Every year, Blue Square blossoms into a wonderland. The cherry trees wake up from the long winter months, and the blossoms that appear are captivating, making the square look beautiful. The trees are arranged in front of the Icon Gallery, where the warm brick contrasts with the soft cream colour of the blossoms.
People flock to the square to take pictures of the blossom.
Many people converge on the square, with celebrations ranging from Eastern European dance performances to Asian cultural gatherings. The arrival of the blossoms draws in people from all over Birmingham. Capturing a unique picture of the square has now become a challenge, as so many photographers have documented it over the years—some even choose to stay away, feeling they have seen it all.
The view from the IKON and the bench under the blossom.
However, I still enjoy visiting the square and taking pictures whenever I have the opportunity. These are the results of my yearly visits since the start of my blog, and it is fascinating to compare the images over time.
The IKON gallery with reflections in the nearby restaurant windows.
This is an account of last year’s blossoms in the square.
The Birmingham Light Festival has brightened up the city as look to the end of winter. Light festivals have been held previously, and this year, the company Opus supplied 11 imaginative light installations. Although many other activities were taking place, the BBC was planning a feature on the lights. I tagged along with John Bray, and we systematically tracked down most of the installations. It was also an opportunity to try out my night lens filter for my Fujifilm X100vi which was a present by my daughters. I was eager to try it out.
‘The Roof of Stars’ lights up Thorp Street, and transforms the area around Birmingham Hippodrome’s Stage Door. It was fun trying to capture both the cars and the reflections of the stars. Near to the main entrance of the Hippodrome, there is a peace poem – the words are very much needed at present.
The Roof of StarsPeace Poem
‘The Light Door’ at New Street Station was very bright. There were also many people around and catching either a clear shot or getting one where they were interacting with the light was not straight forward. I soon realised that taking pictures of these light installations was going to be tricky due to their placement and the challenge of capturing the atmosphere of people interacting with the displays.
The light door
The Mailbox featured a fruit machine installation, “Positive spin”. My Fujifilm did not have the wide angle view and I should have reached for my iPhone for a wide angled view. As we walked towards Gas Street Basin and Centenary Square, we spotted a light boat passing by on its way to the Mailbox, allowing us to capture the scene at just the right moment. There were volunteers from the Canal and River Trust who had been involved with the lights on the narrow boat.
Positive SpinThe narrowboat of light arrives at the Mailbox
Centenary Square had two installations: “Dance on Lava” Floor is LAVA x Silent Disco and “Night Badminton.” People were having fun especially on the dance floor. The badminton installation had a purple shuttlecock which was difficult to follow against the city lights and the dark night sky. The people playing the game did not seem to mind.
Dance Floor is LavaNight Badmington
I was not disappointed with the last three installations we visited. The first was “Ideas happen here” in Newhall Square, where the fountains and water reflections provided plenty of opportunities for great pictures. Saint Paul’s Square had a bioluminescent fungus display in lights, offering numerous leading lines and a quieter setting that made it easier to capture images. The final installation was “Flux” in Snow Hill Square. Fortunately, I found a display board where I could rest my camera, allowing me to take a long exposure shot of the bars of light as they whirled around.
Ideas happen here.Mycelium networkFlux
The one I missed was Alright Bab but as this is a legacy installation, I have time on my side to take pictures of it. I returned on the Monday and took pictures of this iconic phrase.
Alright Bab.
Tracking down the light installations made for an super night of photography. I was pleased with how my lens filter performed, as it cut down on light pollution and allowed for very small apertures, resulting in some nice starbursts. Winter is almost over, and spring is just around the corner, but I always enjoy these light installations.
Here are my blog entries from previous light festivals in Birmingham to enjoy.
I love January days when there is a clear blue sky and the weather is dry and crisp. We have had a few cold days like these, which have also featured bright sunrises and warm sunsets. January is also a great time to photograph the streets of Digbeth. Warm colours are created as the sun sets, highlighting the character of the old industrial brick buildings of the area. The brickwork soaks up the light and emits a deep warm glow. Checking my TPE, I found that the setting sun aligns along Floodgate Street during the golden hour.
Long shadows starting to form along Floodgate Street.The Moon above Spiderman at Luna Springs
Wrapping up warm with plenty of layers of clothing, I arrived at Moor Street Station. My route to Digbeth took me past the old Typhoo tea factory, which is under renovation and will soon become the new Midlands headquarters for the BBC. Along the way, I met fellow photographer Simon MacCreedy, who was out with his trusty Pentax. We caught up on the latest news and talked about our photography. Simon specialises in black and white photography, and his work is worth exploring, especially on his @Macindigbeth Instagram account.
Striding towards with ambition.
After saying our goodbyes, I headed to Little Ann Street. The sun was low, and only the tops of buildings were still bathed in light. Shadows crept across the street but had not yet obscured the words “Striving forward with ambition,” painted on the side of the Performers and Screen and Film School building, part of the BIMM Music Institute group. The sign was created by FokaWolf, a subversive street artist known for parody and satire.
Adam and his mate flagged me down and asked for a picture of them in their car. They had heard of @dammodammo.Long shadows in the sunset.A billboard with a message seen on the High Street.
On Floodgate Street, long shadows stretched behind pedestrians walking along the pavements. Having taking a few pictures, I walked over the canal to Montague street to visit the Digbeth Loc. Studios where the filming of the forthcoming “Peaky Blinders” movie is taking place. The film studios were established by Steven Knight and he commissioned Mr Murals to paint a mural the building of the iconic Peaky Blinders characters. The hand-painted street art features the characters, Thomas Shelby, Ada Shelby, and Alfie Solomons, with a scene of Birmingham from the past behind Thomas Shelby. It is a fantastic piece of art, though not the easiest building to photograph.
Part of the Peaky Blinder mural on Montague Street.The eyes have it, Alfie, Ada and Thomas.
Back on Gibb Street and Floodgate Street, the sun had almost set. I lingered, taking pictures, and noticed the sky beginning to change colour as the blue hour approached. Standing at the entrance to Gibb Street, I saw the city’s high-rise buildings silhouetted against the deepening blue sky. Searching for the best view, I crossed over the high street to the newly laid tram tracks. Standing on the tracks I saw classic leading lines that conveniently pointed back towards the city. I know that his would be a good picture. After activating the RAW function on my iPhone for the most detailed information, I captured several shots and was very pleased with the resulting pictures.
The tracks of the city.
The temperature was dropping fast, but I was determined to photograph more of Digbeth during the blue hour. The contrast between the warm streetlights and the cool blue sky created vibrant, colourful scenes. Eventually, the cold won, and I retreated to the warm carriages of a train back to Olton for dinner at my daughter’s house. Reflecting on the day, the two to three hours spent in Digbeth were worthwhile and added another chapter to my photographic diary of this dynamic area of Birmingham.
The yellows and blues along Floodgate Street.The classic view of Gibb Street.Yo Birmingham
I have done many visits to Digbeth and I am spoilt for choice. I have narrowed down my selection of my two more popular blogs on Digbeth. I hope you enjoy reading them. My first choice is a visit to Digbeth in January 2024 but the setting is in the morning. My second is a study of the street art and the pictures were taken during the day in July 2020. Enjoy!
Time to review my best pictures of 2024. The latter part of my photographic year was devoted to the Stirchley Observation Project. This course, organised by the PRISM Photographic Network, ran over 12 weekends from September to November. A final exhibition featuring many of my photographs will take place in 2025. This documentary course, led by Oksana Bischin, changed many of my perspectives on photography. With valuable feedback from fellow participants, it led to a deeper appreciation for the art of taking pictures. Two of my top four photographs are from my time on the course.
Red Hair, Green diamond.
The first of my top four, and my favourite, is titled Golden Hair with Green Diamonds. This picture was taken in Stirchley, on the footpath behind the Birmingham Brewing Company. When I first reviewed the image, I wasn’t happy with it, as the person was out of focus. However, I did appreciate the vivid colours, which gave the composition a lovely vibe. I was taken aback by the positive comments I received. People mentioned the timing, the texture in the wall, and the shadow cast by the railing. Yet, it’s the woman reading the book that adds so much more interest to the picture.
The distant skyscrapers contrast with the housing and bus in the foreground.
Birmingham is undergoing a construction boom, with many high-rise skyscrapers being built. I took this picture on the canal bridge over the Worcester and Birmingham Canal, which forms the western border of Stirchley. Using my 400mm zoom lens, I aimed to capture the contrast between the older houses on Pershore Road and the shining new residential towers in the city centre. Just as I took the shot, the number 11 bus passed over the bridge, and there was a person at the front of the bus, looking out at the scene. This picture was well-received on the BBC Birmingham social media pages and made the BBC news website.
Reflections around Selfridges bring out the sunrise.
Selfridges is an iconic building that always offers photographic opportunities. This picture was taken on a morning in early December. The sunrise brought a few colourful clouds, and the rain from the previous night had left several puddles, creating the perfect chance to capture a puddle reflection—my trademark style of photography. I was initially concerned that the partially constructed building in the background would spoil the shot. However, I needn’t have worried, as all the elements of the composition came together beautifully. The colourful clouds seem to flow across Selfridges, adding a dynamic element to the image.
Early morning light on a poppy field in Kinver, Staffordshire.
My final picture is of a poppy field near Kinver Edge. I remember the morning well. After getting up early, I headed to Kinver and arrived at the field, where I found a fence surrounding the poppies, making it tricky to find a good composition. Another photographer was also there, searching for a good vantage point. I decided to stay put and wait for the sunrise. The morning was cool, which provided a clear, distinctive light. I pointed my 400mm zoom lens through the fence and used a wide-open aperture. The images looked good on the small LCD screen of my Canon 5D Mark IV, so I took several more shots. Then, I realised the sun was about to appear on the crest of the hill overlooking the poppies. My next set of pictures worked well, but when I got home to review my images, this one stood out. The cool light had created a magical scene, with the wildflowers set against a background dotted with the red of the poppies.
My top 9 on Instagram.
These are my top 9 photographs from Instagram. Instead of paying for a program to identify them, I worked through the year to find out which ones received the most likes. The most popular photos are the selfies of me, either with Mason, my new grandson, or with Sandy. The northern lights were amazing and appeared right over my house. The poppy fields also made an appearance, as did pictures of the Birmingham cityscape, which are always popular.
The archives rule and please compare my 2024 selection with 2023 and 2022.
These pedicabs or rickshaws look exciting but they are an accident waiting to happen as often or not the cyclist is not looking at the road whilst he is weaving in and out of the traffic. These pictures were taken on Oxford and Regent Street during the early evening. The streets were full of Christmas shoppers and were many of these bright contraptions on the roads. Furthermore the rickshaw does look very flimsy. There are so many of them blaring out music and weaving in and out of traffic. Even though these bicycles do not travel so fast, the light is tricky when photographing at night.
Three in the back and one driver.
There are many articles on these so called pedicabs which highlight the problems that surround them. I have featured two of them from the BBC and the Metro.
Whilst the passengers are happy, the driver has one hand on the bar and the other on his phone.All eyes on the road please.
These pictures were taken during my recent visits to London and you can read more on the link below.
Street photographers love London, and everyone has their favourite area for taking pictures. I simply enjoy watching people move around the streets. Sometimes, you find a street teeming with opportunities for photographs; other times, it is not so fruitful. But, as they say, go with the flow—good pictures are always waiting for you.
The upside down world of Soho.Good will on Earth to Refugees.
When wandering the streets, having a companion to share your journey is invaluable. Peter is an excellent photo buddy (link to Website). Living in London, Peter knows the best places to visit and is adept at finding ideal spots to stand. My other companion is my Fujifilm X100vi. The inbuilt image stabilisation makes it perfect for street photography. I shoot with a low shutter speed (1/30,1/60), a wide aperture (f4), and auto ISO to adapt to unexpected moments. The resulting pictures can be noisy, but a quick edit with Lightroom’s denoise function cleans them up effectively.
Everyone is taking pictures of the Piccadilly light show.The streets were atmospheric giving a Christmas look.
I have also set up my camera with back-button focusing, which has significantly improved my ability to capture scenes in focus. However, this technique introduces a slight delay as I focus before pressing the shutter. I overcome this by anticipating the scene forming in front of me.
Regent street shop displays are very elegant making super street photography backdrops.
My first stop was to see the lights along Regent Street, with the beautiful angels soaring above the centre of the road. The shop windows offered bright, eye-catching displays. My technique here was simple: stand still for a few minutes and point my camera at the scene waiting for a suitable picture to materialise. The magic in this series of pictures came from the rain earlier in the afternoon. A light drizzle was falling on the pavement, creating reflections that shimmered with colours.
Reflections and colours
I met Peter at Waterstones’ coffee shop, and we set off together. Starting with the bright lights of Piccadilly, we walked along Shaftesbury Avenue before exploring Chinatown. The city was bustling as it was the end of the working day. Pubs were overflowing, and people were moving everywhere, on foot and by bicycle. There was so much activity that pictures appeared all around us.
Umbrella for the rainRed Coat
— The rain added another layer to the story, bringing out umbrellas that enhanced the scenes. As we wandered into the narrow streets of Soho, the vibrant atmosphere gave way to Leicester Square. Here, we encountered a German market, but it was a disappointment. The stalls were no different from those found in Birmingham, and their circular arrangement felt uninspired. I did, however, find an interesting tree to photograph, though not much else of note.
Tree decorations – Leicester Square.Busking away looking for an audience.
We did not stay long at the market. Instead, we headed to the Diamond Jubilee Garden facing St Paul’s Church in Covent Garden. The coloured lights reflecting off the wet pavements created a stunning view, and the silhouettes of people walking through the garden added depth to the composition of my pictures. We arrived at Covent Garden itself, and the decorations there were breathtaking. The large decorative bells and Christmas ornaments hanging from the ceiling filled the space with festive charm. The place was alive with energy, and I could have spent hours photographing the scene. This was my final stop on my visit to the lights of London. There were a few more pictures to take along the Strand before arriving at Charing Cross station and the Bakerloo line up to Marylebone station.
Approaching Covent Garden.St Paul’s Church Covent Garden.Street reflections and silhouettes. St Paul’s Church, Covent Garden.The Christmas tree and decorations in Covent GardenThe beauty of the interior of Covent Garden.
All that remains for me to say is: enjoy my photographs and the short descriptions accompanying each one. There are some fantastic backdrops, including a particularly amusing one where a poster is upside down. I am sure this was deliberate, designed to catch the eye of keen street photographers like Peter and me as we wander London’s streets.
Toys and Souvenirs.Blue tyres and red lights on the Strand.Outside Ronnie Scott’s Jazz Club.Walking in the rain outside the Hippodrome.I love London.The shop window says it all.Escalator at Charing Cross.
If you enjoyed this view of Christmas lights then please follow the links below for more stories. One is about Christmas in Birmingham this year. The second is snow in our village in 2017.
The Wildlife Photographer of the Year exhibition visited the Waterhall in Birmingham Museum and Art Gallery. This is the second year that I seen WPOTY, and the images were just as impressive as those shown last year at the Herbert Art Gallery and Museum in Coventry. The photographs were incredibly powerful, and the exhibition is a must-see.
A Christmas arch at the entrance to the marketPermanent and temporary architecture.
As we had a late afternoon slot at the museum, we decided to stay in Birmingham for the early evening. Our first stop was The Sun on the Hill. The pub had a lively buzz and offered a selection of interesting beers. However, we were eager to visit The Pigeon in the Park, a pop-up pub within the Cathedral Christmas Market.
Street scene from the market.Helta skeltaAngels singingThe Pigeon
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In my opinion, this Christmas market is a much better option than the Frankfurt German Market, which tends to be overcrowded. While the prices are still high, they are comparable to those at the main German Market. I prefer the area around the Cathedral as it is easier to move around. There are several excellent food stalls, and, of course, the famous pop-up pub.
StreetfoodMaking your mind up.Steam cookingDecisions, decisionsWandering through the stalls
The top floor of The Pigeon in the Park offers a panoramic view of the activity in Cathedral Square. Sipping a pint while people-watching is a great pastime. Groups often gather, hopeful of securing a table on the balcony. Below, the stalls are bustling, and the delicious aroma of cooking wafts up to the pub.
Light movement
The Pigeon in the Park is a fantastic spot to enjoy a drink on a cold winter’s night in Birmingham.
Rob at WPOTYOn the balcony
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If may wish to see what Birmingham looked like last Christmas as I have a blog about it.
The winter months are an ideal time to photograph Digbeth. The lights that criss-cross the main streets are a feature of the area and are turned off around 8am. Just before this happens, the white lights stand out against the “blue hour” sky. At this time of the day, the colourful streets are enriched by the light of the dawn. The next ingredient for a good photograph in Digbeth is when rainfall has happened in the previous few days. Digbeth has several large puddles which provide ideal opportunities for reflections. Over the years, I have learnt where these puddles are likely to occur.
Floodgate street in the blue hour.Fancy a game?Classic puddle photography in Gibb Street.More classic views of Gibb Street.Green lights
My urban photography is done with wither my iPhone or Fujifilm x100vi. The pictures in this blog are from both cameras and you should be able to distinguish between the two picture styles that they produce. The iPhone gives vibrant colours whilst the Fujifilm gives a grittier feel to the pictures. I like both effects.
The colourful smiley by Tempo33 on Hack StreetMore Hack Street graffiti.This art by Golden Boy is still there on Hack Street.
Arriving in Digbeth, I plan to walk around the following streets, Lower Trinity, Gibb and Floodgate. I do visit other streets that lead off from the crucial three as these pictures show. The street art in Digbeth constantly changes. Newer pieces appear, older artwork gets tagged whilst some of the murals remain untouched. When photographing in Digbeth, I try to capture the interactions of the locals with the street activities. There are a few people moving around on their way to work at the Custard Factory or the industry units around the area. Pre pandemic the area was very busy but post pandemic people are working from home so the footfall is less. However I am still able to capture people on the street. I am building up a large portfolio of images from Digbeth although I am not alone and many other photographers pitch up on the streets. The area still retains its charms and I see the slow but persistent march of gentrification which is changing the Digbeth scene. I hope the area still retains the charm that makes Digbeth a place to visit in Birmingham.
Your friendly neighbourhood……Follow the leader.Seen on Adderley Street (part 1)Seen on Adderley Street (part 2)Easy Rider on Upper Trinity Street.Trainvaders, Lower Trinity StreetMade in Digbeth, Lower Trinity Street
Technique used for my puddle photography
The iPhone is ideal for this style of reflective photography. The lenses can be placed close to the surface of the puddle to provide a perfect reflection. The technique I employ, once I have located an ideal puddle, is to orientate the phone in landscape with the 3 lenses placed to the bottom right for the picture. The iPhone has no flip out screen so bending down is necessary which may be difficult when you are standing in a large puddle. I generally use the standard view or the wide angled setting. Care is needed not to place the iPhone lenes so low that they touch the water. The focus may start jumping to the nearest point in the puddle which will leads to blurring of the background. Looking at the screen is difficult, so some guesswork of where you are focussing and handling the phone is necessary. I must keep remembering to toggle the RAW setting although the resulting pictures on standard Live View are of sufficient quality to withstand the post editing.
Sticker wall still going strong.More views of Floodgate Street with only a few cars around.
If you want more views of Digbeth then follow my links through the blog posts below.
Stirchley has many good memories as a place to visit. Our first family drink, after lockdown restrictions were relaxed, took place on a cold night in May at an outside table at Birmingham Brewing Company. I have also visited the other two breweries Attic and Glass House, the latter brewery is on the other side of the canal and is just in the Stirchley boundary.
Street scene Stirchley style.
I took part in previous Birmingham half marathons when the route passed along Bourneville Lane with a return down Mary Vale road. In the process, you ran along part of the Stirchley High Street. The Birmingham suburb is easy to reach using the No 45/47 bus route that connects the city via the Pershore Road. All this contrasts with how Stirchley would have looked in 1600 as the area got its name from pastures where cattle grazed undisturbed. There are records of Roman roads that went to the nearby fort which is now the University of Birmingham campus. Stirchley does have history. These days the suburb is recognised as one of the best places to live in the Midlands, an accolade given by the Sunday Times
Arriving on the Stirchley side of the tracks. Bourneville Station.
Therefore when I heard about an in-depth photographic project involving Stirchley then I took advantage of the unique offering from the Prism Photographic Network. The aim is to develop a documentary photography project focussed on the neighbourhood of Stirchley. The course is run by Oksana Bischin with support from the Prism Network. Full details are on their web site. I attended the second of two taster workshops where we had a lecture on an aspect of photography followed by a photographic walk in Stirchley. When the course starts in September, there will be several themes which will come together allowing participants to produce an exhibition of the group work.
The duck at Stirchley BathsArchitectural details
We gathered at Stirchley baths which is a beautifully restored community centre. A representative from the Stirchley Residents Association outlined their work and extolled the benefits of living in the area. She was not a great fan of the Stirchley beer mile but recognised the benefits such activity creates for Stirchley. She highlighted the presence of several industrial units either side of the high street and the layout of the terraced houses that are around the area. After introductions, Oksana introduced the camera topic which was how to use the program controls on the camera and then Francesco discussed Typography using the work of Tom Hicks who created “Black Country Type”. After a question-and-answer session, it was time for us to discover Stirchley with our cameras. I am not sure what the shopkeepers and coffee shop owners thought of the small army of photographers patrolling down the street, taking pictures of their shops.
The lamp posts have a story to tell.
Before I arrived at the baths, I spent a few minutes taking photographs and scouting the area. There was an opportune moment as carpets were being moved at the shops with the Stirchley Gorilla overseeing the activity. On the way onto the street, I like to spend time by myself and I noticed some letter boxes and the typography of 70 in a doorway. But there was also a need to stay with the group and see what the others were up to. Being a Saturday morning, there was a great deal of activity so the picture taking began. One shopkeeper came out to check what we were doing, other people just wandered by keen to get on with their shopping.
Letter boxesIs this no 70?
The high street is a mix of lively coffee shops and general shops. Several shop fronts have roller shutters that ensure privacy. A lone gorilla logo on one of these shutters adds colour. After photographing the high street we turned right and walked along Ash Tree road onto Charlotte Road. I like the style of the houses and my eye is drawn to the names and dates of the houses. We walked along Mary Vale Road to the Industrial estate that houses Attic Brewery.
Then it was time to get a brunch and talk about the pictures we took and those that got away. The taster session gave me an insight into how the course will develop. I like the idea of the themes as outlined and the idea of curating one’s work for an exhibition.
As a postscript, I discovered on my research of Stirchley an informative website created by users which is a mix of photographic links and historical notes. I am sure that this will prove to be a good background resource and provide a source of inspiration.
Mapping Stirchley is a Walkspace project that came out of the spring lockdown of 2020.
All the colourful street art on the walls around Cheltenham Spa have stories to tell. Last year the river of colour captured my imagination and my photography. Returning on a Sunday in July 2024, I was looking forward to photographing a new set of murals. Last year I missed out on visiting the town centre East car park painting area. I also went to the Aggs pavilion and did not visit any of the underpasses. Looking at this year’s audio guide, I planned my walk from the Northeast car park to the HQ at the Two Pigs pub and from there to the East car park. On the way home I planned a stop over at the underpass near CHCQ. That was the plan.
My daughter and grandson came along for the ride. We parked by the North Place car park and I took a few pictures of the artists. There were a couple of mural artists that I recognised from my Digbeth and Shoreditch travels. Noah started a trend of posing in front of those murals he liked such as the cyclist. We then grabbed a bite to eat at Mowgli’s before exploring the Festival. The Brewery Quarter is one of the sponsors of the Festival so pleased I did my bit by eating there.
On our walk to the Two Pigs pub, we encountered several murals. Having a camera out and about on the day of the Festival looks normal and helps with the street photography.
Ideal day out for Street Photography with work by the talented @pogo.stencilsThe work of @Perspicereaetist is mesmerising and is all done by strings
The Two Pigs Pub
The pub was quiet on the Sunday lunchtime with a few artists out painting in the back yard. When photographing the work, I always aim to get the painter’s permission for a picture. I know that street art is public work but I still believe it is polite that you get the artist’s blessing for the picture. As you see, I enjoy recording how they interact with their artwork. Knowing the person behind the work gives the bigger picture and tells the story about the mural. There were many ‘faves’ in this area and my pictures show the range and variety of work. I did like the train ticket murals and the happy faces at the pop up shop in the pub.
Painting in the yard with @vanemg.art I love this landscape image and could spend hours looking at this country scene by Snug OneNoah lines up with the bear of @GeorgieartistFriendly faces at the Cheltenham Paint Festival shop.Poster by @johnmanspraycanShop items
East car park
Inside the car park there are stunning murals. Outside a painting by @krimsone
Next stop East car park. Once we were signed in by the cheerful volunteers, we were directed up to the top floors where several murals were reaching completion. I stopped to talk to @apparan and @stockartwork. Both were adding the final touches to their work and were happy to be photographed. They also gave me the background about their artwork. @apparan was passionate about her work. “Uprising” highlights how women rise above the struggles they face in life. There were many murals at this venue and the interaction of colour, mural and car park was good for composing pictures. I am sorry I missed @sould_art as she was very kind advertising my blog last year. The camaraderie and friendly atmosphere that permeates the two days of the Cheltenham Paint Festival is what attracts me to visit.
beautiful dreamy colours from @must_mesThis artwork by @sould_art was a favourite of Noah. Love the colours 😉So good to meet up with the talented @apparan@Stockeartworks agreed to have his portrait taken with the essential gear of a street artist.Light, lines, shadows and concrete in the car park. Artist to be namedThis is the top floor.@sledoneA selection of art work in the car park
Some artists to be named in above pictures
Sherbourne place car park
Exiting the car park I realised that we were near to some of the new art that was being done at Sherbourne place car park which was just next door. There was an epic and expansive mural by @Dale_Grimshaw. Furthermore, there was a wonderful fun message below the beautiful mural. Girl painters need a dinosaur was done by @chinagirltile. Having granddaughters who love painting, these words are spot on and do resonate. There was also work on display by another artist who was coming to the end of his painting. We had a good chat but he looked tired after all his work in the sun.
A grand style mural by @dale_grimshaw with a fun message by @chinagirltile underneathBeing a dinosaur notice by @chinagirltile At the end of the paint Artist to be named.Super tones to this mural @voidoneuk
On the way back there was a previous mural by Curtis Hylton to see and then there was another look at the artwork in North street car park. I took out my Yashika film camera and took a few pictures. The film will be developed in a week’s time so I am interested how the pictures turn out. We walked back to the car and drove to the underpass which was on the A40 not far from the GCHQ building.
The underpass was alive with artists painting on the downward slopes and then into the underpass. You get drawn to certain pieces of art and I met @pad303 who was painting an Evel Knievel mural under one of the arches. The model bike with action figure placed on a box next to his spray cans was a super touch to the proceedings. There were many other artists at work and I took many pictures underneath and around the Arle Court area. There was so much variation and colour in the artwork. I may well miss out on several names of artists around here but I will try my best.
Evel Knievel model in the foreground and pad303 and mural at the back.The serpent and the paint cans by @erika.rosendaleDramatic mural nearing completion. @doppelwashereBe careful where you park your bike (Artist – Syd)You just gotta smile @ajarts_hadland
What caught my eye at Arle court was the leading lines and intersections as the colourful images interact with the concrete and steel. So much texture and colours. The light and shadows in the underpass provided different ideas for picture composition. I used the available light to line up silhouettes of the people against the entrance. All murals blended in well with their surroundings. I could have spent a long time here but I knew that the trip back home up to Solihull was a pressing matter as we wanted to leave early to avoid the motorway jams.
Silhouettes under the A40Looking west.Looking east and @5kyh1gh mural is down to the left.Taking in the work of the festival. This work is by Skewer.Expansive work by @7th_PencilColourful work by @artsee_eMy final picture of the day before heading home was this work by Memphis.
Memories of the Day
The Cheltenham Paint Fest is a day out with a difference. There is the chance to go shopping and enjoy the Regency architecture of the town. The paint festival is an added bonus to your visit and one not to be missed. I must thank Dice67.co.uk and his team for all the excellent work and the ever so helpful volunteers. The quality of the artwork is high and a privilege to view the artistic output of so many talented people. Great memories to hold onto whilst we wait for next year’s festival.
Thanks to Andy Dice Davies who is the lead of the organising committee for putting the Cheltenham Paint Festival together. All the volunteers were helpful and eager to direct you to the different areas. Thank you to all the artists who were happy to have their picture taken and chat to me. I was the guy with the Cowboy hat and silver camera. Sorry I could not see every mural but if you want a good idea of what was going on please follow Max Johnson (@moxsblag) where she documents many of the artists and their work. She is a good photographer too. All pictures were taken with my Fujifilm x100vi which excelled in the low light situations of the East Car Park and Arle Court Underpass. I have tried to name all artists wherever possible and will update my account as soon as I learn the names of the artists. I recommend Inspiring City website which has an extensive write up with pictures of the Cheltenham Paint Festival 2024.
If you enjoyed this then be sure to sign up to the Cheltenham Paint Festival site. Also you may wish to read my account of last year’s festival.
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