Burst of Colour on the Streets of Worcester

by Damien Walmsley 28/09/2025 29/09/2025

Worcester Paing Festival, Worcester, September 2025

I travelled to Worcester in search of streets with burst of colour, even though the weather forecast looked less than promising. Accompanied by my daughter and grandson, we set off to explore the city’s urban art scene during the Worcester Paint Festival. From hidden alleyways to large murals, Worcester proved to be a colourful place, full of surprises for anyone who loves street art and photography.

Our first stop was the CrownGate Shopping Centre, which served as the temporary headquarters for the festival. Friendly faces greeted us. We chatted about the Paint Festival and where to see the artwork. Printed maps were available and proved to be excellent as they were clear, detailed, and very useful alongside the online version. A great reference source that set us up for the day.

From the shopping centre, we headed to Angel Place street market, where several art murals caught our attention. The atmosphere of the market combined with the colourful artworks made for perfect photo opportunities. I particularly enjoy capturing street art with people passing by, as it adds a human element that brings both the artwork and the photography to life.

Next, we sought out Inkie’s work at the Royal Porcelain Works. His colourful mural decorated the gate leading to the old printing works and stood out vividly against its surroundings. We then made our way back into the city centre, passing a series of murals, some finished, others still in progress. Friar Street is one of my favourite parts of Worcester, with its mix of heritage buildings and modern urban art. One mural was cordoned off while the artist was working though I managed to catch a glimpse from a stairwell.

Along the way, we discovered plenty of independent shops and more artwork. Before leaving the city centre, I climbed the stairs to the car park roof to photograph some stunning murals, their lively colours contrasting with the rows of parked cars around them.

Our next destination was the Sixways legal wall on Offerton Lane, a council-designated space for street art. Tucked beneath the A449 and running alongside the Worcester and Birmingham canal, it has become a hub of creativity. We parked at the back of Sixways Stadium, and I went on alone to explore the underpasses. Artists were hard at work on the walls of the two underpasses. The air was thick with the smell of spray paint being applied to the concrete.

The line-up was impressive: Worcester Writers KFO crew and guests, featuring PHE, Zeeizm, Kask, Sore, Spar, Knel, WWF (Wizards with Funk) Crew, Buser (OSK Bristol), Inkie (KTS, ASK Bristol), Such (ACT Sheffield), Rob Dise (TWC, Worcester), Merk, Hart, Frank Brough, Umix, and Arbour. I have always loved the names chosen by graffiti writers each one hinting at the personality behind the art. I am unsure who is who in my photographs at the Sixways legal wall, so please do get in touch if you can help with credits.

This visit was just a glimpse into Worcester’s thriving urban art scene, which comes into its own during the Paint Festival. Murals and installations can be found across the city where they are tucked down small side streets, hidden in alleyways, or displayed on large walls. With every visit, there is something new to discover, making Worcester a worthwhile destination for anyone interested in street art, colour, and creativity.

If you enjoyed this then be sure to read my blogs about street art When I visited Cheltenham Spa and Halifax, Canada.

This is Quinpool Road — Exploring Street Art in Halifax, Nova Scotia

Adding a splash of colour to the streets of Cheltenham

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500 Blog Posts: A Milestone in My Photographic Journey

by Damien Walmsley 27/09/2025 27/09/2025

This is my 500th blog post — a remarkable milestone in my blogging journey. I first began writing my blog on this website on 27th December 2016, although my experience with online storytelling stretches back much further. Since 2006, I ran a work blog for the School of Dentistry, and even before that, in the early nineties, I was exploring websites and digital storytelling. I have always enjoyed keeping a diary of photographs, recording important years and events alongside my images. Social media gave me the opportunity to bring words and photos together, sharing my personal blog reflections and photographic stories with a wider audience. Now, 500 posts later, I am still passionate about blogging.

My first post in December 2016 and included this reflection of one of the entrances to the then recently opened New Street station. I was very proud of this picture and is one of my trademark reflections. I still come here to take pictures as you can get many varied and interesting street photography views.

Stanley Park, Vancouver, Canada, July 2019 — Watching the sun set whilst sitting on the edge of Stanley Park

Post 100 – I was at a conference in Vancouver in July, 2019. On one of the evenings, I went out to Stanley Park and sat with many other local residents to see the Sun set. The experience was memorable and the picture does not fully convey the atmosphere of the evening.

Post 200 – January 2021 and we had lived through Covid19 but we were still in one of the many lockdowns. Luckily waking up one morning, I saw that it had snowed. My village, Knowle, is very photogenic and the red postbox and phonebox stand out against the white background.

Keys to the City, St Margaret’s Church, Ward End, Birmingham. August, 2022 — The interior of St Margaret’s Church, Ward End, Birmingham.

Post 300 – The Commonwealth Games in Birmingham was a magical time and there was so much going on. There was an art project called “Keys to City” which open locks around Birmingham. I visited several venues with my key. This is St Margaret’s Church, Ward End, Birmingham. No longer a church, the place is a community centre. What was special about the Church were the stained glass windows which were created by pre-Raphaelite artist Edward Burne-Jones.

The Ringway Centre, update February 2024 — A view along Smallsbrook Queensway.

Post 400 – The Ringway Centre which is to the right of the picture is earmarked to be demolished. There is opposition to this proposal and therefore the bulldozers are so far silent. The planners wish to take down what they say is a building with concrete sickness and replace it with new shiny residential towers. I am unsure if this is progress but we wait and see what the outcome will be.

My picture on BBC Midlands today. September 2025. — My picture on BBC Midlands today – note the spelling of Solihull.

Post 500 – This is Knowle Park on a cold Tuesday morning in September. The figures walking along the path are entering the mist with the fiery sunrise beyond the trees. This was featured by Shafali Ozer on the BBC weathers. I always receive kind comments on social media when a picture is featured.

So we have reached 500 posts and I would like to thank James Kelly, who has been instrumental in setting up my website back in 2016. Little did we know back then that this blog would still be thriving 500 posts later. My very first post was about Birmingham Gems, an annual calendar at that time featuring my photographs. That first image, the entrance to New Street Station with ceiling reflections creating a surreal scene, remains one of my proudest photographs.

Finally, thank you to all my readers over these 500 posts. Some of you may have joined for just one or two views, whilst others have followed the entire blogging journey. I appreciate every single reader.

Here is to many more blog posts, more photography inspiration, and perhaps even a few books drawn from the stories I have shared over the years.

Please check out James Kelly and his web site Burst of Fruit.

And check out more in my blog!

Home

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Discovering St Alban the Martyr Church during Birmingham Heritage Week

by Damien Walmsley 23/09/2025 24/09/2025

St Alban the Martyr Church, Highgate, Birmingham, September 2025

St Alban the Martyr Church is situated in Highgate, Birmingham. To get there, I took the No. 35 bus and then walked up the hill towards the church. Birmingham Heritage Week is a highlight of September, offering Birmingham residents the chance to visit places that are normally closed to the public or venues that many may not have considered visiting. The Church of St Alban the Martyr falls into the latter category. Anyone travelling into Birmingham will likely have seen its bell tower, which commands an impressive presence on the approach to the city.

This church had been on my list to visit as part of Birmingham Heritage Week. The doors opened for the event, and I visited on a sunny Friday afternoon. On entering, one cannot fail to be struck by the interior architecture. The high stone-vaulted ceiling was designed by J. L. Pearson, a leading 19th-century Gothic architect who also designed Truro Cathedral. Tall stone pillars rise to support the vault, creating a repeating symmetrical pattern. The ceiling is just one of the many highlights of a church rich in treasures. Even the arrangement of chairs echoes the symmetry above, reinforcing the beauty of the space. I was the only visitor at the time, free to savour the majesty of this Gothic design and to take uninterrupted photographs. The play of light through the windows and the soaring ceiling were especially captivating. Adding to the atmosphere, the church was filled with uplifting music. The organist, David Briggs, was once the organist at the church, and now, lives in New York, where he is Artist in Residence at the Cathedral of St John the Divine. He had just dropped in to practise on the church organ, on his way to Germany to give a recital. I was so fortunate to hear him play whilst I was taking photographs of the church.

One of the highlights is St Patrick’s Chapel. The altar is striking, and the surrounding artwork is outstanding. Sisters Kate and Myra Bunce, associated with the Arts and Crafts movement at the turn of the 20th century, created the Bunce Altarpiece (or Reredos) that dominates the chapel. The artwork, painted by Kate Bunce, takes the form of a triptych depicting Christ, angels, and the Virgin Mary. The beaten copper frame was designed and made by Myra Bunce. I found myself drawn to this historic piece, which is now a treasured part of St Alban the Martyr Church.

The church community was warm and welcoming. Teas and coffees were served, questions were readily answered, and photography was encouraged. St Alban’s contribution to Birmingham Heritage Week is both valuable and memorable: rich with community history and enhanced by its remarkable architecture and artwork. This should be high on everyone’s list to visit during the Heritage week.

Details

The following are a selection of details that I photographed from around the church. I hope, like me, you find them interesting.

This is one of several churches that I have visited during the Birmingham Heritage Open Week. I include my visit to the Serbian Church of the Holy Prince Lazer for your interest. I also include a link to Birmingham Heritage Week 2025.

Discovering the Serbian Church of the Holy Prince Lazar in Bournville

St Alban’s Church Open Days

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Discovering the Serbian Church of the Holy Prince Lazar in Bournville

by Damien Walmsley 20/09/2025 20/09/2025

The Serbian Church of the Holy Prince Lazar, Birmingham Heritage Week, Bournville, Birmingham

Birmingham Heritage Week always reveals intriguing places to explore. Each year, the programme goes live at the end of summer, and tickets for the most popular destinations are quickly snapped up. For this year’s Birmingham Heritage week, I set my sights on two churches I had not previously visited, along with a guided walk in Birmingham.

The first of these visits took me to the Serbian Church of the Holy Prince Lazar, a striking Orthodox church situated in Bournville. Renowned for its ornate ceilings and rich decoration, the church stands proudly on a hill overlooking the area. Arriving from Bristol Road, via the number 61 bus, I made the short walk uphill to the gates, where I was warmly welcomed by a member of the congregation.

Stepping inside, the splendour of the Byzantine design is immediately apparent. The ceiling is dominated by a powerful image of Christ, while the dome above the altar features a serene depiction of Mary. Stone pillars draw the eye across the space, emphasising the church’s harmonious proportions.

Unlike many Western churches, the Serbian Church has few seats. This open design is characteristic of Orthodox worship and allows visitors to move freely around. I spent much time admiring the icons and intricate details on the walls. The murals are painted in fresco, a technique where pigment is applied directly onto wet plaster, creating luminous images that glow in the light. I found myself mesmerised, pausing often to steady my concentration so that my photographs might capture even a fraction of the beauty that was before me.

The exterior holds equal charm. In the gardens, a golden crucifix stands proudly, while the church’s architectural form blends gracefully with its leafy surroundings. Time was against me, and with the church busy that day, I was unable to explore or photograph the adjacent hall—an omission I intend to rectify on a future visit.

The Serbian Church of the Holy Prince Lazar is a landmark building and a must see place on the Birmingham Heritage week schedule. The church rewards not only the photographer but also anyone with an interest in history, faith, or art. For those wishing to learn more, the church maintains a comprehensive website offering detailed background on its story and traditions. My own visit left a lasting impression long after I put down my camera. Enjoy the pictures.

If you enjoyed this blog then please visit my other Birmingham Heritage visits that I have done over the years

Birmingham heritage week – Visiting the Greek orthodox cathedral

Opening the door to a treasure trove of history – my visit to the Birmingham Museum Collection Centre

Birmingham Heritage Week 12—21 Sept 2025

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Elmdon Manor Walled Garden: Solihull’s Hidden Retreat

by Damien Walmsley 21/08/2025 22/08/2025

Elmden Manor Walled Garden, Wildlife Trust, Solihull, 2025

Elmdon Manor Walled Garden is hidden away behind Solihull Moors Football Club and is accessed via Damson Parkway. The roads are busy with large transporters and trucks carrying cars and supplies to and from Jaguar Land Rover Solihull. The lane to the gardens is signposted for Elmdon Park and St Nicholas’ Church, Elmdon. It is an easy turn to miss.

Elmdon House was once a large stately home that fell into disrepair after the second world war and was eventually demolished in 1956. The walled garden was part of the estate, supplying produce to the house. Today, it is managed by the Warwickshire Wildlife Trust. The original walls of the kitchen garden still stand, although they are in a poor state of repair. Clearly marked paths guide you through the site, and the highlights include the old orchard within the ruined walls, the adjacent woodland, and a meadow that opens up within the trees close to the Moors football ground. The pond, often covered with algae in summer, is usually much clearer during the winter months.

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The area is a haven for wildlife and also offers many photographic opportunities. I usually visit once or twice a year with my camera and always come away with a set of images. I begin in the walled garden, where in late summer the trees of the old orchard are heavy with fruit. This year the area is very dry. The woodland adjoining the garden is ancient, filled with trees that form striking patterns. Fallen trunks lean against others, creating natural corridors of light. The atmosphere is shaped not only by nature but also by human presence: the sounds of warehouse workers drift through the trees, and the noise from Solihull Moors’ training pitches carries across the reserve.

The sudden appearance of a meadow within the woodland brings an unexpected openness and is a peaceful spot to pause and reflect. My photographs capture the abundance of fruit, the tangle of overgrown vegetation, and the play of light within the woodland. They also record the contrast between nature and modern development, as the reserve sits cheek by jowl with metallic warehouses and floodlights. Such an oasis is a delight to visit with the bonus of being close to home.

Someone mentioned they would like to see the pictures of Elmdon Manor in the wintertime. I do not have pictures yet but I do have a blog entry showing Solihull woodland in the snow.

Walking in the winter wonderland of Solihull

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Spaghetti Junction Stories: A Photo Essay

by Damien Walmsley 08/08/2025 08/08/2025

Spaghetti Junction, Birmingham, August 2025

IgersbirminghamUK organised a walk around Spaghetti Junction on a warm Saturday afternoon at the beginning of August. For this blog entry, I have 24 frames which is the number of a roll of film. These pictures were taken with either my iPhone or Fujifilm x100vi. The stories and sights under the motorway are always changing and always surprising. Enjoy this photo essay.

Figures

People move around the complex concrete structures. They look apologetic for their presence as the concrete really does enjoy its own company.

Cyclists

People move quickly on the towpath nobody wants to stay too long as they may get lost in the concrete.

Pillars

The main feature of the concrete structures is the pillars. Reaching to the sky they hold the roads in place. If the pillars disappear then there so will the roads.

Are you lost yet?

A line from the 25 paintings project by Bill Drummond.

Traces of humanity

There are examples that humans have passed through the area.

Nature fights back

Nature is slowly eroding the concrete jungle. Trees and greenery have established themselves amongst the pillars.

I hope you enjoyed this photo essay of my recent visits to Spaghetti Junction. If you ever have the chance to visit the area then do take up the opportunity. There are regular tours that take in Aston Reservoir and the more interesting parts of the canal network. The interchange does become very quiet at the weekends. During the week, there is construction activity focused on maintaining the pillars that are essential to holding the motorway network together. The highs and lows of a visit around the Gravelley Hill interchange are illustrated below. The highlights include the wonders of the construction and architecture. The lows are the faceless nature of the area which has areas that are not particularly inviting.

Are you wanting to read more about Spaghetti Junction then here are more of my visits about what lies beneath the M6. I recommend starting with this blog post that sets the scene for my photo essay.

Are You Lost Yet? A Walk Beneath Spaghetti Junction

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A City in Mourning: Remembering Ozzy Osbourne in the Heart of Birmingham

by Damien Walmsley 31/07/2025 01/08/2025

Ozzy Osborne, Black Sabbath, Birmingham, July 2025

The passing of Ozzy Osborne leaves a large imprint on the people of Birmingham. The band Black Sabbath are very much loved and their Birmingham origins are celebrated throughout the city. Back in 1974, I remember “Paranoid” blasting out loudly through the student common room speakers. I loved the Black Sabbath album covers which stood out from others at the time with their own distinctive take on the early seventies. Even as my musical tastes moved towards glam rock, punk and new wave, I still had fondness for the distinctive Tony Iommi guitar riffs from “Iron Man,” and “Paranoid”. Black Sabbath and Ozzy Osbourne still connect with me especially as their influences are all around Birmingham.

Getting caught up in the emotion around the city from the reunion concert and people gathering to honour Ozzy, I went in the day before his funeral to visit the notable Black Sabbath sites in the city and pay my respects.

My first stop was the Crown pub often known as the birthplace of legends. Many famous bands played there including the early Black Sabbath concerts. Closed since 2014, the building is now protected by its Grade II listed status although what the future will be is uncertain. The Crown has had a lick of paint and the boarded-up windows now have pictures of the band. A small shrine has taken shape below the picture of Ozzy. There are a few candles, flowers and fan messages set out. Pedestrians entering New Street rail station glance curiously at all the commotion.

Then there is Ozzy the Bull. Towering above the concourse of New Street Station, this animatronic sculpture was a massive success during the Commonwealth Games. Once forgotten, now restored, much like the man himself, Ozzy the Bull is a great symbol of the City.

Outside the front of the station, Navigation street has attracted the City’s attention where Mr Murals, a local artist has created a striking Black Sabbath mural. Along the wall facing the station are photorealistic spray can pictures of the four band members. The Black Sabbath logo looms large beside them. Less than a month ago, the group came to look at the murals and each signed their name against their picture. The signatures have been protected with Perspex glass. The length of the street has become another shrine for Ozzy with flowers lined up against the wall.

The focus of the outpouring of grief for Ozzy was taking place at the Black Sabbath Bridge on Broad Street. In 2019, the city dedicated this space to the band with a bench featuring the faces of Ozzy, Tony, Geezer, and Bill. Now, the bench is transformed with flowers, tributes, hand-written notes, empty Jack Daniels bottles, and even a guitar. The tribute has taken over the pavement and security are required to keep a semblance of order. On the day of the funeral, this was the place where the hearse bearing Ozzy stopped and the family paid their respects. The news and pictures from the BBC and Rolling Stone magazine show how much he will be missed.

Next I find myself in the Birmingham Museum and Art Gallery. Here a special tribute holds centre stage. The ” Ozzy Osbourne (1948-2025): Working Class Hero” exhibition celebrates the lead singer’s astonishing career. Videos play on loop; photographs of his successful career adorn the walls. The many gold and platinum records are displayed. At the entrance, The civic book of condolence for Ozzy waits. I stood in the queue, looking up at all the artwork around waiting my turn to add my condolences.

On my way home, I pass through Victoria Square where there is an exhibition of Black Sabbath with many posters arranged to tell the history of the band that will forever be associated with Birmingham.

Even at Selfridges, the modern temple of retail, screens shimmered with Black Sabbath’s images. Pictures of the band and Ozzy great you at the store entrance. A place is set aside to stand and watch a continual loop of the greatest Black Sabbath songs.

There is much to take in and the legacy of Ozzy and Black Sabbath is celebrated on the streets. He is a hero not only of the working class but everyone who looks to make a better future for themselves. Ozzy with his charismatic personality will forever symbolise the City of Birmingham.

There are a few Ozzy images in my past blogs. See if you can spot one in this blog.

The Icons walk from Five ways to Victoria Square with IgersbirminghamUK

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From the Mona Lisa to a McChurch: Exploring Imbue’s Vision

by Damien Walmsley 13/07/2025 13/07/2025

Lost all meaning by Imbue, Digbeth, Birmingham

I follow Imbue on Instagram and enjoy his thought-provoking artwork. Over the last few weeks, my Instagram feed went wild with notifications about his forthcoming exhibition. The images circulating included the Mona Lisa as viewed on mobile phones and a horse constructed from Amazon boxes. The exhibition was called ‘Lost All Meaning’, so I headed down to Digbeth to see the artwork. I do enjoy contemporary art. Having lived through the glam rock, punk and new romantic music movements, the album covers were always treasured. Imbue’s work captures much of that excitement and brings it right up to date.

I arrived at the building on Floodgate Street and was immediately drawn to the walls where Imbue had arranged his work. A food and drinks machine was set up to dispense “faith healing” drugs. I bought a pack from the machine dispenser, and inside the blister pack, the tablets were arranged in the shape of a cross. This religious theme ran throughout the exhibition, with pieces such as The Fall of Man (UV print on a used MacBook lid) and McChurch, which, when cut out, resembles a McDonald’s Happy Meal box. The 100 Phones exhibit depicting the Mona Lisa was remarkable, though it makes me feel I really must go and see the actual Mona Lisa now!

Leonardo da Vinci — Faithhealers make a cross.

Many of the prints were mounted on the wall and arranged in a 3-by-3 grid, including Leonardo da Vinci–inspired printed circuit boards with images of the Mona Lisa, Salvator Mundi, and Saint John the Baptist. Kids with Guns used shooting targets with added Mickey Mouse ears, a powerful indictment of the world’s current gun problems. Nearby was a bullet encased in a bottle, designed to be used in a 3D-printed gun.

The theme of 3D printing ran through the exhibition, with the interplay of technology and everyday life presented not only to shock but also to make you think.

Two large exhibits dominated the centre of the warehouse. The horse made from Amazon boxes must have stood 12 metres tall, as shown in the photos. Quite a few home deliveries were needed to construct this horse. To my mind, it resembled a Trojan Horse. Very fitting, as we bring Amazon boxes into our homes without a moment’s thought.

The other large exhibit was a veiled statue that Imbue had secretly scanned during a visit to the Louvre. The replica of Antonio Corradini’s Femme Voilée rotated in front of a bank of 3D printers. Small white statues were being printed and stored in a box, ready to be sold. This work raised many questions: how is it possible to scan such famous statues and then make them accessible to all? Did Imbue “steal” the statue from the Louvre, or is this simply how art will be shared in the future?

There were many other exhibits, too many to describe in detail. There are several accounts of the exhibition on the Internet each featuring their favoured artwork.

Personally, my favourite work was DNArk. I am currently watching a cheesy but entertaining TV series on the Syfy channel called The Ark, where the last of humanity is sent into space carrying the DNA of the animal world. Imbue’s artwork consists of a transparent boat with multiple rows of red vials representing DNA samples. It left me wondering: how are we going to preserve the world’s DNA if we keep destroying the environment?

The bonus of the visit was meeting Imbue himself and taking his picture. He was open to conversation and happy to discuss his artwork and the ideas behind it. The exhibition only ran for a few days, but I will be on the lookout for his future work. Imbue has created artwork that resonates with today’s technology, cleverly weaving in references to past masters while exploring how we interact with the modern world. The role of religion seems to have morphed into technology, as people reinvent the world around them.

As a photographer, I appreciated how the exhibition was staged against the backdrop of an old industrial engineering workshop. The natural light from the ceiling windows and the texture of the walls provided the perfect setting for the artwork. As always, I used my X100VI for most of the pictures, whilst favouring my iPhone’s wide-angle lens for the overall views.

I found this exhibition space interesting as last year I was at the same place for the final day of the Floodgate an entertainment complex. As ever Digbeth changes and I have added my blog link below.

The closing of the Floodgate in Digbeth

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An Evening on the Confetti fields

by Damien Walmsley 27/06/2025 27/06/2025

The Confetti Fields, Wick, Pershore, June 20225

This year, the Real Confetti Company offered evening viewings of the Confetti Fields for the first time, and I signed up immediately. There is always a short window when the Confetti Fields at Wick, near Pershore, open to the public. The weather and the timing of the delphinium blooms have a significant influence on this.

Although the dates did not suit the family calendar during the day, the evening timing worked for me. On a warm June evening, I arrived at the fields two hours before sunset.

As always, the vibrant colours of the flowers, neatly arranged in colour zones, were quite magical. The evening opening meant the field was less busy, allowing time to take pictures without the usual distractions of people walking through the lanes and avenues. When I arrived, the light was excellent and really brought out the colours. I met up with fellow photographer Dave Wells, and we were able to compare notes as we took our pictures.

Unfortunately, a sunset never materialised. The sun disappeared behind clouds on the horizon, and rain arrived just as we were leaving. However, this did not dampen my enthusiasm for photographing the flowers. Enjoy the pictures—and I have provided links to previous visits to the Confetti Fields in 2023, 2020, 2019, and 2018.

Day out to the Confetti fields and Pershore old bridge

Confetti Fields 2020

Confetti Fields 2019

Confetti Fields

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Behind the Scaffolding: A Glimpse Inside the Golden Lion

by Damien Walmsley 17/06/2025 19/06/2025

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025

The Golden Lion is a building with a long and varied history. Walk along the main path in Canon Hill Park, and you will soon come across it. The scaffolding surrounding the structure gives its location away. You then realise that it commands a striking view of the green space, the boating lake, and the MAC.

The Golden Lion has served many purposes over the years, including being used as a living space, public house, and a cricket pavilion. Its original location was on Deritend High Street, but it was moved to Canon Hill Park in 1911. If you wish to learn more about its background, the Birmingham Conservation Trust (BCT) website is a good place to start.

This blog describes my hard hat tour of the Golden Lion, organised by the BCT. Irene from the Trust was our guide, and she explained that restoration work on the building would soon begin. Only a few tours were scheduled before work commenced, so this was a rare opportunity to see inside the structure before any changes took place.

Irene was full of enthusiasm. As she explained both the history and the upcoming plans for the building, it became clear how closely the two are connected. We donned our hard hats and entered. Since the windows were boarded up, we needed torches to see. We were warned about low ceilings—and spiders. The latter, we were told, were actually a good sign, as they indicated that bats had not nested in the building, which would have delayed the restoration.

We explored the ground floor and then the first floor. Debris lay scattered on the floors, and shards of light pierced through cracks in the walls. Despite this, the building was remarkably dry and structurally intact. Small holes in the walls provided natural ventilation, allowing the building to dry out quickly after rain.

As we moved through the space, there were clear reminders of its previous uses as a cricket pavilion and a ranger’s office. These later modifications were visible on the interior walls. There were fittings for benches, and the windows had been fitted with modern locks and latches. Originally, the building had another floor, and the outlines of where it once stood could still be seen on the walls. Early records from the 1851 census report that up to 50 people once lived in and around the building when it stood in Deritend. This included the courtyard at the rear where there were 6 small (slum) dwellings

The visit was fascinating, and the history embedded in the walls came alive during our conversations. I am looking forward to seeing the Golden Lion restored and given a new lease of life. Thank you to the Birmingham Conservation Trust for organising the visit, and to Irene for being such an informative and enthusiastic guide. Finally a special thanks to Pat Rodwell for obtaining tickets.

There is a good article with arguably better pictures by Birmingham Live in 2024

If you are interested in exploring historical buildings around Birmingham which are a lot safer and accessible then I would recommend a visit to Selly Manor as my blog shows below.

Visiting Bournville Village Trust with IgersbirminghamUK

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Tag Archives: BBC Midlands

Figures

Cyclists

Pillars

Are you lost yet?

Traces of humanity

Nature fights back