography of 70 in a doorway.  But there was also a need to stay with the group and see what the others were up to.  Being a Saturday morning, there was a great deal of activity so the picture taking began.  One shopkeeper came out to check what we were doing, other people just wandered by keen to get on with their shopping.  

Stirchley Taster, July, 2024
Letter boxes
Stirchley Taster, July, 2024
Is this no 70?

The high street is a mix of lively coffee shops and general shops. Several shop fronts have roller shutters that ensure privacy.  A lone gorilla logo on one of these shutters adds colour. After photographing the high street we turned right and walked along Ash Tree road onto Charlotte Road.  I like the style of the houses and my eye is drawn to the names and dates of the houses.  We walked along Mary Vale Road to the Industrial estate that houses Attic Brewery.

Then it was time to get a brunch and talk about the pictures we took and those that got away.  The taster session gave me an insight into how the course will develop.  I like the idea of the themes as outlined and the idea of curating one’s work for an exhibition.  

Stirchley Taster, July, 2024
Coffee shop viewing.

As a postscript, I discovered on my research of Stirchley an informative website created by users which is a mix of photographic links and historical notes.  I am sure that this will prove to be a good background resource and provide a source of inspiration.

Mapping Stirchley is a Walkspace project that came out of the spring lockdown of 2020.

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