The Stratford-upon-Avon CanalLooking out over bridge 56Leading lines to the tree
This walk took us to the Edstone Viaduct, a spectacular canal aqueduct that runs over the Birmingham to Stratford-upon-Avon railway line. We made our way from The View across fields, down to the railway line, which had an unguarded crossing. Crossing this we arrived at the road and made our way to the viaduct. On the canal, a few narrowboats were moored, but as it was a cold February lunchtime, there was very little movement. I always like crossing the viaduct as the towpath is lower than the water level and so you have a different view of the canal.
Watch out for the trainsFollowing the path
The towpath and fields were extremely muddy, so having good walking boots was essential. The Warwickshire countryside is picturesque and gently rolling, and even on a grey day, it offers interesting places to visit. The pictures from this walk capture the beauty of the landscape, showcasing how this part of the world remains charming in all weather conditions.
If you enjoyed this entry in my blog then please read about my 4 churches bike ride around the Warwickshire Countryside. I also enclose a pdf from the View with a map and further details of my walk.
Details of Edstone Walk (copyright with the View, Wootton Warren)
Little did I realise that a picture from a field in Kinver, Staffordshire, taken on a warm day in June 2024, would be displayed at Kew Gardens on a cold day in February. My photograph, Cool Light on the Poppies, was awarded second place in the wildlife category of the International Garden Photographer of the Year competition. I was invited to Kew Gardens to receive my certificate and attend the reception, which was a wonderful experience. I was very pleased with the result, and I enjoyed a lovely day at Kew Gardens, where the sun was shining and signs of spring were present.
Standing in front of my picture in the IGPOTY exhibition with my certificate.
This is my blog account of my visit to the Poppy field where I took the winning picture. I was also shortlisted with another picture of the sun streaming over the hill which is included in the blog.
The year may have started with plenty of rain, but that never stops me from hunting for reflections. I have a few favourite spots where I find good puddles, and here is a selection from the start of 2025.
Kingswood Junction after a very heavy downpour flooded the towpath.Taken with my Fujifilm x100vi of Gas Street Basin. There is smoke billowing out of one of the narrowboats.
Someone recently asked about my technique for taking such pictures. When capturing reflections, I use my iPhone, seeking out patches of water and anticipating how a reflection may appear. A key step is to get as low as possible to the puddle. This can be challenging, especially with particularly muddy puddles, like the one on Normandy Hill. One wrong step, and you could end up a muddy mess if you stumble into the water.
This reflection was taken from the surface of a very muddy puddle on Normandy Hill, Hillmorton, Rugby.
I position my phone so that the back lens is as close to the water as possible, just before autofocus engages. This creates a blurred background effect as the phone focuses on the nearest object. Since you are often crouching in muddy water while holding your phone, you must anticipate the outcome of your shot rather than seeing it perfectly in the moment. Using a larger camera—even a compact one—would be difficult in such conditions. Of course, larger cameras work well when photographing a lake beneath a mountain range, safely away from the water’s edge. However, the beauty of using a phone is its ability to capture reflections effortlessly during everyday walks. There are two pictures, in this gallery that have been taken with my Fujifilm x100v and I am still able to capture the magic of reflections.
Tow trains, one local, the other to London with the reflections framed by the footbridge.This contrast of colours of the blue hour and the warm lights is enhanced by the reflections. The picture was taken with my x100vi.
Having taken reflection photographs countless times, I now appreciate that the real skill lies in composition. It is about anticipating the possibilities that even a small puddle can offer.
Reflections at Selfridges with a blue theme. A favourite place for photographs.
Druids Heath is just a place I pass through—a shortcut home and a fast route that I have taken many times after events at the University of Birmingham or in Selly Oak and Bournville. Passing through the area, I often wondered about the mix of tower blocks and green spaces. I remember passing a lively pub, although its name always escaped me. My drive through would last around five minutes, ending at the Maypole and onto the bypass leading to the motorway back home.
Bell’s lane. the main thoroughfare passing through Druids Heath
Druids Heath remained an enigma until I stumbled upon a National Trust post which led me to the National Trust’s Back to Backs website. There was an advert for a walking tour of the area, linked to the slum clearance projects of the 1960s, such as the Back to Backs. Sparkling new estates had sprung up during that era, with Druids Heath at the forefront. My family came from Manchester, so I never learnt about the clearance of Birmingham’s slums. However, I did have University friends who lived in the Hume crescents in the late seventies. I have many stories of visiting Hulme when a student in Manchester.
Jayne Murray, the resident artist of Place Prospectors.
The walk around Druids Heath was organised by Jayne Murray, the resident artist of Place Prospectors. We gathered at the terminus of the number 50 bus, where Jayne introduced herself and handed out a set of postcards. Each postcard was to act as a signpost for our journey around the estate. The first depicted a map and a picture of the bus stop. As we began our walk, we found ourselves on the border of the city with the green fields of Bromsgrove and Worcestershire on the other side of the road. There was a stark contrast between the green countryside and the houses and towers of Druids Heath. The houses were built in units—some with garages and living quarters above, others resembling small terraces. Tower blocks punctuated the landscape, standing over the lower-raised houses. As we moved along, these towers became an ever-present feature, imposing themselves on the scenery.
A typical example of low level housing in Druids Heath.
Despite the low-grade litter scattered around the estate, it was clear that many residents took pride in their homes, adding personal touches to make the place welcoming. Jayne shared background details about the area, and the postcards were a clever prompt, allowing us to see how the estate had changed over the years. For example, the land along Bells Lane was once used for farming, and remnants of its agricultural past were still visible in the bushes that had once formed natural borders.
An example of the concrete architecture on the estate.Empty dustbins
We stopped at several landmarks, including the former pub called the Gladiator. Now I remember its name! Jayne explained that where there were once three pubs, there are now none, and she lamented the loss of the community spirit that disappeared with their closure. We also heard about the Dell; a large area of heathland once earmarked for development. A determined community fightback led to the cancellation of these plans, and the area is now a haven for wildlife.
The heathland of the Dell overshadowed by electricity pylons.
The final stages of the walk focused on the towers. Some have been demolished, while others stand empty, deemed unsuitable for habitation. Hillcroft House, for instance, stands vacant next to a row of shops—some are still in use, others abandoned. We passed two demolition sites: Heath House and Moundsley House. Both towers are now gone, leaving only grass in their place, with no new structures having yet been built. The library has since been replaced by the Druids Heath neighbourhood office and the youth club was still there. Using postcards with images of the towers mid-demolition, we aligned our photos to capture the present-day view, a poignant reminder of what once stood there.
The towers impose themselves over the undelating landscape.Leading lines to the towersHillcroft House stands emptyWelcome to Druids Heath.The site where Moundsley House once stood.
Jayne then led us up a hill to a green metal fence enclosing a large empty space. She recounted the story of Baverstock School, once a jewel in the estate’s crown. Built in 1969, its headteacher, Mr Perks, was dedicated to giving pupils the chance for a brighter future, and the school gained numerous accolades. However, after his retirement, the school’s fortunes declined, plagued by financial mismanagement and poor governance. It closed in 2017, with bulldozers arriving in 2020. The story saddened me, and I struggled to understand how such a vibrant institution could fall into ruin. Today, all that remains is an empty space, a postcard, and memories cherished by former staff and pupils.
There is nothing to show that Baverstock School once proudly stood here.
As we neared the end of our walk, a short footpath brought us to Kimpton Close, surrounded by three tower blocks: Saxelby, Kingswood, and Barretts Houses. Concrete buffers lay uprooted and scattered around the area. These buildings, now empty, await their fate. The 13-storey towers—used as a backdrop for the BBC drama series This Town, which explored the birth of ska in Coventry—stand as imposing relics of the past. I took many photographs, drawn to their photogenic yet haunting presence, and reflected on the families who once lived there. The setting sun seemed to know that their time was coming to an end.
The silhouettes of the three tower blocks against the setting sun.Looking up at Barretts House. Empty except for a few remnants of previous habitation.Graffiti writing on the entrance doors
Our final stop was a surprising landmark. Druids Heath is one of the highest points in Birmingham, and surrounded by the towers there was a trig point. Jayne joked that if we looked east, the next highest place would be the Ural Mountains. With the cold wind picking up on that late Saturday afternoon, I had no reason to doubt her.
The trig point in Druids Heath with the towers forming a backdrop to the landscape.
In our pack was artwork inspired by Druids Heath residents. The final postcard bore the words I am not going to panic, from the Moving Stories project. This artwork, by Jayne and Jean, one of the last residents of the Brookpiece tower block overlooking the trig point, depicted the long-reach of the proposed demolition. The tower was in the jaws of a pincer which outlined the area. There is a lot of concern and uncertainty about what is planned to be demolished and what will replace the present buildings.
We concluded our walk with a group photograph and I departed for home. Jayne and others headed to the Outpost Arts Centre for a screening of the film The Great British Housing Disaster. I later watched the film on YouTube, finding it a harrowing yet informative background to the building expansion in the sixties. The mismanagement and misplaced decision making from Government and building contractors remains a major problem to this day. Will the future lead to better things? That is a difficult question to answer based on past history of the buildings on Druids Heath.
Taken from the Instagram account of @jaynemurrayartisThe lights on Pound road
On my way back to the car, I passed the mural for Druids Heath by Mohammed Ali. The golden light of the setting sun enhanced its vibrant colours. The mural’s theme of safety and compassion reflected the community’s spirit and the hope for togetherness.
The artwork by Mohammed Ali symbolising the community spirit.
At the number 50 bus stop, where two buses waited, I was reminded of the first postcard Jayne had handed out. Back home, I looked through my pack again, matching my photographs with the postcards. I would encourage anyone to visit the Moving Stories website and read about the residents’ experiences of life on the Druids Heath estate. Their words—flooding, cold, damp, frustration, and loss of hope—paint a poignant picture of the challenges they faced.
The number 50 bus terminus.
Though Druids Heath was once just a shortcut on my way to Birmingham, this walk gave me a glimpse into its rich history, its struggles, and its community spirit. It is no longer simply a place I pass through but one I now understand more deeply.
Thank you to Jayne and the team that organised the walk around Druids Heath. Jayne was accompanied by Clare, who is an artist and former architect. Clare provided background information as to how the houses and towers were built. I found this to be an excellent follow on from my visit to the National Trust Back to Backs property. I have written a blog about my visit there and there is a link below. I shall be visiting the exhibition “Moving Stories” that links with the walking tour that I described in this blog.
I have also added a link to “The Great British housing disaster” which is essential viewing. The documentary unravels the mismanagement and poor quality control of the building industry in the 1960s. The people who bore the brunt of this disaster were ordinary people many of whom lost their lives when buildings collapsed or caught fire such as the Grenfell Tower fire.
I love January days when there is a clear blue sky and the weather is dry and crisp. We have had a few cold days like these, which have also featured bright sunrises and warm sunsets. January is also a great time to photograph the streets of Digbeth. Warm colours are created as the sun sets, highlighting the character of the old industrial brick buildings of the area. The brickwork soaks up the light and emits a deep warm glow. Checking my TPE, I found that the setting sun aligns along Floodgate Street during the golden hour.
Long shadows starting to form along Floodgate Street.The Moon above Spiderman at Luna Springs
Wrapping up warm with plenty of layers of clothing, I arrived at Moor Street Station. My route to Digbeth took me past the old Typhoo tea factory, which is under renovation and will soon become the new Midlands headquarters for the BBC. Along the way, I met fellow photographer Simon MacCreedy, who was out with his trusty Pentax. We caught up on the latest news and talked about our photography. Simon specialises in black and white photography, and his work is worth exploring, especially on his @Macindigbeth Instagram account.
Striding towards with ambition.
After saying our goodbyes, I headed to Little Ann Street. The sun was low, and only the tops of buildings were still bathed in light. Shadows crept across the street but had not yet obscured the words “Striving forward with ambition,” painted on the side of the Performers and Screen and Film School building, part of the BIMM Music Institute group. The sign was created by FokaWolf, a subversive street artist known for parody and satire.
Adam and his mate flagged me down and asked for a picture of them in their car. They had heard of @dammodammo.Long shadows in the sunset.A billboard with a message seen on the High Street.
On Floodgate Street, long shadows stretched behind pedestrians walking along the pavements. Having taking a few pictures, I walked over the canal to Montague street to visit the Digbeth Loc. Studios where the filming of the forthcoming “Peaky Blinders” movie is taking place. The film studios were established by Steven Knight and he commissioned Mr Murals to paint a mural the building of the iconic Peaky Blinders characters. The hand-painted street art features the characters, Thomas Shelby, Ada Shelby, and Alfie Solomons, with a scene of Birmingham from the past behind Thomas Shelby. It is a fantastic piece of art, though not the easiest building to photograph.
Part of the Peaky Blinder mural on Montague Street.The eyes have it, Alfie, Ada and Thomas.
Back on Gibb Street and Floodgate Street, the sun had almost set. I lingered, taking pictures, and noticed the sky beginning to change colour as the blue hour approached. Standing at the entrance to Gibb Street, I saw the city’s high-rise buildings silhouetted against the deepening blue sky. Searching for the best view, I crossed over the high street to the newly laid tram tracks. Standing on the tracks I saw classic leading lines that conveniently pointed back towards the city. I know that his would be a good picture. After activating the RAW function on my iPhone for the most detailed information, I captured several shots and was very pleased with the resulting pictures.
The tracks of the city.
The temperature was dropping fast, but I was determined to photograph more of Digbeth during the blue hour. The contrast between the warm streetlights and the cool blue sky created vibrant, colourful scenes. Eventually, the cold won, and I retreated to the warm carriages of a train back to Olton for dinner at my daughter’s house. Reflecting on the day, the two to three hours spent in Digbeth were worthwhile and added another chapter to my photographic diary of this dynamic area of Birmingham.
The yellows and blues along Floodgate Street.The classic view of Gibb Street.Yo Birmingham
I have done many visits to Digbeth and I am spoilt for choice. I have narrowed down my selection of my two more popular blogs on Digbeth. I hope you enjoy reading them. My first choice is a visit to Digbeth in January 2024 but the setting is in the morning. My second is a study of the street art and the pictures were taken during the day in July 2020. Enjoy!
Sunrises in January are an ideal time for photography. An early, low sun rising in a cloudless sky creates areas of contrast wherever the light falls. I enjoy getting up early to catch such sunrises, so I treated myself to a visit to Gloucester. I had never visited the restored docks, and I do enjoy strolling around new venues. After checking the weather for the next day, I was optimistic that I would come away with some good photographs. I was also keen to visit the Cathedral. While browsing the Museum of Gloucester website, I discovered that the International Photographic Exhibition, organised by the Royal Photographic Society, was on. I was excited, as I had a solid plan for the day.
Shadows from the buildings create interesting shapes as they are reflected in the water.
The docks are steeped in history, and the area has been renovated with flats and restaurants. I arrived just before sunrise. The area initially looked grey, but as the sunrise progressed, the scene transformed. The brickwork of the old warehouses at Gloucester Docks began to glow as the buildings soaked up the sunlight. I love how, when the light reaches a building, a warm, radiant glow emerges. The docks have many interesting features. The boats are all individually decorated, each with their own character.
Old cranes and typography on the buildings.Colours and reflections.
I had read that Sula, the lightship, would be in dry dock, so I was pleasantly surprised to see it in the water. Even better, the sun was already beginning to highlight the red paint. As you can see from my pictures, I was captivated by the Sula Lightship. The bright red colour of the boat was beautifully illuminated by the sunlight. The low sunrise created shards of light that highlighted local people passing by the boat on their way to work.
The Sula lightship catches the sunrise.The silhouette of the lightship.Sula lightship with dockland buildings.
There were many other captivating scenes at the docks before I moved on to other attractions. I particularly enjoyed photographing the Kyneburgh Tower, designed by the artist Tom Price. The internal structure, featuring ever-decreasing irregular circles rising up towards the top of the tower, was fascinating. I also passed by the small house dedicated to the Tailor of Gloucester and could not resist taking a photograph of its charming front.
Looking up inside the Kyneburgh Tower.The Tailor of Gloucester shopfront near to the Cathedral.
On previous journeys to the University of Plymouth, where I served as an examiner for several years, my train often passed through Gloucester. The Cathedral, visible from the elevated railway track, is a commanding structure. Every time I saw the cathedral; I told myself I must visit and see the interior one day. The Cathedral is awe-inspiring, and the internal ceiling structure is a sight to behold. I have seen many photographers’ pictures of the ceiling and was eager to capture my own.
The main hall, Gloucester Cathedral
I also enjoyed smaller details, such as the angels in the choir stalls. Additionally, I was intrigued by the tomb of Robert Curthose, or Robert of Normandy, William the Conqueror’s oldest son, who never ascended the throne. I like the way his tomb was set out and was more attractive than Edward II’s tomb on the other side.
An angel looks up at the Choir stall lights.The tomb of Robert of Normandy.
There are many other parts of the Cathedral that are a joy to see. Whilst the main hall is the most visually impressive part of the building, the cloisters, famous for being a filming location for the Harry Potter films, were particularly striking. Despite the post-Christmas cleanup being underway—it was just a few days before Epiphany—I managed to take some photographs. For me, the docks and the Cathedral were the highlights of Gloucester.
Strike a matchSunshineGloucester is the home of the……
– The International Photography Exhibition 165, sponsored by the Royal Photographic Society at the Museum of Gloucester exhibition was a high point. I would highly recommend this exhibition to anyone interested in photography. The display featured many inspiring images, including works by international artists documenting their local environments. Having recently completed a documentary photography project myself; I found the exhibition particularly engaging and rewarding.
International Photography Exhibition 165, Royal Photographic Society, Museum of Gloucester.
There is a series of blogs on the subject “Photographing ……” and you may like the last one that I posted on Photographing the Cotswolds which is a place not far from Gloucester!
Time to review my best pictures of 2024. The latter part of my photographic year was devoted to the Stirchley Observation Project. This course, organised by the PRISM Photographic Network, ran over 12 weekends from September to November. A final exhibition featuring many of my photographs will take place in 2025. This documentary course, led by Oksana Bischin, changed many of my perspectives on photography. With valuable feedback from fellow participants, it led to a deeper appreciation for the art of taking pictures. Two of my top four photographs are from my time on the course.
Red Hair, Green diamond.
The first of my top four, and my favourite, is titled Golden Hair with Green Diamonds. This picture was taken in Stirchley, on the footpath behind the Birmingham Brewing Company. When I first reviewed the image, I wasn’t happy with it, as the person was out of focus. However, I did appreciate the vivid colours, which gave the composition a lovely vibe. I was taken aback by the positive comments I received. People mentioned the timing, the texture in the wall, and the shadow cast by the railing. Yet, it’s the woman reading the book that adds so much more interest to the picture.
The distant skyscrapers contrast with the housing and bus in the foreground.
Birmingham is undergoing a construction boom, with many high-rise skyscrapers being built. I took this picture on the canal bridge over the Worcester and Birmingham Canal, which forms the western border of Stirchley. Using my 400mm zoom lens, I aimed to capture the contrast between the older houses on Pershore Road and the shining new residential towers in the city centre. Just as I took the shot, the number 11 bus passed over the bridge, and there was a person at the front of the bus, looking out at the scene. This picture was well-received on the BBC Birmingham social media pages and made the BBC news website.
Reflections around Selfridges bring out the sunrise.
Selfridges is an iconic building that always offers photographic opportunities. This picture was taken on a morning in early December. The sunrise brought a few colourful clouds, and the rain from the previous night had left several puddles, creating the perfect chance to capture a puddle reflection—my trademark style of photography. I was initially concerned that the partially constructed building in the background would spoil the shot. However, I needn’t have worried, as all the elements of the composition came together beautifully. The colourful clouds seem to flow across Selfridges, adding a dynamic element to the image.
Early morning light on a poppy field in Kinver, Staffordshire.
My final picture is of a poppy field near Kinver Edge. I remember the morning well. After getting up early, I headed to Kinver and arrived at the field, where I found a fence surrounding the poppies, making it tricky to find a good composition. Another photographer was also there, searching for a good vantage point. I decided to stay put and wait for the sunrise. The morning was cool, which provided a clear, distinctive light. I pointed my 400mm zoom lens through the fence and used a wide-open aperture. The images looked good on the small LCD screen of my Canon 5D Mark IV, so I took several more shots. Then, I realised the sun was about to appear on the crest of the hill overlooking the poppies. My next set of pictures worked well, but when I got home to review my images, this one stood out. The cool light had created a magical scene, with the wildflowers set against a background dotted with the red of the poppies.
My top 9 on Instagram.
These are my top 9 photographs from Instagram. Instead of paying for a program to identify them, I worked through the year to find out which ones received the most likes. The most popular photos are the selfies of me, either with Mason, my new grandson, or with Sandy. The northern lights were amazing and appeared right over my house. The poppy fields also made an appearance, as did pictures of the Birmingham cityscape, which are always popular.
The archives rule and please compare my 2024 selection with 2023 and 2022.
The dull and gloomy weather over Christmas has led to several fog-drenched mornings, which have lingered throughout the day. For photographers, such conditions are ideal for adding atmosphere to compositions. I set off towards Baddesley Clinton, where the presence of the canal network generally guarantees fog. I drove to Hay Wood but stopped by the entrance to Baddesley Clinton on the way to take a picture of the tree-lined entrance. Another good spot is the public footpath on Netherwood Lane. Here, the line-up of trees with a hedge is the perfect location for a sunset picture in the summer. In the winter, the branches add different shapes to the landscape. The fog provided an eerie landscape.
Windows in the fog. (Footpath off Netherwood Lane, near to Baddesley Clinton.)Entrance to Baddesley Clinton with dog walker.
Hay Wood has featured in my blog over the years. There are several places in the woods that I like to visit. In spring, there is one area with a carpet of bluebells, and I wondered how it would look in the fog. I brought my tripod with me, and most of the pictures were taken using a long exposure setting, especially in the woods where the light was poor. There was some colour from the remaining leaves. The last few pictures show the oranges and greens of the wood.
Dancing Branches in the foggy landscape.Trees standing in the fog.Colours of winter in Hay WoodOrange and green colours in the woodland.
I am pleased that the pictures worked out because I got a flat tyre on the way back and had to wait two hours for the recovery man to arrive. However, I was soon back home editing the pictures. You will see that I varied my black-and-white treatments, either adding a high-key effect or using lots of contrast.
The Escape route, Hay Wood.
These are my settings for each of the pictures, tripod used where stated:-
The Escape Route f/11, 0.4s, ISO 100 – Canon EOS 5D Mark IV, EF 70-200mm – Tripod Windows in the fog. f/11, 0.3s, ISO 100 Canon EOS 5D Mark IV, EF 70-200mm – Tripod Entrance to Baddesley Clinton F/5.6, 1/125, ISO 320 – Fujifilm x100vi Dancing branches. f/11, 1s, ISO 100 Canon EOS 5D Mark IV, EF 24-70mm – Tripod Trees standing in the fog F/5.6, 1/125, ISO 320 – Fujifilm x100vi Colours of winter F/5.6, 1/100, ISO 2000 – Fujifilm x100vi Orange and green F/11, 0.5s, ISO 125 – Fujifilm x100vi – Tripod
As I mentioned Hay Wood has featured before in my blog and the landscape is transformed in Spring
These pedicabs or rickshaws look exciting but they are an accident waiting to happen as often or not the cyclist is not looking at the road whilst he is weaving in and out of the traffic. These pictures were taken on Oxford and Regent Street during the early evening. The streets were full of Christmas shoppers and were many of these bright contraptions on the roads. Furthermore the rickshaw does look very flimsy. There are so many of them blaring out music and weaving in and out of traffic. Even though these bicycles do not travel so fast, the light is tricky when photographing at night.
Three in the back and one driver.
There are many articles on these so called pedicabs which highlight the problems that surround them. I have featured two of them from the BBC and the Metro.
Whilst the passengers are happy, the driver has one hand on the bar and the other on his phone.All eyes on the road please.
These pictures were taken during my recent visits to London and you can read more on the link below.
Street photographers love London, and everyone has their favourite area for taking pictures. I simply enjoy watching people move around the streets. Sometimes, you find a street teeming with opportunities for photographs; other times, it is not so fruitful. But, as they say, go with the flow—good pictures are always waiting for you.
The upside down world of Soho.Good will on Earth to Refugees.
When wandering the streets, having a companion to share your journey is invaluable. Peter is an excellent photo buddy (link to Website). Living in London, Peter knows the best places to visit and is adept at finding ideal spots to stand. My other companion is my Fujifilm X100vi. The inbuilt image stabilisation makes it perfect for street photography. I shoot with a low shutter speed (1/30,1/60), a wide aperture (f4), and auto ISO to adapt to unexpected moments. The resulting pictures can be noisy, but a quick edit with Lightroom’s denoise function cleans them up effectively.
Everyone is taking pictures of the Piccadilly light show.The streets were atmospheric giving a Christmas look.
I have also set up my camera with back-button focusing, which has significantly improved my ability to capture scenes in focus. However, this technique introduces a slight delay as I focus before pressing the shutter. I overcome this by anticipating the scene forming in front of me.
Regent street shop displays are very elegant making super street photography backdrops.
My first stop was to see the lights along Regent Street, with the beautiful angels soaring above the centre of the road. The shop windows offered bright, eye-catching displays. My technique here was simple: stand still for a few minutes and point my camera at the scene waiting for a suitable picture to materialise. The magic in this series of pictures came from the rain earlier in the afternoon. A light drizzle was falling on the pavement, creating reflections that shimmered with colours.
Reflections and colours
I met Peter at Waterstones’ coffee shop, and we set off together. Starting with the bright lights of Piccadilly, we walked along Shaftesbury Avenue before exploring Chinatown. The city was bustling as it was the end of the working day. Pubs were overflowing, and people were moving everywhere, on foot and by bicycle. There was so much activity that pictures appeared all around us.
Umbrella for the rainRed Coat
— The rain added another layer to the story, bringing out umbrellas that enhanced the scenes. As we wandered into the narrow streets of Soho, the vibrant atmosphere gave way to Leicester Square. Here, we encountered a German market, but it was a disappointment. The stalls were no different from those found in Birmingham, and their circular arrangement felt uninspired. I did, however, find an interesting tree to photograph, though not much else of note.
Tree decorations – Leicester Square.Busking away looking for an audience.
We did not stay long at the market. Instead, we headed to the Diamond Jubilee Garden facing St Paul’s Church in Covent Garden. The coloured lights reflecting off the wet pavements created a stunning view, and the silhouettes of people walking through the garden added depth to the composition of my pictures. We arrived at Covent Garden itself, and the decorations there were breathtaking. The large decorative bells and Christmas ornaments hanging from the ceiling filled the space with festive charm. The place was alive with energy, and I could have spent hours photographing the scene. This was my final stop on my visit to the lights of London. There were a few more pictures to take along the Strand before arriving at Charing Cross station and the Bakerloo line up to Marylebone station.
Approaching Covent Garden.St Paul’s Church Covent Garden.Street reflections and silhouettes. St Paul’s Church, Covent Garden.The Christmas tree and decorations in Covent GardenThe beauty of the interior of Covent Garden.
All that remains for me to say is: enjoy my photographs and the short descriptions accompanying each one. There are some fantastic backdrops, including a particularly amusing one where a poster is upside down. I am sure this was deliberate, designed to catch the eye of keen street photographers like Peter and me as we wander London’s streets.
Toys and Souvenirs.Blue tyres and red lights on the Strand.Outside Ronnie Scott’s Jazz Club.Walking in the rain outside the Hippodrome.I love London.The shop window says it all.Escalator at Charing Cross.
If you enjoyed this view of Christmas lights then please follow the links below for more stories. One is about Christmas in Birmingham this year. The second is snow in our village in 2017.
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The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.
Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.
Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.
