I had a couple of days in London and this provided a wonderful opportunity to take pictures around the Capitol when there was downtime between meetings. I have created a series of blogs for you to enjoy which contain my photographic journey.
Before booking into the hotel, I went to Paddington station to see my highly commended picture of Floodgate Street in Digbeth. The picture was part of the travelling exhibition of selected pictures from the UK Landscape Photographer of the Year Competition. Paddington is adjacent to the canal basin and provides photographic opportunities of people, boats and buildings.
There were a few boats moving on the canal and people were leaving work. Several canal boats are now floating restaurants and as the sun was going down colourful neon lights were being turned on. The canal is familiar territory to me and I looked for new opportunities and the Paddington Central footbridge provided them. The bridge links with the Venice Walk via brightly lit tunnels. Always a good place for a camera.
I also ventured into Sheldon Square as the flash of colour caught my eye. The line of coloured panels provide a super background as people walk by, hurrying home after a long day’s work or taking time to reflect.
As dusk becomes firmly entrenched, the lights from the office buildings surrounding the canal provide numerous reflections on the water. The weather was cold but there was no wind and the water was very still. Many people are moving around, crossing bridges and their silhouettes contrast with the bright lights. The point bridge and rolling bridge are other places for good photographs. Soon it was time to move on as I had a dinner date to attend.
You may be wondering about my visit to Paddington Station. I was delighted to find that I am in the travelling exhibition with my highly commended picture of Floodgate Street. Here I am besides my photograph.
London Times is a short series of photographic blogs that record a recent visit to London. Please visit my other links
Such great news. My picture “Reflections in Floodgate Street” was highly commended in the 2003 UK Landscape Photographer of the Year competition. This year I had two pictures and I was also commended for my picture “Fog in Gas Street Basin“. Both pictures feature in the Cityscapes section of the competition. This is the second year running that I have made the UKLPOTY book and I am very pleased with my achievement. I have written a fuller account of the background of both pictures together with some photographic tips and reflections on entering Landscape Photography of the Year.
Reflections in Floodgate Street
A classic picture of early morning on Floodgate Street in Digbeth. Not many people are stirring at this time and the lights do not turn off until 15 mins before sunrise. These old industrial buildings are a mixture of small businesses during the day and lively nighttime venues at night. The area is also well known for its street art and many artists have put up murals on the walls. The street got its name from the use of two “floodgates” that were used to stop any flooding from the nearby river Rea. This area of Birmingham was known for its wells and springs hence the street name.
This early morning picture was taken during a chance visit to Digbeth, Birmingham. I took advantage of the rainswept streets which provided reflections of the old industrial buildings and street art. I love the warm streetlights contrasting against the blue hour sky.
Post production notes – Straightened, contrast, highlights and shadows adjusted: texture, vignette and unsharp mask filter applied, levels lifted
Taking pictures of Urban landscapes
Go low for the picture is always great advice, a smaller camera or phone allows you to do this. The low viewpoint with a slight upwards angle provides a different view of an everyday scene and gets the viewer’s attention. I will sit down or kneel to see the viewfinder, as phones and some older cameras do not have a tilt screen.
Reflections are always fascinating for the viewer and so look for windows, puddles or shiny surfaces. The time after a spell of rain is a good time for mirrored views. However, combining both the low viewpoint and water puddles may be challenging for the photographer and camera!
Fog in Gas Street Basin
On a foggy day in January, I was lucky to find myself at Gas street canal basin in Birmingham City Centre which is a popular place for photography. The fog had created a ghostly backdrop around the area. The water was very still providing a perfect reflection. The old buildings stood out and the flash of yellow strips on the canal boats provided some welcome colour in the fog. The modern hotel in the background is faded providing an interesting background canvas. The eyes are drawn to the trees in the centre of the photograph and their reflections in the water. If you look carefully, there is a lone person in the picture admiring the view. This was an opportunistic photograph as the fog rolled in changed the nature of the scene.
Post production notes. This was taken on my iPhone and there was adjustment of the highlights and shadows and small minor changes of contrast. Some dodging of the colours on the boats was done to lift them out of the fog.
More reflections on UKLPOTY 2023
My second successful year in the LPOTY competition and I realise which of my photographs are getting the love and why this is the case. I dream of being successful in the classic view category. Pictures of beautiful mountains, gorgeous light and a lead in that takes your eye into the picture and beyond. However it looks as if my skill set is photographing the city. I love nothing more than wandering around the streets with my Fujifilm x100v and my iPhone. Also the best time to be out and about is at daybreak or sunset. Why is this? The light is magical at these times of day. The trouble is that cities are very quiet in the morning and staying safe is important. At night they are crowded but the quieter spots are where the light dwells. Again staying safe at night is key.
Try to be different in your picture taking. Even just thinking of taking a different picture starts you thinking on how to photograph an urban scene. Often this may not work out and you can go home frustrated. It is easily said but do not despair as that next picture is just around the corner. Be ready for it and when you see the scene, grab the opportunity.
I also enjoy looking at other people’s pictures and also where possible watch how they take their photographs. Learning from others is important. Any advice helps and I always listen to what people say. I have two photography friends, who have taught me the following. First, exercise patience and wait for those opportunities to arrive as they will. Secondly always look out for the small things as they matter and you have to be ready for them.
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