Street walk in Dudley

Dudley is well known for attractions such as Dudley Zoo and Castle and the Black Country Living Museum, so I was keen to explore the town further. An opportunity came when a street photography walk led by Matt Murray and organised by Igers Birmingham UK took place.

Street walk in Dudley
The start of Dudley High Street.

Starting off at Cousins Furniture Store, Matt led us around the streets of Dudley. He is an excellent host for a photographic walk. His distinctive appearance of grey beard, baseball cap, and reflective glasses lets you know he is a man of the streets. After introductions by the Igers Birmingham UK team, we set off.

Street walk in Dudley
It’s that man of the Streets of Dudley. Matt himself.

The first stop was a boarded-up pub that provided a great focus for our photography. This was followed by the distinctive iron bridge over Duncan Edwards Way. Following the newly laid tram tracks along Castle Hill, we passed the zoo and headed up towards the High Street. All the while, we could see Dudley Castle looking down on us.

Street walk in Dudley
A closed pub was our first port of call.
Street walk in Dudley
The iron bridge in Dudley.
Street walk in Dudley
MOT anyone?
Street walk in Dudley
Dudley is known for the Zoo.

A group of photographers always looks conspicuous, and I attracted interest from people in Sofi’s Plaice, a local fish and chip shop. The owner, Kikis, beckoned me over and we chatted. He kindly allowed me to take his portrait and then proudly informed me that his was the best fish and chip shop in the West Midlands. We enjoyed the banter that followed, and I promised to return.

Street walk in Dudley
Kikis and Lyndsey in Sofi’s Plaice.

Matt guided us around Dudley town centre, which is quietly impressive, with old buildings mixed amongst the new. There were many architectural highlights. Some buildings had been thoughtfully repurposed, while others had unfortunately been left empty. Nevertheless, the town has real character. Matt kept us on our toes, sharing interesting facts and pointing out photographic opportunities as we made a large circle around the town.

Street walk in Dudley
Window Shopping
Street walk in Dudley
Older Dudley architecture.
Street walk in Dudley
Inside the arcade.
Dudley walk
Architecture of Dudley.

We eventually reached the High Street, where Matt surprised us with a special visit to Prospect House, formerly the Cooperative Emporium. Opened in 1939 by the Midlands Cooperative Society, it was once their flagship department store. After decades of decline and closure during the 1980s, the building is now a community support centre with ambitions to restore it to its former glory. The exterior has already been beautifully restored in its original Art Deco style, although there is still much work to do inside.

Street walk in Dudley
Contrasting styles.

Matt is clearly a man with good contacts, and we were met by the building manager, who led us through the store and up a grand staircase onto the roof. Photographers love a rooftop viewpoint, and this one was superb. Earlier rain had left puddles across the surface, creating wonderful reflections. We spent a happy hour photographing the Black Country skyline, experimenting with puddle reflections, and capturing closer views of Dudley Parish Church.

Street walk in Dudley
I do like a good reflection.
Street walk in Dudley
Street scenes from above.

Everyone enjoyed themselves, and the rooftop visit became one of the highlights of the walk. Like any good film, however, there was still more to come. At the end of the High Street, Matt let us loose to photograph the Saturday market. Standing prominently above the street is the imposing statue of Duncan Edwards, dressed in England colours and poised to kick a football. His commanding figure overlooks the town below.

Street walk in Dudley
The Duncan Edwards statue.

Duncan Edwards was a hero to both my father and grandfather during his time at Manchester United, before his life was tragically cut short in the Munich air disaster. Standing there, I found myself reminiscing about all the stories I had heard as a child about this remarkable footballer.

Street walk in Dudley
Looking down the High Street from the top of the Prospect building.
Street walk in Dudley
Musical entertainment in Digbeth.

I later returned to Sofi’s Plaice fish and chip shop, where Kakis served me a cone of his special orange chips. They were delicious. I wandered past the new tram terminal alongside Birdcage Walk, chips in one hand and camera in the other, before eventually finding myself back at Cousins Furniture Store. We had a short debrief, reflected on what an enjoyable walk it had been, and then said our goodbyes before heading home.

Street walk in Dudley
Time trail at the start of Birdcage. A sculpture on Industry and work supporting the family. Date 1964 and the sculpture was by Edward Bainbridge Copnall.

I stayed a little longer because I had spotted a spiral footbridge that I wanted to photograph. I liked the strong angles, circular shapes, and the way pedestrians interacted with the concrete structure and metal railings.

Street walk in Dudley
Looking up towards the Spiral footbridge.

Over the following days, I posted my photographs online. As everyone shared their pictures, I realised that I had unintentionally become a subject myself. My Aussie hat and black clothing had apparently made me a distinctive figure amongst the crowd, and several photographers had captured portraits of me during the walk. It was great fun seeing everyone’s different interpretations and the one below by Nadia Malik is my favourite one.

Street walk in Dudley
With my orange chips from Sofi’s Plaice. Picture by Nadia Malik.

My thanks go to Matt for leading such an excellent photo walk and also to the Igers Birmingham UK team for organising the day.

The last blog post on my Photographing series was focussed on my visit to Winchester.

Black and White Photography with PRISM

Black and white photography is reinventing itself in the analogue world. I had the opportunity to take part in an analogue photography day courtesy of PRISM Photography. The course was organised by Francesco Felcini, who has a studio in Stryx Gallery, where he has a darkroom set up. There were three of us booked onto the course with Francesco.

Black and White Photography with PRISM
Getting my Yashica film camera ready for the shoot.

The day’s timetable started with a morning briefing and the preparation of our film cameras. I had brought along my Yashica 107 Multi Program camera, which has served me well over the years. With our black and white film locked and loaded, we headed off for a stroll around the Jewellery Quarter. There is always a certain anxiety when you know that you only have 36 pictures to shoot. We explored narrow alleyways, cemeteries, and the streets of the JQ. After an hour, we were back for the next stage.

Black and White Photography with PRISM
Francesco explains how to open the film in a developing bag.
Black and White Photography with PRISM
This looks easy as we practice loading already developed film onto the spool.
Black and White Photography with PRISM
Dom finds this is not so easy when working in the dark.
Black and White Photography with PRISM
A set of instructions is useful to make sure the right steps are followed.
Black and White Photography with PRISM
Strips of film are hanging from the ceiling to dry.

Developing the film was not straightforward for me. In the darkness of the changing bag, my sweaty hands nearly made a mess of loading the film onto the spools. Francesco came to the rescue and we were soon ready to pour the developing chemicals into the canisters. All went well and we hung the films up to dry.

Black and White Photography with PRISM
Heading back to the Stryx Gallery for a coffee after lunch.

When you are on a course with Francesco, lunch is an important fixture in the timetable. We had delicious food at the Urban Café, sitting in the sun-drenched front window. This was followed by coffee and cake back in the hidden garden of the Stryx Gallery café. The black and white negatives needed time to dry and, on our return to Francesco’s upstairs studio, we cut the strips and loaded them into archival sleeves.

Black and White Photography with PRISM
The hidden coffee garden at the Styrx Gallery.

Now it was time for printing, test strips, and eagerly awaiting the development of the photographs. There was a lot to take in and learn. I had developed films many years ago and had forgotten much of the technique involved. Francesco was patient with us and showed us how the enlarger worked, how to use the filters, and how to ensure that we achieved sharp images.

Black and White Photography with PRISM
Setting out the developing trays.

The lights went off and the red safelight came on. Test strips were made to determine the correct exposure time for the paper. We settled on 10 seconds and then off we went: light exposure followed by immersion in the developer and fixer solutions. Magically, the black and white image slowly revealed itself. We could finally switch the lights back on and see the finished print.

Black and White Photography with PRISM
The pictures reveal themselves and the test strip is shown for comparison.

The black and white photograph of Warstone Lane Cemetery was not one that I had initially selected, so I was pleasantly surprised by how well it turned out. My portrait of John, the volunteer at Key Hill Cemetery, also came out well. John had been wearing a cap, which cast a dark shadow across his forehead, but I was still pleased with the result. The results of the pictures are the subject of the next blog post which may be accessed here.

By this point, the day had almost run its course for me as I had to get back for a football match. Dom was still printing his black and white photographs from his newly purchased analogue camera. His results were terrific and made me think seriously about updating my own film camera.

This was a five-star course and one well worth attending if you are thinking about returning to the world of analogue photography. I would recommend joining the PRISM Photography mailing list so that you hear about future workshops and talks over the coming months. PRISM Photography encourages a different way of thinking about how you use your camera. Most importantly, everyone involved in the network is welcoming, friendly, and helpful.

My Blog covers different photographic techniques and you may want to try out oil and water or cyanotype photography.

Reflections at night with the University at night

Photographs and reflections taken during a rainy evening walk around the University of Birmingham following a talk on therapeutic photography Find out more about Neil Gibson on his social media.

Reflections in the dark, the University at night
A student makes their way into the Teaching and Learning block.

A Wet Evening on Campus

The University of Birmingham campus is very beautiful at night. I enjoy wandering around with my camera, photographing the buildings when the lights are on. The bright lights from the buildings and the rain-swept pavements create wonderful reflections. I realise that this may not be the best environmental practice, but the campus does look splendid illuminated after dark.

Reflections at night University at night
People studiing in the teaching and learning block

Earlier in the evening I had attended a talk on therapeutic photography by Neil Gibson, which inspired me to take more pictures of the campus at night.

Old Joe Lights Up the Night

The rain was lashing down and, at first, the idea of an evening stroll was not particularly appealing. However, when I saw Old Joe lit up in vibrant colours to celebrate 125 years, I was captivated and could not resist taking photographs. There were puddles of water that offered several opportunities for reflections of the lights from the building.

Reflections in the dark. the University at night
Looking up at the colours of Old Joe
Reflections in the dark. University at night
Underneath Old Joe, a car sits looking at the Aston Webb building.

Cameras for a Rainy Night

My Fujifilm X100VI is ideal for wet nights, as I have weather-proofed the camera. The iPhone 17 Pro is always with me and is also an excellent camera for capturing wet-weather reflections.

Reflections in the Dark. University at night
The steps at the entrance to the Muirhead Tower create interesting patterns in the dark

Starting at the North Gate

As the talk began at the Gisbert Kapp Building, the North Gate was an ideal starting point. There are some wonderfully cinematic night views here featuring Old Joe. It is difficult not to become distracted by the envelope of vibrant colours surrounding the clock tower.

Reflections in the dark. University at night
The North Gate of the University at night with Old Joe in the distance.

Student Life After Dark

The newer buildings on the right were a hive of student activity. Both the Library and the Teaching and Learning Building were brightly lit, and I stayed nearby for a while to capture students moving in and out.

Reflections in the Dark.  University at night
The teaching and learning block provides geometric patterns.

The trees in front of the Muirhead Tower looked particularly striking and slightly eerie in the rain.

Reflections in the Dark, University at night
Trees illuminated by ground lighting look very stark in the light.

The Classic Views of Old Joe

Everyone takes the classic views of the clock tower with strong leading lines, and I thought, why not? I headed to the usual Instagram-friendly spots around the Aston Webb Building to capture those iconic perspectives.

Reflections in the dark, University at night
A classic view of the Chamberlain clock tower in lights for the 125 years anniversary.

A Quiet, Rainy Walk Back

After taking a few close-up shots of Old Joe, I wandered back towards the Muirhead Tower and along the walkways to the North Gate. It was a very wet night, so unfortunately there were not many people around. Once again there were several reflections creating photographic opportunities.

Reflections in the dark, the University at night
Railings on the steps leading to the walkways around the Green Heart.

I like to catch the occasional silhouette in the glare of the lights, but most people were sensibly staying inside the buildings. After one last look around the campus, I made a welcome retreat to the shelter of my car.

Reflections in the dark, the University at night
The lights at the Pritchatts Road highlight the rain.

This is the second in an occasional series on the University of Birmingham at night. Please read my first account of night photography around Birmingham campus which is focussed mainly around the railway station.

Stannels Bridge shows patterns of rust and peeling paintwork.

Stannels Bridge is part of the Stratford Greenway, located just outside Stratford-upon-Avon. The disused railway track is now a haven for cyclists and walkers. A landmark structure near the start of the greenway is an old railway bridge. It was built in the early 1900s and formed part of the Great Western Railway. The steel girder structure allowed the railway line to cross the River Avon.

Stannels Bridge shows patterns of rust and peeling paintwork.
Close up of Stannels Bridge iron work shows patterns of rust and peeling paintwork.

Now used for recreational purposes, the rather grand structure shows signs of neglect, with rusting and peeling paint. The bridge has been well documented from a historical point of view. Many photographers have become fascinated by it, as this website demonstrates, with photographs dating back to 2012.

The interlacing pattern of iron girders of Stannels Bridge creates an imposing structure.
The interlacing pattern of iron girders of Stannels Bridge creates an imposing structure.

I spent time focusing on the details of the rust and peeling paint on Stannels bridge, then on the repeating patterns of the ironwork, and finally on an overview of the structure. I have taken several other pictures, as shown.

The paintwork of lStannels Bridge reveals the different layers added over the years.
The paintwork of lStannels Bridge reveals the different layers added over the years.

I am adding a few of my own photographs to this interesting iron bridge.

Stannels Bridge spans the river Avon which is seen in the background of this picture.
Stannels Bridge spans the river Avon which is seen in the background of this picture.

Stannels Bridge is a distinctive structure found along the Stratford Greenway, the former Great Western Railway line that once connected Stratford-upon-Avon with the wider rail network. Accessing the Greenway by foot or bike allows you to take in the old railway line. Stannels bring is near to the start of your journey on the Greenway.  Whilst you visit, you can add to the enjoyment of the day with two cafes offering refreshments. They are strategically situated along the Greenway and they are based in former passenger dining coaches.

Stannels Bridge is now part of the Stratford Greenway used by walkers and cyclists.
Stannels Bridge is now part of the Stratford Greenway used by walkers and cyclists.

This is an old account back in 2021 of my first visit cycling along the Stratford Greenway.

Atmospheric black and white canal photography in Birmingham

The day was black and white, and the Birmingham weather matched the mood. A dull sky hung overhead as mist rolled in, partially obscuring several buildings along the way.

Atmospheric black and white canal photography in Birmingham
The area of my journey at Snow Hill Station
Atmospheric black and white canal photography in Birmingham
The tree branches out and covers the tower blocks

Walking beside the Birmingham Canal Navigations, the mist created a stark, atmospheric view of the city. I found the conditions ideal for photography, with a strong black and white theme naturally emerging in my images.

Atmospheric black and white canal photography in Birmingham
Pointing the way to what is happening in Birmingham.
Atmospheric black and white canal photography in Birmingham
A close up of the moss on the brickwork around the canal

I was using what I like to call my big camera, a Canon R6 Mark II. Paired with a fast zoom lens, it’s a setup I’m comfortable with, although it’s not something you can slip into a coat pocket like a compact camera. Because of that, I was careful not to keep the camera out from under my coat for long periods.

Atmospheric black and white canal photography in Birmingham
I saw this person with a white coat and she lined up perfectly with the surround views
Atmospheric black and white canal photography in Birmingham
A classic view of the Gas Street Basin

During those brief moments when I did take it out, I looked for both unusual and familiar views of the canals focussing on the black and white. The walk from Snow Hill to Gas Street Basin was an enjoyable one, and the photographs reflect that journey through Birmingham in misty, monochrome conditions.

Atmospheric black and white canal photography in Birmingham
A cyclist goes past at speed just off Water Street.

If you enjoyed this read then please delve deeper into my blog with this entry into my blog. Written in 2019, the entry describes the 250th anniversary of the Birmingham Canal Network.

Birmingham photowalk capturing winter street photography and long shadows.

Marcin SZ has been leading Birmingham photowalks since 2020. An accomplished photographer, he shares his work on Instagram under Birmingham_Photography, capturing the city during the golden and blue hours in vibrant colour and bold black and white.

Birmingham photowalk capturing winter street photography
Marcin our host for the Birmingham photowalk

As part of my New Year’s resolution to explore new photographic opportunities, I joined one of Marcin’s photowalks. We met outside the Library of Birmingham, where a small group of photographers gathered before heading out to explore the city.

Marcin our host for the Birmingham photowalk
Dancers gather outside the windows of the Library to practice their routines. This causes bemusement to people passing by.
Birmingham photowalk capturing winter street photography and long shadows.
A street cleaner creates a striking silhouette in the light.
Birmingham photowalk capturing winter street photography and long shadows.
The brand new Octagon building towers over the former four-star Copthorne Hotel now scheduled for demolition.

Despite the cold winter weather, Centenary Square was full of activity. The low afternoon sun reflected off the Library’s glass façade, creating long shadows and strong contrast—ideal conditions for street photography in Birmingham.

Birmingham photowalk capturing winter street photography and long shadows.
Whilst the walkways between buildings are wide, they are made to look narrow by the height of the buildings.
Birmingham photowalk capturing winter street photography and long shadows.
Two figures move along the walkway between buildings.
Birmingham photowalk capturing winter street photography and long shadows.
The Town Hall is partly revealed by the available light.
Birmingham photowalk capturing winter street photography and long shadows.
Major Birmingham landmarks take their turn in catching the light.

Our Birmingham photowalk took us through Chamberlain Square and past the Town Hall, where Marcin encouraged us to look for architectural details and light patterns often overlooked. Hill Street, bathed in winter light, offered compositions reminiscent of New York. Along the way, spontaneous moments appeared, including a group of cyclists performing wheelies near Brunel Street.

MaBirmingham photowalk capturing winter street photography and long shadows.rcin Walk
Hill street has those New York vibes about it especially with the low level sun.
Birmingham photowalk capturing winter street photography and long shadows.
This picture is to remind me that sometimes the best pictures arise when you least expect them.
I went on a super photowalk and this picture is to remind me that sometimes the best pictures arise when you least expect them.
This cyclist was performing a wheelie on his bicycle as he ride down Brunel Street.

We continued towards the Mailbox and the Cube, where intense horizontal light produced striking graphic shadows. After photographing the frozen waters of Gas Street Basin, Marcin invited us to his studio on the 10th floor of Quayside Tower. From there, we enjoyed panoramic views across Birmingham as the setting sun filled the sky with warm tones and soft pink clouds.

Birmingham photowalk capturing winter street photography and long shadows.
Overlooking the towpath from the Cube bridge. Long shadows in the setting sun start to look atmospheric.
Birmingham photowalk capturing winter street photography and long shadows.
The surface of the water in Gas Street Basin has frozen leaving consumer debris on the ice.
Birmingham photowalk capturing winter street photography and long shadows.
Golden hour over the City generates vibrant colours.

Birmingham Photowalk reflections

I highly recommend joining such a Birmingham photowalk with Marcin SZ. He is genuinely passionate about photography and has a natural ability to guide people towards compelling scenes. The atmosphere is relaxed, welcoming, and suitable for all experience levels. It was a memorable afternoon, made even better by beautiful winter light and inspiring company.

If you enjoyed this account of a Birmingham photowalk then here are some links to previous walks done in Manchester and London.

Woodland photography inspiration in Hay Wood near Solihull

Struggling With Photography Inspiration

Photography inspiration can be hard to find, especially when it feels like you have already photographed everything around you. Many photographers reach a point where creativity feels stalled, making it difficult to see familiar places with fresh eyes.

Wondering what to photograph? Stuck with subject matter? Feel like you’ve photographed everything before and need some new inspiration? We’ve all been there, and trying to lift the gloom on our creative inspiration is never easy.

Woodland photography inspiration in Hay Wood near Solihull
This looking up picture deep in the wood has been converted to black and white and then inverted.

Revisiting Familiar Places

My own personal solution is to revisit one of my favourite places and try to do something a little different, even if that means standing in the same spots or walking along familiar paths.

Woodland photography inspiration in Hay Wood near Solihull
I have taken photographs before in this spot mainly in colour. A change to black and white is something different for me.

A Walk Through Hay Wood

This time, my choice was to visit a woodland, as the natural chaos of tree shapes always brings fresh insights and new perspectives. My go-to place is Hay Wood, near Solihull. Managed by Forestry England UK, Hay Wood is large enough to make you feel removed from civilisation, yet not so isolated that traces of human presence disappear entirely.

Woodland photography inspiration in Hay Wood near Solihull
A close up view of the leaves on a beech tree.
Woodland photography inspiration in Hay Wood near Solihull
The fallen tree branches add an interesting disruption to the woodland scene.
Woodland photography inspiration in Hay Wood near Solihull
The different layers of the wood from the floor to the trees.

Woodland Photography as a Creative Tool

Here is a photo essay from my recent walk through the woods. In the captions, I include details of what I was trying to achieve or what caught my eye. Some images focus on the shapes of trees, while others highlight moments where human influence intrudes upon the natural beauty of the wood.

Woodland photography inspiration in Hay Wood near Solihull
An environmental station stands out amongst the surrounding natural elements
Woodland photography inspiration in Hay Wood near Solihull
A fallen tree makes an interesting ‘woodland den’ created by humans.
Woodland photography inspiration in Hay Wood near Solihull
Whilst an interesting human interaction, this wooden picnic table looks underused.
Woodland photography inspiration in Hay Wood near Solihull
Too much human intervention detracts and interferes with nature.

Feeling inspired after seeing this photographic essay? My advice is to go out and revisit your favourite photographic haunts and try something different as I have attempted to do here.

Here are more blog entries on Hay Wood for you to enjoy. The first happened during a sunrise three years ago and then there are more woodland visits to read about.

Changing Digbeth, December, 2025

Digbeth Photography and Constant Change

There is one certainty in Birmingham: Digbeth always changes. For anyone interested in Digbeth photography, this makes the area endlessly fascinating. New buildings appear, artwork evolves, and the streets never look the same from one visit to the next.

New Buildings Transforming Digbeth

One of the most noticeable recent developments is the new block of flats being built opposite the Custard Factory. The building stands on the former site of the old Peugeot Garage and Irish Centre. From a photography point of view, this construction is already changing sightlines and creating new contrasts between old and new Digbeth. We wait and see if these contrasts are really beneficial to the area.

Changing Digbeth, December, 2025
Cranes overlook Digbeth

As more people live closer to the city centre, Digbeth continues to evolve into a place where work, culture, and residential life sit side by side.

Changing Digbeth, December, 2025
Digbeth adds extra colour to where we live. @MrPenfold

Street Art Through a Photographer’s Lens

For Digbeth photography, the street art is a major draw. New shops and restaurants continue to open, while the artwork on the walls constantly changes. Because there are only a limited number of spaces, older murals are often painted over to make way for new designs. Some murals stay the same.

Changing Digbeth, December, 2025
A classic mural still remains @philthblake

Fresh graffiti now sits alongside long-standing pieces. In some areas, heavy tagging covers earlier murals in a more random style. Even so, bold colours and striking shapes continue to dominate, making Digbeth a living canvas for urban photography.

Changing Digbeth, December, 2025
Love this artwork from @miscfit
Changing Digbeth, December, 2025
Figure in the Archway.
Changing Digbeth, December, 2025
Arch reflections (artists unknown)

Photographing a Changing District

This post is a roundup of some of the new scenes and artwork I’ve photographed recently. Wherever possible, I’ve credited the artists. If any credits are missing, please leave a comment and I’ll update the post.

Changing Digbeth, December, 2025
The yellow door (artwork @phithblake and @Fum.Armada
Changing Digbeth, December, 2025
Bike lineup (artist unknown)
Changing Digbeth, December, 2025
Blue mural on the walls of the Red Brick Market (artist unknown)

I’ll be back in the new year to focus once again on Digbeth photography during the blue hour, which is one of my favourite times to capture the light and shadows in this changing part of Birmingham. One thing remains true — Digbeth always changes.

Links

Crack's Hill, near Crick, October, 2025

Cracks Hill is near the village of Crick, just over the border from Warwickshire. My daughter lives in Houlton, close to Crick, and I was visiting her when the weather forecast predicted thick fog for the morning.

Crack's Hill, near Crick, October, 2025
The contrast between the tree with no leaves and one with full foliage.

I drove over and walked across the fields, along the canal, and up to Cracks Hill. The fog was dense, and visibility was low. I had brought my tripod, which allowed me to capture some excellent photographs at long exposures with my camera.

Crack's Hill, near Crick, October, 2025
On the edge of the hill a tree is isolated in the fog.

The images I liked most were of the cobwebs on the canal bridge, with mist and moisture delicately hanging on the strands. The combination added a sense of mystery to the scene. The area around Cracks Hill is very pretty, and although much of the usual landscape was hidden, I was able to take some wonderfully atmospheric pictures of the trees.

Crack's Hill, near Crick, October, 2025
Cobwebs on either side of the metal parts of the canal bridge.
Crack's Hill, near Crick, October, 2025
The shadows of the canal bridge reflected in the water.

The fog in the countryside contrasts with that seen in the city. Here is a blog when the fog settled on Birmingham.

Spaghetti Junction, Birmingham, August 2025

IgersbirminghamUK organised a walk around Spaghetti Junction on a warm Saturday afternoon at the beginning of August. For this blog entry, I have 24 frames which is the number of a roll of film. These pictures were taken with either my iPhone or Fujifilm x100vi. The stories and sights under the motorway are always changing and always surprising. Enjoy this photo essay.

Figures

People move around the complex concrete structures. They look apologetic for their presence as the concrete really does enjoy its own company.

Spaghetti Junction, Birmingham, August 2025
Figure in the subway
Spaghetti Junction, Birmingham, August 2025
A walk home with the noise of cars above.

Cyclists

People move quickly on the towpath nobody wants to stay too long as they may get lost in the concrete.

Spaghetti Junction, Birmingham, August 2025
Cyclist between the pillars.
Spaghetti Junction, Birmingham, August 2025
There is light in the dark that guides the cyclist.

Pillars

The main feature of the concrete structures is the pillars. Reaching to the sky they hold the roads in place. If the pillars disappear then there so will the roads.

Spaghetti Junction, Birmingham, August 2025
Reaching for the sky
Spaghetti Junction, Birmingham, August 2025
The height of the pillars dwarfs the people who dare wander next to them.
Spaghetti Junction, Birmingham, August 2025
The cathedral pillars of Salford circus.
Spaghetti Junction, Birmingham, August 2025
Gaps between the Pillars.

Are you lost yet?

A line from the 25 paintings project by Bill Drummond.

Spaghetti Junction, Birmingham, August 2025
So easy to lose your way under the motorway.
Spaghetti Junction, Birmingham, August 2025
There is signage to help.
Spaghetti Junction, Birmingham, August 2025
Colourful signs break through the concrete monotones.
Spaghetti Junction, Birmingham, August 2025
A scrawled sign lets you know where you are.

Traces of humanity

There are examples that humans have passed through the area.

Spaghetti Junction, Birmingham, August 2025
Real Magic
Spaghetti Junction, Birmingham, August 2025
Birmingham, England
Spaghetti Junction, Birmingham, August 2025
A smashing time.
Spaghetti Junction, Birmingham, August 2025
Walk this way

Nature fights back

Nature is slowly eroding the concrete jungle. Trees and greenery have established themselves amongst the pillars.

Spaghetti Junction, Birmingham, August 2025
Greenery lines the paths.
Spaghetti Junction, Birmingham, August 2025
Trees in the sunlight.
Spaghetti Junction, Birmingham, August 2025
Concrete vs nature standoff.

I hope you enjoyed this photo essay of my recent visits to Spaghetti Junction. If you ever have the chance to visit the area then do take up the opportunity. There are regular tours that take in Aston Reservoir and the more interesting parts of the canal network. The interchange does become very quiet at the weekends. During the week, there is construction activity focused on maintaining the pillars that are essential to holding the motorway network together. The highs and lows of a visit around the Gravelley Hill interchange are illustrated below. The highlights include the wonders of the construction and architecture. The lows are the faceless nature of the area which has areas that are not particularly inviting.

Spaghetti Junction, Birmingham, August 2025
The classical view of the pillars lined up along the river Rea.
Spaghetti Junction, Birmingham, August 2025
Barbed wire and undistinguished areas of the Junction.

Are you wanting to read more about Spaghetti Junction then here are more of my visits about what lies beneath the M6. I recommend starting with this blog post that sets the scene for my photo essay.

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