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Digbeth Canal walk

Meeting at Centrala Space for a Digbeth Canal Walk

PRISM Photography linked up with the Canal and River Trust and organised a Digbeth Canal walk along the towpaths of the Birmingham Canal Navigations. Our guide for the photographic walk was Tom Hicks, of Black Country Type fame. We met at Centrala, which has a canal side location. The group of photographers included a mix of familiar and new faces, and soon there were friendly discussions between us.

Tom Hicks and Black Country Type: A Colourful Presentation

Francesco Falciane from PRISM Photography welcomed us and introduced Nick Cleaver, community engagement officer from the Canal and River Trust West Midlands. Next, Tom Hicks gave us a short presentation about his photographic work with Black Country Type. His pictures are full of colour and display a humorous take on life in the Black Country.

Digbeth Canal walk
Tom Hicks explaining his photographic practice with Nick and Francesco (taking photos) on either side.

Onto the Towpath: Graffiti and Wild Foliage at Bordesley Junction

For the start of our Digbeth Canal Walk, Tom and Nick led us onto the canal via Great Barr Street. Immediately we were on the towpath, and the area became quiet, with the busy traffic fading to a low hum. We walked up to Bordesley Junction and explored the area. The walls are covered with bright, colourful graffiti, and the foliage had grown wild, escaping the constraints of the towpath. Old industry dominated the sides of the canal. Broken windows and missing drainpipes reflected its rundown nature.

Digbeth Canal walk
The mix of colours along the walls.
Digbeth Canal walk
Reflections of the canal bridge at Bordsley junction.
Digbeth Canal walk
Remnants of the industrial heritage of the canals.

Rubbish in the Canal: A Conversation with the Canal and River Trust

Rubbish was present both in and around the canal, much to Nick Cleaver’s disgust. “Why do people persist in dropping rubbish in the canal?” he asked. He went on to tell us that the Canal and River Trust spends much of its budget on keeping the canals clean.  If people looked after the canals, then the money could be spent on more worthwhile projects.

Digbeth Canal walk
A tin can sits amongst the fallen leaves in the water.

The Bond, Peaky Blinders Studios and MasterChef’s Warehouse

Tom Hicks was on hand to talk about his work, but what was most fascinating was watching what he photographed. I learnt a great deal just from watching Tom take pictures and seeing how he composed them. All his photographs were taken with his phone camera.

Digbeth Canal walk
Colourful graffiti seen on our Digbeth Canal Walk.

We retraced our steps along the towpath. The Bond centre looked neat and tidy from our side of the canal.  We were also next to the film studios of Stephen Knight, creator of Peaky Blinders.  The studios were just behind the graffiti on the canal walls. 

Beneath Curzon Street Bridge: Digbeth Canal Photography Meets HS2

We passed artwork by Annatomix on Our Digbeth Canal Walk and then the warehouse where MasterChef is filmed. In comparison to the Bond, the area alongside the canal looked ill-kempt. Canal boats passed through as we entered the magical underworld beneath Curzon Street railway bridge. We had now left Digbeth as we emerged on the other side of the bridge and were immediately greeted by the high steel pillars of the HS2 works.

Digbeth Canal walk
The Fox by Annatomix is an impressive mural.

White plastic sheeting covered the large engineering statues, which would soon become part of the HS2 terminal for Birmingham. We moved on to the Birmingham City University campus and photographed the new developments taking place there. One of my favourite buildings is the lockmaster’s cottage, with its boarded door and windows decorated with Lucy McLauchlan’s artwork.

Digbeth Canal walk
Walking underneath Curzon railway bridge towards the light.
Digbeth Canal walk
A view of the new buildings which form part of the campus of Birmingham City University.
Digbeth Canal walk
The towering HS2 foundations covered in white plastic sheeting.
Digbeth Canal walk.
Detail from the old Lockmaster cottage on BCU campus. Artwork by Lucy McLauchlan.

Back to Centrala Space: Reflections and What’s Next

It was time to make our way back to Centrala for a debrief and refreshments. This was the third and final instalment of the recent canal walks run by PRISM Photography in conjunction with the Canal and River Trust. I was pleased that I was able to join one of the walks.  Of the three the Digbeth Canal walk was the one that I wanted to join most. Next, we submit three photographs from the day and wait to see which of these is selected for the exhibition at Centrala in August. More details to follow.

Digbeth Canal walk
A canal boat on its way down the canal will pass Centrala further down on the right.

Digbeth has been covered in my blog and here is a link to get you started.  As a member of the Canal and River Trust, I enjoy walking along the canals and I have covered other cities including Manchester and the Regents Canal, London.

Changing Digbeth, December, 2025

Digbeth Photography and Constant Change

There is one certainty in Birmingham: Digbeth always changes. For anyone interested in Digbeth photography, this makes the area endlessly fascinating. New buildings appear, artwork evolves, and the streets never look the same from one visit to the next.

New Buildings Transforming Digbeth

One of the most noticeable recent developments is the new block of flats being built opposite the Custard Factory. The building stands on the former site of the old Peugeot Garage and Irish Centre. From a photography point of view, this construction is already changing sightlines and creating new contrasts between old and new Digbeth. We wait and see if these contrasts are really beneficial to the area.

Changing Digbeth, December, 2025
Cranes overlook Digbeth

As more people live closer to the city centre, Digbeth continues to evolve into a place where work, culture, and residential life sit side by side.

Changing Digbeth, December, 2025
Digbeth adds extra colour to where we live. @MrPenfold

Street Art Through a Photographer’s Lens

For Digbeth photography, the street art is a major draw. New shops and restaurants continue to open, while the artwork on the walls constantly changes. Because there are only a limited number of spaces, older murals are often painted over to make way for new designs. Some murals stay the same.

Changing Digbeth, December, 2025
A classic mural still remains @philthblake

Fresh graffiti now sits alongside long-standing pieces. In some areas, heavy tagging covers earlier murals in a more random style. Even so, bold colours and striking shapes continue to dominate, making Digbeth a living canvas for urban photography.

Changing Digbeth, December, 2025
Love this artwork from @miscfit
Changing Digbeth, December, 2025
Figure in the Archway.
Changing Digbeth, December, 2025
Arch reflections (artists unknown)

Photographing a Changing District

This post is a roundup of some of the new scenes and artwork I’ve photographed recently. Wherever possible, I’ve credited the artists. If any credits are missing, please leave a comment and I’ll update the post.

Changing Digbeth, December, 2025
The yellow door (artwork @phithblake and @Fum.Armada
Changing Digbeth, December, 2025
Bike lineup (artist unknown)
Changing Digbeth, December, 2025
Blue mural on the walls of the Red Brick Market (artist unknown)

I’ll be back in the new year to focus once again on Digbeth photography during the blue hour, which is one of my favourite times to capture the light and shadows in this changing part of Birmingham. One thing remains true — Digbeth always changes.

Links

Digbeth, Birmingham, January 2024

Digbeth is known for streets of light and the area looks it best when the sky is dark. But not too dark.  An ideal time to take photographs is during the blue hour.  The warm yellows of the streetlights reflect on the colourful buildings.  I watched a PhotoPills YouTube video on the Art of Travel Photography. The guest photographer was Scott Stulberg who said if you want to get the best pictures then you have to go out at night. So my first blog of 2024 is all about Digbeth in January.

Digbeth, Birmingham, January 2024
Early workers walking down Gibb Street

The blue hour is great but you must get up early and that is not easy unless you plan to go out in January.  The sun rises at around 8 o’clock and therefore you can get into the city early and be ready for the golden hour.  The rewards are many and I know this, as last year my photograph of Floodgate Street taken on an early January morning was “Highly recommended” in the Landscape Photographer of the Year awards in 2023.  Making sure I was there at the right time helped.  If you are lucky enough to be around after a night of rain then the streets light up with multiple reflections.  My aim as always is to be different but also to fit in a few of those classic views.  

Digbeth, Birmingham, January 2024
Iconic Digbeth

Arriving in Digbeth early in January I was hoping that Floodgate street and Trinity Street lights would be on but I was disappointed.  The lights were off but I guess it was a Monday morning.  However Gibb street was ablaze with lights and this is where I concentrated my efforts on my picture taking. I walked up and down Gibb Street looking for pictures of the shop windows and the street art.  There were a few people moving around and coming into work at the Custard Factory.  My cameras were the trusty Fujifilm x100v and my iPhone 15 proMax.  I set up my mini tripod for some of the pictures with the x100v and went for high ISO to catch the people moving around.  I did move around Floodgate and Lower Trinity Street to take pictures as there were still some neon lights on to assist  early risers to find their way to the Custard Factory. 

Digbeth, Birmingham, January 2024
Shiny Digbeth

Lingering and loitering is a good plan as I waited for people to pass through entrances.  I aimed to catch their silhouettes against the street art.  Some photographers advise to have your camera on burst function so as to capture several pictures.  In this way you capture the moment.  However, I like to take in the surroundings and press the shutter button when I am ready.  Yes I miss a few pictures but I am generally happy with what I get.

Digbeth, Birmingham, January 2024
Changing Street Art – this is Mike Skinner and the Streets by Robbie Jeffcott. Those eyes…..
Digbeth, Birmingham, January 2024
Details on the railings.
Digbeth, Birmingham, January 2024
Details on the walls
Digbeth, Birmingham, January 2024
Blinking of an eye on Floodgate Street

The neon lights throw up some strong colours as my pictures show.  I took many more pictures before the daylight overcame the night.  The buildings reverted to a grey colour and Monday daytime was beginning.  The time had come to move on and find a hot cup of coffee to warm me up.

Digbeth, Birmingham, January 2024
Looking back along Gibb Street

Postscript – This is another of my Digbeth picture series which are a popular read.  Please check them out below.

Reflections in Floodgate Street, Birmingham, commended UKLPOTY 2023

Such great news. My picture “Reflections in Floodgate Street” was highly commended in the 2003 UK Landscape Photographer of the Year competition.  This year I had two pictures and I was also commended for my picture “Fog in Gas Street Basin“. Both pictures feature in the Cityscapes section of the competition. This is the second year running that I have made the UKLPOTY book and I am very pleased with my achievement. I have written a fuller account of the background of both pictures together with some photographic tips and reflections on entering Landscape Photography of the Year.

Reflections in Floodgate Street

A classic picture of early morning on Floodgate Street in Digbeth. Not many people are stirring at this time and the lights do not turn off until 15 mins before sunrise. These old industrial buildings are a mixture of small businesses during the day and lively nighttime venues at night. The area is also well known for its street art and many artists have put up murals on the walls. The street got its name from the use of two “floodgates” that were used to stop any flooding from the nearby river Rea. This area of Birmingham was known for its wells and springs hence the street name.

This early morning picture was taken during a chance visit to Digbeth, Birmingham.  I took advantage of the rainswept streets which provided reflections of the old industrial buildings and street art.  I love the warm streetlights contrasting against the blue hour sky.  

Post production notes – Straightened, contrast, highlights and shadows adjusted: texture, vignette and unsharp mask filter applied, levels lifted

Taking pictures of Urban landscapes 

Go low for the picture is always great advice, a smaller camera or phone allows you to do this.  The low viewpoint with a slight upwards angle provides a different view of an everyday scene and gets the viewer’s attention.  I will sit down or kneel to see the viewfinder, as phones and some older cameras do not have a tilt screen.

Reflections are always fascinating for the viewer and so look for windows, puddles or shiny surfaces.  The time after a spell of rain is a good time for mirrored views.  However, combining both the low viewpoint and water puddles may be challenging for the photographer and camera!

Fog in Gas Street Basin

Fog in Gas Street Basin, Birmingham, commended UKLPOTY 2023
Fog in Gas Street Basin, Birmingham, commended UKLPOTY 2023

On a foggy day in January, I was lucky to find myself at Gas street canal basin in Birmingham City Centre which is a popular place for photography. The fog had created a ghostly backdrop around the area. The water was very still providing a perfect reflection. The old buildings stood out and the flash of yellow strips on the canal boats provided some welcome colour in the fog. The modern hotel in the background is faded providing an interesting background canvas. The eyes are drawn to the trees in the centre of the photograph and their reflections in the water. If you look carefully, there is a lone person in the picture admiring the view. This was an opportunistic photograph as the fog rolled in changed the nature of the scene.

Post production notes. This was taken on my iPhone and there was adjustment of the highlights and shadows and small minor changes of contrast. Some dodging of the colours on the boats was done to lift them out of the fog.

More reflections on UKLPOTY 2023

My second successful year in the LPOTY competition and I realise which of my photographs are getting the love and why this is the case.  I dream of being successful in the classic view category.  Pictures of beautiful mountains, gorgeous light and a lead in that takes your eye into the picture and beyond.  However it looks as if my skill set is photographing the city.  I love nothing more than wandering around the streets with my Fujifilm x100v and my iPhone.  Also the best time to be out and about is at daybreak or sunset.  Why is this? The light is magical at these times of day.  The trouble is that cities are very quiet in the morning and staying safe is important.  At night they are crowded but the quieter spots are where the light dwells.  Again staying safe at night is key.  

Try to be different in your picture taking.  Even just thinking of taking a different picture starts you thinking on how to photograph an urban scene. Often this may not work out and you can go home frustrated.  It is easily said but do not despair as that next picture is just around the corner.  Be ready for it and when you see the scene, grab the opportunity.

I also enjoy looking at other people’s pictures and also where possible watch how they take their photographs.  Learning from others is important. Any advice helps and I always listen to what people say. I have two photography friends, who have taught me the following. First, exercise patience and wait for those opportunities to arrive as they will. Secondly always look out for the small things as they matter and you have to be ready for them. 

My entry to LPOTY 2022 “Regency Wharf” is highlighted in this blog and you will see that Gas Street Basin features again.

This is the Amateur Photographer news item where they select their favourite images and ask the photographer to provide two tips.

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