A shadow cast by the sun may often produce lovely, interesting shapes on the ground or walls. There is a spot in Birmingham where shadows are created by the tall canal-side lamps that stretch over the towpath along the Birmingham Canal Navigations. The area around Brindley Place offers many opportunities for street photography, urban landscapes, and other candid moments.
I had planned a visit to Oozell’s Square, adjacent to Brindley Place. The blossoms there appear only briefly during March and April, and I arrived early to photograph them.
Being in Brindley Place on a bright early morning was a bonus. The combination of water and the warm red brick of the surrounding buildings create excellent conditions for reflections and shadow play. I spent some time walking along the canals before heading towards Gas Street Basin for yet another photograph of this beautiful area.
A cyclist and a pedestrian approach a long shadow of a street lamp.
I eventually sat on a bench opposite Brindley Place, near the ICC entrance. My attention was drawn to the shadows on the far side of the canal, cast by the canal lamps overlooking the towpath. The walkway runs beneath the “Black Sabbath” bridge into Gas Street Basin and is a popular place for pedestrians. As people passed by these elongated shadows, there was an opportunity for some interesting street photography. Positioning myself on the other side, I waited for the right moment.
Abview of the shadows created by the early morning sun at Brindley place.
The shadow formed a bold diagonal across the scene, with its far end resembling the outline of a UFO. A steady flow of pedestrians allowed me to capture several images using my Canon R6 Mark II with my 24-70mm EF lens. When I got home, I was really pleased with the images that I had captured.
One of these photographs was entered into the weekly #ShareMondays2026 competition on BlueSky. I was pleasantly surprised by the response as I recieved many likes and comments. The image proved particularly successful and was selected as the weekly winner of #sharemondays.
A chance meeting under a shadow.
I am very pleased with the outcome and hope the photograph continues to resonate with viewers. In the meantime, I shall continue exploring, always looking for compelling scenes to capture and share.
If you want to see how I have researched the area in the past for street photography then take a look at my blog “Walk on by”. As you can see the shadows do create interesting interactions with pedestrians.
Each spring, Oozells Square in Birmingham is transformed by a brief but beautiful display of cherry blossom. In this reflective piece, I capture the fleeting nature of the season, the atmosphere of the square, and the photographic opportunities created by light, colour, and passing moments.
Overall, the Photography and Video Show 2026 at the NEC Birmingham was an enjoyable experience. With so much to see and explore, the day passed quickly. I may differ from many delegates, as I was not there to purchase equipment or products on the spot. I consider myself a reflective photographer and, for the time being, I am content with my current equipment. My main interest lies in how to present my work through photobooks and in exploring accessories that might support my photography.
The Nikon stand at the Photography and Video Show 2026
A key feature of the show is the programme of talks, which I find can be somewhat variable. The open theatre sessions are often difficult to follow due to the noise from surrounding activities in the hall. In addition, space is limited for the more popular speakers. I particularly liked the Canon speaker setup, which felt more intimate and made it easier to hear the presenters. I found the talks given at the Amateur Photographer magazine festival of photography held in Greenwich earlier this year to be much more informative. Check out my blog on this event.
Helen Bartlett speakding at the Canon speaker talks.
One talk I was especially keen to attend was by Helen Bartlett on family photography. Her work is highly distinctive, with a strong preference for black and white processing. She also shared valuable insights on how to approach younger members of the family. I came away with several practical ideas and felt inspired to try them out with my grandchildren. I attended other sessions as well, including those on double exposure and Photoshop techniques. Whilst these were informative, the background noise made them challenging to follow at times. This is one area where the photography and video show 2026 disappoints.
Lots of fun costumes were on display at the Photography and Video Show 2026.
The show is also excellent for networking and meeting people. The Creator Playground (CreatorCon) was particularly enjoyable. One of my highlights was dressing up as a spaceman, and fortunately a local photographer, Jack Babbington, was on hand to take my photograph. The area was creatively set up with a variety of backgrounds, allowing visitors to immerse themselves in scenes ranging from snowy landscapes to the casinos of Las Vegas.
Dressed as a spaceman in the CreaterCon playground (Photo – Jack Babbington)
The models on the stands attracted considerable attention from visiting photographers. I have learned to be cautious about joining these crowded groups, where many are competing for the same shot. On this occasion, I chose to keep a respectful distance and simply observe the atmosphere.
Model shoots always attract a large crowd of photographers.
I also enjoyed the virtual reality experience of deep-sea diving over coral shelves in the Seychelles. This carried an important environmental message, illustrating the contrast between healthy, dying, and regenerated coral ecosystems. However, the picture of people with their headsets on does look very dystopian.
VR experience of deep sea diving in the Seychelles.
Other favourites included the Disabled Photographers’ Society stand, where there is always interest in vintage cameras and accessories. I also enjoy trying the long lenses displayed on podiums, which allow you to appreciate the remarkable reach of such equipment. All the major manufacturers had impressive cameras and lenses on display.
Camera bodies on display at the Disabled Photographers stand. Lots of Choice.
One unexpected highlight of the photography and video show was the lucky dip at the SanDisk stand. After queuing to take part, I won an SD card holder. It was not something I had previously considered essential, but since the show it has proved to be a very useful accessory. Who would have thought?
I look forward to the next Photography and Video Show in London in 2027.
A student makes their way into the Teaching and Learning block.
A Wet Evening on Campus
The University of Birmingham campus is very beautiful at night. I enjoy wandering around with my camera, photographing the buildings when the lights are on. The bright lights from the buildings and the rain-swept pavements create wonderful reflections. I realise that this may not be the best environmental practice, but the campus does look splendid illuminated after dark.
People studiing in the teaching and learning block
Earlier in the evening I had attended a talk on therapeutic photography by Neil Gibson, which inspired me to take more pictures of the campus at night.
Old Joe Lights Up the Night
The rain was lashing down and, at first, the idea of an evening stroll was not particularly appealing. However, when I saw Old Joe lit up in vibrant colours to celebrate 125 years, I was captivated and could not resist taking photographs. There were puddles of water that offered several opportunities for reflections of the lights from the building.
Looking up at the colours of Old JoeUnderneath Old Joe, a car sits looking at the Aston Webb building.
Cameras for a Rainy Night
My Fujifilm X100VI is ideal for wet nights, as I have weather-proofed the camera. The iPhone 17 Pro is always with me and is also an excellent camera for capturing wet-weather reflections.
The steps at the entrance to the Muirhead Tower create interesting patterns in the dark
Starting at the North Gate
As the talk began at the Gisbert Kapp Building, the North Gate was an ideal starting point. There are some wonderfully cinematic night views here featuring Old Joe. It is difficult not to become distracted by the envelope of vibrant colours surrounding the clock tower.
The North Gate of the University at night with Old Joe in the distance.
Student Life After Dark
The newer buildings on the right were a hive of student activity. Both the Library and the Teaching and Learning Building were brightly lit, and I stayed nearby for a while to capture students moving in and out.
The teaching and learning block provides geometric patterns.
The trees in front of the Muirhead Tower looked particularly striking and slightly eerie in the rain.
Trees illuminated by ground lighting look very stark in the light.
The Classic Views of Old Joe
Everyone takes the classic views of the clock tower with strong leading lines, and I thought, why not? I headed to the usual Instagram-friendly spots around the Aston Webb Building to capture those iconic perspectives.
A classic view of the Chamberlain clock tower in lights for the 125 years anniversary.
A Quiet, Rainy Walk Back
After taking a few close-up shots of Old Joe, I wandered back towards the Muirhead Tower and along the walkways to the North Gate. It was a very wet night, so unfortunately there were not many people around. Once again there were several reflections creating photographic opportunities.
Railings on the steps leading to the walkways around the Green Heart.
I like to catch the occasional silhouette in the glare of the lights, but most people were sensibly staying inside the buildings. After one last look around the campus, I made a welcome retreat to the shelter of my car.
The lights at the Pritchatts Road highlight the rain.
At long last, the Golden Lion is coming back to life. I first visited the building last year, before restoration began, when Irene from Birmingham Conservation Trust gave us a fascinating behind-the-scenes look at the plans for this Grade II listed gem. Now, with work well underway, I had the chance to return to see the progress taking place.
Golden Lion Conservation in Progress – Overall view of the Golden Lion building mid-restoration surrounded by scaffolding in Cannon Hill Park.
The Golden Lion has quite a story. Built in the early 1600s, it originally stood in Deritend High Street and has lived many different lives over the centuries. In 1911 it was moved to Cannon Hill Park, where it later served as a cricket pavilion and refreshment room. For more than 20 years, however, it has stood empty until support from Historic England and local funders allowed Birmingham Conservation Trust and the City Council to begin the restoration.
Old and New Timber Joinery – Detail showing new timber carefully joined with original wood during Golden Lion restoration.
This latest visit was something special. The hard hat tour was limited to just six people, making it a rare opportunity to see the restoration up close. Irene once again led the visit, starting with an update on progress so far before introducing us to Richard, the site manager from Reynolds Conservation. After the essential health and safety briefing, we were suited up in hard hats and high-vis and then it was time to explore.
Richard, the site manager from Reynolds Conservation – Golden Lion Restoration Project
Unlike my previous visit, when we viewed the interior, this time we walked around the outside via scaffolding. It gave a completely different perspective to the house. The focus of the work is currently on the timber frame i.e. the true skeleton of the building. The roof timbers are in surprisingly good condition, but the lower sections have needed careful repair. Everywhere you looked, numbered markings showed where attention was required, and skilled carpenters were meticulously blending new timber with old. The result is a fascinating mix of a centuries old building meeting modern craftsmanship.
Roof Timbers View – Historic roof timbers of the Golden Lion building during conservation works.Golden Lion Upper Structure from Scaffolding – View of the Golden Lion upper structure taken from scaffolding during restoration.
The same careful approach is being taken with the brickwork. Damaged bricks are removed and replaced with historically appropriate materials, following Historic England guidelines. Listening to Irene and Richard discuss the restoration was a highlight. Their passion for getting every detail right was obvious. Even the replacement window glass has been specially researched to ensure it matches the original look and character of the Golden Lion.
Hard Hat Tour Group with Irene and Richard – Visitors wearing hard hats and high-visibility jackets during the guided Golden Lion restoration tour.Window Frame Restoration – Window frame and broken glass at the Golden Lion.Window Frame Restoration – Restored window frame and historically matched glass installed at the Golden Lion.
From a photography perspective, it was a dream visit. The exposed timber frame was particularly striking. I loved the geometric angles, and the texture of the wood used, new and old. Standing there, you could almost feel the building poised between past and future, ready for its next chapter.
Craftsmanship Detail Shot – Close-up showing traditional craftsmanship techniques used in timber repairs.
I felt incredibly lucky to be part of such a small tour, and I can’t wait to see the Golden Lion fully restored. It’s one of those projects that reminds you how much history still survives and in this case fortunate that the right people provide the chance for the building to shine again.
Birmingham Light Festival is back for its second year, brightening up Valentine’s weekend. The nights are still dark; the weather has been wet for so long that a burst of colour and light is exactly what is required to lift the mood before spring finally arrives.
I signed up for a photo walk organised by IgersbirminghamUK as part of the Birmingham Light festival. Our mission was to cover as many installations as possible on foot. Birmingham is a big city, but the artworks are placed at key spots, each linked by a brisk 5 to 10 minute walk.
Firefly Field We met at St Paul’s Church, where the lawn shimmered with tiny moving lights. Up close, they revealed themselves as hundreds of glowing points gently “dancing” in the dark. This ‘Firefly Field’ looked magical to the eye, but photographing the movement was a challenge. A tripod and long exposure did the trick, turning the flickers into sweeping trails of light.
Firefly Field Long Exposure – Long-exposure light trails showing the movement of firefly-style lights at Birmingham Light Festival.
Ideas Happen Here Our next stop was Newhall Square hear to the canal. Here, a giant glowing lightbulb sat beside a reflection pool. The artwork was bold, playful, and perfect for photography. The reflections doubled the impact, offering endless composition options. I had seen this at last year’s Birmingham Light Festival, but it still felt fresh when viewed for a second time.
Ideas Happen Here – Large illuminated lightbulb sculpture at Newhall Square during Birmingham Light Festival.
Victoria Square Victoria Square was packed with activity. In nearby Chamberlain Square, a giant Valentine’s heart glowed for the selfie crowd. Meanwhile, Birmingham Town Hall was watched over by huge, illuminated eyes. These were quirky and slightly surreal surrounded by the columns which were lit in shifting colours.
All Eyes on the Town Hall – Giant illuminated eyes on the Birmingham Town Hall look down on Iron:Man.
In the square, a silly statues x silent disco was in full swing. Dozens of people danced freely in total silence, headphones glowing. Light projections covered the Council House, inflatable figures waved overhead, and the whole scene felt wonderfully absurd. Even the Floozie in the Jacuzzi looked extra glamorous for the Birmingham Light Festival.
Silent Disco Crowd – People dancing with glowing headphones during a silent disco in Victoria Square at night.Birmingham Light Festival with a balloon man dancing in front of the Council House.Birmingham Light Festival – the Floozie in the Jacuzzi.
The Heartbeat of Brindleyplace After more walking, we reached Oozells Square, where glowing green boxes pulsed gently with real human heartbeats from across the city. Each box represented a person going about their day creating a strangely intimate and surprisingly moving concept. Capturing their reflections in nearby restaurant windows added another layer of storytelling.
Heartbeat of Brindleyplace – Green glowing boxes pulsing with light in Oozells Square pulsing in time with real human heartbeats.Birmingham Light Festival – beating hearts reflected in a restaurant window.My Beating Heart
Our Beating Heart The walk between the artworks became part of the experience as we headed off towards the Mailbox. There were canal reflections, glowing restaurant lights, and even a rogue flamingo hat floating in the water. At the Mailbox, we found a giant illuminated heart installation. I preferred the Heart’s past location at Snow Hill where there is more space, but it still made an eye-catching stop for photography.
Brightly lit restaurants along the canal water near the Mailbox in Birmingham.Birmingham Light Festival – whose flamingo hat is this?Our Beating Heart Installation – Large illuminated heart sculpture displayed on the steps at the Mailbox.
Roof of Stars On Thorp Street outside Birmingham Hippodrome’s stage door, strings of star-like lights stretched overhead They are beautiful to see, but tricky to photograph. Thankfully, some shiny parked cars nearby provided perfect reflective surfaces.
Roof of Stars – Overhead canopy of star-like lights suspended across Thorp Street.
Reunion Back to our walk and the 1,000 trades square had arches of light symbolising connection between people. The colourful arches outside New Street station symbolised reunions and framed the streams of passing travellers. This was a dream place for street photography with light, movement, and real human moments all in one place.
Reunion Light Arches – Glowing archway installation near Birmingham New Street Station with people walking underneath.
My Heart Belongs in Birmingham By now, my legs were protesting, but there was time for one final stop. Tucked into a tree near the Shakespeare pub were glowing hearts withthe “Instagram-ready” slogan, “My heart belongs in Birmingham. We joined the long line of photographers capturing the same shot but it was worth it.
My Heart Belongs in Birmingham – Illuminated heart shapes hanging in a tree on Lower Temple Street.
Huge thanks to Nadia, Kasim, and Jack from IgersbirminghamUK for leading such an energetic tour of the Birmingham Light Festival. Covering that much ground and that many installations in one evening was seriously impressive.
FORGED I returned the following night to catch a fiery animatronic installation featuring pounding industrial music (Insurgent), flame effects, and dramatic mechanical movement. It perfectly captured Birmingham’s industrial heritage brash and noisy, it was spectacular and impossible to ignore.This year’s festival clearly built on the success of the first. If this is the direction that the Birmingham Light Festival is heading, then it will be a highlight of Birmingham’s winter calendar for years to come.
FORGED – Fiery animatronic installation with flames and industrial lighting effects at Birmingham Light Festival.The fire breathing bat at FORGEDInsurgent playing at the FORGED art installation. I would love to hear them again.Insurgent at FORGED
The day was black and white, and the Birmingham weather matched the mood. A dull sky hung overhead as mist rolled in, partially obscuring several buildings along the way.
The area of my journey at Snow Hill StationThe tree branches out and covers the tower blocks
Walking beside the Birmingham Canal Navigations, the mist created a stark, atmospheric view of the city. I found the conditions ideal for photography, with a strong black and white theme naturally emerging in my images.
Pointing the way to what is happening in Birmingham.A close up of the moss on the brickwork around the canal
I was using what I like to call my big camera, a Canon R6 Mark II. Paired with a fast zoom lens, it’s a setup I’m comfortable with, although it’s not something you can slip into a coat pocket like a compact camera. Because of that, I was careful not to keep the camera out from under my coat for long periods.
I saw this person with a white coat and she lined up perfectly with the surround viewsA classic view of the Gas Street Basin
During those brief moments when I did take it out, I looked for both unusual and familiar views of the canals focussing on the black and white. The walk from Snow Hill to Gas Street Basin was an enjoyable one, and the photographs reflect that journey through Birmingham in misty, monochrome conditions.
A cyclist goes past at speed just off Water Street.
Photographing Wolverhampton is a city in transition and is another addition to my list of places that I have visited with my camera. My last photographing blog subject was the City of Gloucester with my visit there taking place last year. For this January, my visit to Wolverhampton aligned with the Wildlife photographer of the year exhibition.
Wolverhampton is a large city with a long history, Wolverhampton is often overshadowed by its larger neighbours, Birmingham and Coventry. The city’s economy is based on engineering alongside a large service industry. Many of the older industrial companies have moved out, and their buildings remain as ghosts of the past. The different buildings provide good subject matter for photographing.
Catching a silhouette on the bridge from the train station to the city.Wolverhampton’s Top Lock shows how important the canals were to the City. The lockmaster’s cottage is impressive.
I arrived early so that I could photograph the city. The weather was grisly, with intermittent rain and drizzle. I wanted to explore the canals that I often saw from the train windows as I passed through the station. You can pick up the canal towpath from the station. Abandoned boats sit alongside those still in use by present-day canal boaters. The lock keeper’s cottage contrasts with the newer, box-like architecture nearby which is Victoria Hall student accommodation. Leaving Wolverhampton train station and the canals, one of the first imposing buildings you encounter is the triangular Chubb Building, which towers over the road and canal network.
A dominant building, Victoria Halls of Residence underpin the importance of the University of Wolverhampton to the city.Photographing Wolverhampton, the impressive Chubb locks building is a ghost of the past.
Moving through the city, there is more than a sprinkling of betting shops and hairdressers; in fact, they seem to be the main attraction, along with a few pubs and coffee houses. The grand shopping building Beatties looks sad and dejected. Its Art Deco architectural style makes it stand out, but the billboarding and red fencing detract from its appearance. I stood outside the boarded-up building, imagining what it must have been like in its heyday, bustling with shoppers.
The Grand Theatre stands out with its colourful updated facade.
Now the streets are empty, apart from a few art murals. “Empty” is a word that describes the city well. The covered shopping centre does attract shoppers, but once again, looking at what is available makes me think that a quick look on Amazon would reveal far more choice.
A single figure negotiates the empty city streets.
My spirits were lifted by the Wolverhampton Art Gallery. Inside, the white walls were covered with pictures and artwork. The atmosphere inside is cheerful, and the staff were genuinely interested in what you were going to view. Wildlife Photographer of the Year is a big draw, and I had an early ticket. By late morning, there were many people around looking at the pictures. The exhibition was absorbing. The photographs were incredible, and there were so many highlights. I was taken aback by the quality. The 10-and-under category blew me away. I definitely have a lot more learning to do about photographing wildlife.
The Wildlife Photographer of the Year is very popular.
The restaurant, like the rest of the gallery, was very good. After lunch, I went to Molineux Stadium and, on the way, passed buildings belonging to the University of Wolverhampton. These were a magnet for young people who were milling around, undeterred by the miserable conditions. The underpass between the city and the football stadium is a good place to pause for photographing street scenes. There is a constant stream of people with umbrellas, and the central section is busy with bikes passing through. The stadium is bright and yellow, and I enjoyed walking around the perimeter, taking pictures of the architecture and sculptures.
A cyclist roars past me as I am taking photographs in the underpass.A man with an umbrella, raining outside Molineux football stadium.Sharp angles around the Molineux Stadium.
I walked back, this time to the tram terminus, and on the way found more street art. It was lunchtime, so there were a few more people around. I was relieved to find that the city does have a lifeblood of people.
Watch out there are Wolves about on Victoria street.Graffiti on King StreetNo future (but that was back in the seventies)Catching the tram at Wolverhampton St Georges. A shot of blue on a grey day.
Photographing Wolverhampton, a summary.
As the BBC has reported, there is both good and bad things happening in Wolverhampton. The Victorian and Georgian buildings are beautiful but I guess they are a challenge to regenerate. Meanwhile the town centre looks vacant. Yet at lunchtime, the city is alive with office staff and casual shoppers. The area around the university is vibrant, with many students moving around. The football stadium is a colourful focal point, and I hope the team remains in the Premier League for the good of the city. Photographing Wolverhampton does provide a rich source of subject matter for the camera.
Birmingham is also going through change and photographing Digbeth shows the transition.
January offers many advantages when photographing Digbeth. The sunset lines up along many of the streets, including Floodgate Street. The main thoroughfares through the area have lights strung across the sides of buildings. The combination of the yellow lights and the blue-hour skies makes for a pleasing picture. My blog has photography of my visit last year.
Blue Hour in Digbeth: Winter Street Photography at Sunset
When I arrived in Digbeth, I was despondent, as there were roadworks under the railway arches and traffic light controls were in place. This was going to spoil the aesthetics of my pictures. I walked around the familiar sights along Gibb Street and Floodgate street. I took photographs of the murals and other interesting features. I like the satirical messages from Fokawolf and his posters were in the garden of the Old Crown. There is so much to see in Digbeth.
One way directions along Gibb Street.The artist Fokwolf and his poster on culture wash.
As the sunset began, there were some colours in the sky, which helped create a suitable backdrop. The light faded further, and the yellow lights above became more prominent. The blue hour was well underway, and the bright lights shone strongly overhead. I found that the roadworks had turned to my advantage. The traffic lights made the cars slow down and stop. The green, red and yellow lights added colour to the scene.
The cars go slow for the roadworks in Floodgate Street
Young people had finished at the local colleges for the day and added their silhouettes to the street scenes as they blocked the bright lights from the cars. Some of the street art appeared to come alive, as the silvers and yellows jumped out when stray light caught the paint.
Silhouettes on Floodgate Street.The long walk along Gibb Street.
There is a classic puddle that is ever-present at the end of Gibb Street. I am aware that the area has a high water table, but this may simply be a blocked drain. I enjoy seeing this puddle, as I like photographing reflections. Using the reflections, I captured several images that were different from those I had taken before. I was able to catch more of the Digbeth lights.
Blue Hour reflections in the puddles of Gibb Street.On the way home
I returned to Floodgate Street and captured the lights, people, and buildings against the blue-hour sky. Pleased with the results, I walked back towards Moor Street. On the way, I noticed the bus station fully lit and, of course, took a few photographs of the scene. As I reflected on the train, photography in Digbeth always delivers.
Waiting for the bus at the bus station.
Digbeth features a lot in my blog over the years and here are some links to get you up to speed with the area.
Snowfall at first light is an uplifting sight. The cold weather is welcome and the snow creates idyllic winter scenes. The long range weather forecast was predicting snow and the BBC weather watchers were getting very excited. On the night when the snow fell, pictures were flooding my social media feed as people ventured out to see the first flakes. I did not get drawn into going out as for me too cold! I would wait for the first light of the morning.
The classic view of Knowle High Street in the Snow
Walking through the park and already there were several snowmen. My goal was to get to the village highstreet and take what is for me the classic view up towards the shops. I used both iPhone and my Canon cameras to take the picture. The iPhone picture was uploaded immediately to the BBC weather watchers page.
Looks a touch cold for Bikinis.
My next goal was the red pillar box and telephone box. The bright red contrasts well with the white snow and I spent several minutes photographing them. I went onto take pictures of Knowle Parish Church which dates to 1400 and always looks wonderful when snow has fallen. The Grand Union canal passes by Knowle and the large flight of locks was built to negotiate the hill. Knowle is an old English word for hill. The landscape around the locks was enhanced by the beginning of a sunset. The colours were short lived and when present lifted the landscape.
Knowle Church and the Guild House in the Snow.Knowle Village sign with the church and Guild house in the background.Knowle locks in the snowSnowman in Knowle Park
The cold weather was now taking its toll and I headed home for a hot cup of coffee. On the way back I found out from friends that my picture of Knowle High Street had been shown by Matt on Breakfast TV. This news made my trip worthwhile.
My snowfall picture of Knowle on BBC Breakfast time.
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