Ozzy Osborne, Black Sabbath, Birmingham, July 2025

The passing of Ozzy Osborne leaves a large imprint on the people of Birmingham. The band Black Sabbath are very much loved and their Birmingham origins are celebrated throughout the city. Back in 1974, I remember “Paranoid” blasting out loudly through the student common room speakers. I loved the Black Sabbath album covers which stood out from others at the time with their own distinctive take on the early seventies. Even as my musical tastes moved towards glam rock, punk and new wave, I still had fondness for the distinctive Tony Iommi guitar riffs from “Iron Man,” and “Paranoid”. Black Sabbath and Ozzy Osbourne still connect with me especially as their influences are all around Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The shrine to Ozzy outside the Crown pub on Station Street.

Getting caught up in the emotion around the city from the reunion concert and people gathering to honour Ozzy. I went in the day before his funeral to visit the notable Black Sabbath sites in the city and pay my respects.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The Crown pub, Station St.

My first stop was the Crown pub often known as the birthplace of legends. Many famous bands played there including the early Black Sabbath concerts. Closed since 2014, the building is now protected by its Grade II listed status although what the future will be is uncertain. The Crown has had a lick of paint and the boarded-up windows now have pictures of the band. A small shrine has taken shape below the picture of Ozzy. There are a few candles, flowers and fan messages set out. Pedestrians entering New Street rail station glance curiously at all the commotion.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy the Bull at New Street station.

Then there is Ozzy the Bull. Towering above the concourse of New Street Station, this animatronic sculpture was a massive success during the Commonwealth Games. Once forgotten, now restored, much like the man himself, Ozzy the Bull is a great symbol of the City.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy’s signature on the wall in Navigation Street.

Outside the front of the station, Navigation street has attracted the City’s attention. Mr Murals, a local artist. Along the wall facing the station are photorealistic spray can pictures of the four band members. The Black Sabbath logo looms large beside them. Less than a month ago, the group came to look at the murals and each signed their name against their picture. The signatures have been protected with Perspex glass. The length of the street has become another shrine for Ozzy with flowers lined up against the wall.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
More floral tributes along the Black Sabbath mural.

The focus of the outpouring of grief for Ozzy was taking place at the Black Sabbath Bridge on Broad Street. In 2019, the city dedicated this space to the band with a bench featuring the faces of Ozzy, Tony, Geezer, and Bill. Now, the bench is transformed with flowers, tributes, hand-written notes, empty Jack Daniels bottles, and even a guitar. The tribute has taken over the pavement and security are required to keep a semblance of order. On the day of the funeral, this was the place where the hearse bearing Ozzy stopped and the family paid their respects. The news and pictures from the BBC and Rolling Stone magazine show how much he will be missed.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
This is the day before the funeral at Black Sabbath Bridge.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
A guitar with inscription amongst the tributes.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
More details of the tributes.

Next I find myself in the Birmingham Museum and Art Gallery. Here a special tribute holds centre stage. The ” Ozzy Osbourne (1948-2025): Working Class Hero” exhibition celebrates Ozzy’s astonishing career. Videos play on loop; photographs of his successful career adorn the walls. The many gold and platinum records are displayed. At the entrance, The civic book of condolence for Ozzy waits. I stood in the queue, looking up at all the artwork around waiting my turn to add my condolences.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The working class hero exhibition.

On my way home, I pass through Victoria Square where there is an exhibition of Black Sabbath with many posters arranged to tell the history of the band that will ever be associated with Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The Black Sabbath poster board exhibition in Victoria Square.

Even at Selfridges, the modern temple of retail, screens shimmered with Black Sabbath’s images. Images of the band and Ozzy great you at the store entrance. A place is set aside to stand and watch a continual loop of the greatest Black Sabbath songs.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Tributes to Black Sabbath.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
A mini theatre inside the store.

There is much to take in and the legacy of Ozzy and Black Sabbath is celebrated on the streets. He is a hero not only of the working class but everyone who looks to make a better future for themselves. Ozzy with his charismatic personality will forever symbolise the City of Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy at the Commonwealth Games.

There are a few Ozzy images in my past blogs. See if you can spot one in this blog.

Lost all meaning by Imbue, Digbeth, Birmingham

I follow Imbue on Instagram and enjoy his thought-provoking artwork. Over the last few weeks, my Instagram feed went wild with notifications about his forthcoming exhibition. The images circulating included the Mona Lisa as viewed on mobile phones and a horse constructed from Amazon boxes. The exhibition was called ‘Lost All Meaning’, so I headed down to Digbeth to see the artwork. I do enjoy contemporary art. Having lived through the glam rock, punk and new romantic music movements, the album covers were always treasured. Imbue’s work captures much of that excitement and brings it right up to date.

Lost all meaning by Imbue, Digbeth, Birmingham
The exhibition space for the Imbue artwork.

I arrived at the building on Floodgate Street and was immediately drawn to the walls where Imbue had arranged his work. A food and drinks machine was set up to dispense “faith healing” drugs. I bought a pack from the machine dispenser, and inside the blister pack, the tablets were arranged in the shape of a cross. This religious theme ran throughout the exhibition, with pieces such as The Fall of Man (UV print on a used MacBook lid) and McChurch, which, when cut out, resembles a McDonald’s Happy Meal box. The 100 Phones exhibit depicting the Mona Lisa was remarkable, though it makes me feel I really must go and see the actual Mona Lisa now!

Leonardo da Vinci
Faithhealers make a cross.
Lost all meaning by Imbue, Digbeth, Birmingham
Mc Church which if brought allows you the option to but out and make a box.
Lost all meaning by Imbue, Digbeth, Birmingham
Close up of the 100 phones Mona Lisa.

Many of the prints were mounted on the wall and arranged in a 3-by-3 grid, including Leonardo da Vinci–inspired printed circuit boards with images of the Mona Lisa, Salvator Mundi, and Saint John the BaptistKids with Guns used shooting targets with added Mickey Mouse ears, a powerful indictment of the world’s current gun problems. Nearby was a bullet encased in a bottle, designed to be used in a 3D-printed gun.

Lost all meaning by Imbue, Digbeth, Birmingham
Leonardo da Vinci series
Lost all meaning by Imbue, Digbeth, Birmingham
Shooting targets for kids.
Lost all meaning by Imbue, Digbeth, Birmingham
A bullet for a 3D printed gun.

The theme of 3D printing ran through the exhibition, with the interplay of technology and everyday life presented not only to shock but also to make you think.

Lost all meaning by Imbue, Digbeth, Birmingham
Liquidising Alexa which I have to admit is such a good idea.

Two large exhibits dominated the centre of the warehouse. The horse made from Amazon boxes must have stood 12 metres tall, as shown in the photos. Quite a few home deliveries were needed to construct this horse. To my mind, it resembled a Trojan Horse. Very fitting, as we bring Amazon boxes into our homes without a moment’s thought.

Lost all meaning by Imbue, Digbeth, Birmingham
The Amazon Boxes Horse.

The other large exhibit was a veiled statue that Imbue had secretly scanned during a visit to the Louvre. The replica of Antonio Corradini’s Femme Voilée rotated in front of a bank of 3D printers. Small white statues were being printed and stored in a box, ready to be sold. This work raised many questions: how is it possible to scan such famous statues and then make them accessible to all? Did Imbue “steal” the statue from the Louvre, or is this simply how art will be shared in the future?

Lost all meaning by Imbue, Digbeth, Birmingham
The veiled lady in front of a bank of 3D printing machines.
Lost all meaning by Imbue, Digbeth, Birmingham
A reflection of the veiled lady in the 3D printing window.
Lost all meaning by Imbue, Digbeth, Birmingham
The one that I want.

There were many other exhibits, too many to describe in detail. There are several accounts of the exhibition on the Internet each featuring their favoured artwork.

Personally, my favourite work was DNArk. I am currently watching a cheesy but entertaining TV series on the Syfy channel called The Ark, where the last of humanity is sent into space carrying the DNA of the animal world. Imbue’s artwork consists of a transparent boat with multiple rows of red vials representing DNA samples. It left me wondering: how are we going to preserve the world’s DNA if we keep destroying the environment?

Lost all meaning by Imbue, Digbeth, Birmingham
DNArk

The bonus of the visit was meeting Imbue himself and taking his picture. He was open to conversation and happy to discuss his artwork and the ideas behind it. The exhibition only ran for a few days, but I will be on the lookout for his future work. Imbue has created artwork that resonates with today’s technology, cleverly weaving in references to past masters while exploring how we interact with the modern world. The role of religion seems to have morphed into technology, as people reinvent the world around them.

Lost all meaning by Imbue, Digbeth, Birmingham
The artist, Imbue.

As a photographer, I appreciated how the exhibition was staged against the backdrop of an old industrial engineering workshop. The natural light from the ceiling windows and the texture of the walls provided the perfect setting for the artwork. As always, I used my X100VI for most of the pictures, whilst favouring my iPhone’s wide-angle lens for the overall views.

Lost all meaning by Imbue, Digbeth, Birmingham
Lost all Meaning.

I found this exhibition space interesting as last year I was at the same place for the final day of the Floodgate an entertainment complex. As ever Digbeth changes and I have added my blog link below.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025

The Golden Lion is a building with a long and varied history. Walk along the main path in Canon Hill Park, and you will soon come across it. The scaffolding surrounding the structure gives its location away. You then realise that it commands a striking view of the green space, the boating lake, and the MAC.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Hard Hats at the Ready.

The Golden Lion has served many purposes over the years, including being used as a living space, public house, and a cricket pavilion. Its original location was on Deritend High Street, but it was moved to Canon Hill Park in 1911. If you wish to learn more about its background, the Birmingham Conservation Trust (BCT) website is a good place to start.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
The outside scaffolding.

This blog describes my hard hat tour of the Golden Lion, organised by the BCT. Irene from the Trust was our guide, and she explained that restoration work on the building would soon begin. Only a few tours were scheduled before work commenced, so this was a rare opportunity to see inside the structure before any changes took place.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Inside the Golden Lion, Ground Floor inspecting the ceiling.
The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Looking at the walls.
The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Looking up to the roof and the space where orignially there was a second floor.

Irene was full of enthusiasm. As she explained both the history and the upcoming plans for the building, it became clear how closely the two are connected. We donned our hard hats and entered. Since the windows were boarded up, we needed torches to see. We were warned about low ceilings—and spiders. The latter, we were told, were actually a good sign, as they indicated that bats had not nested in the building, which would have delayed the restoration.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, Birmingham, June 2025
Debris on the floor.

We explored the ground floor and then the first floor. Debris lay scattered on the floors, and shards of light pierced through cracks in the walls. Despite this, the building was remarkably dry and structurally intact. Small holes in the walls provided natural ventilation, allowing the building to dry out quickly after rain.

As we moved through the space, there were clear reminders of its previous uses as a cricket pavilion and a ranger’s office. These later modifications were visible on the interior walls. There were fittings for benches, and the windows had been fitted with modern locks and latches. Originally, the building had another floor, and the outlines of where it once stood could still be seen on the walls. Early records from the 1851 census report that up to 50 people once lived in and around the building when it stood in Deritend. This included the courtyard at the rear where there were 6 small (slum) dwellings

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, Birmingham, June 2025
Going down the stairs

The visit was fascinating, and the history embedded in the walls came alive during our conversations. I am looking forward to seeing the Golden Lion restored and given a new lease of life. Thank you to the Birmingham Conservation Trust for organising the visit, and to Irene for being such an informative and enthusiastic guide. Finally a special thanks to Pat Rodwell for obtaining tickets.

There is a good article with arguably better pictures by Birmingham Live in 2024

If you are interested in exploring historical buildings around Birmingham which are a lot safer and accessible then I would recommend a visit to Selly Manor as my blog shows below.

Street Photography in Digbeth, April 2025

I am always on the lookout for new street art in Digbeth and on social media I learnt that there was new artwork by Fokawolf under one of the railway arches. Another popular street artist, Gent48 frequently puts out vibrant murals and his new artwork was mentioned in recent instagram posts. My third reason for a visit was to take a look at the Colour Palette of Digbeth by Stacey Barnfield.  This made it the perfect time for one of my regular visits to Digbeth, giving me the chance to refine my street photography techniques. I have experimented with different ways of capturing people, and a recent visit to London had proved quite successful. Now it was time to see whether the streets of Digbeth would be just as receptive.

Street Photography in Digbeth, April 2025
Story by the arches.

The railway arches are a defining feature of Digbeth and often make a strong impression in photographing the area. I took the opportunity to capture the stories that unfolded beneath them. My Fujifilm X100VI was set up with back-button focusing, and as the sun was shining, I attached my Urth polarising filter to cut down on glare. The resulting images tell distinct stories, and I was pleased with how they turned out.

Street Photography in Digbeth, April 2025
Twist again and again.

When searching for street photography opportunities, the combination of artwork and typography is incredibly helpful. Timing is everything. I try to blend into the background. Focusing away from the subject while drawing them into the story is often a delicate balancing act.

Street Photography in Digbeth, April 2025
Let us sort the city out.
Street Photography in Digbeth, April 2025
Red Brick Market soaking up the sun.
Street Photography in Digbeth, April 2025
The colours of Gent48

Eventually, I found the Fokawolf piece—a large printout of the Chuckle Brothers pasted under the arches on Heath Mill Lane. Although I took many shots of people passing by the artwork, I was not satisfied with the initial results. Then I noticed someone approaching down the road. I waited in position. This is a useful technique: appearing to photograph the artwork and then capturing the subject as they enter the frame. I pretend I am still waiting for the right moment, even though I have already taken the shot. This approach only works in certain situations, but when it does, it can be very effective.

Street Photography in Digbeth, April 2025
The chuckle brothers by Fokawolf.

I also took some close-ups and other images of the surrounding streets. Digbeth naturally lends itself to photography. The colours of the street art are vibrant, and the architectural features add depth and texture. Messages on the walls and passing people add narrative and character to the photographs.

Street Photography in Digbeth, April 2025
The colour palette of Digbeth.
Street Photography in Digbeth, April 2025
Close ups of Digbeth.
https://thecolourpalettecompany.com/blogs/the-colour-palette-company/the-digbeth-colour-palette-a-super-sized-celebration-of-birmingham-s-creative-heart
The dentist in me appreciated this close up
Street Photography in Digbeth, April 2025
The green heart of Digbeth

Enjoy my latest venture into Digbeth, and there are more adventures and photography in Digbeth in my blog.

Flowers in my garden, April 2025

I love linking pictures to songs from my youth, and Talking Heads were a big influence on my musical tastes after seeing them back in 1978 at the then Manchester Polytechnic. Even more surprising was that the support band was Dire Straits—but I digress. The title of the song “(Nothing but) Flowers” ties in nicely with the following set of photographs.

Flowers in my garden, April 2025
A dark approach to the series.

I am not the best gardener, but I do enjoy taking pictures of flowers—both cultivated and wild varieties. With the fine weather, spring has arrived and many of the flowers in my garden are in full bloom. I was keen to take pictures of them but with a slight twist in composition. With photography, setting yourself a mini project is fun. My aim with this set of pictures was to complete a macro series looking closely at the flowers in my garden.

Flowers in my garden, April 2025
Unsure what is happening here but fun to photograph.

I have a 100mm Canon macro lens set up with a ring flash, and it works well on my Canon 5D Mk IV. I was taught by the best how to use ring flash photography for my dentistry work, and this Canon macro setup has served me well over the years. My settings for this series were aperture f/22, shutter speed 1/100 sec, and ISO 100. Flash power varied between 1/1 and ¼ depending on the available light. I prefer the manual flash setting for this work as I am able to control the amount of light on the subject.

Flowers in my garden, April 2025
A dramatic clash of colours.

Composition: I aimed to photograph the flowers in my garden from an above point of view. By firing the flash directly at the flower, I would illuminate the centre, with the light falling off around the edges to create a black vignette. The pictures are full of contrast, and the colours are vivid. I like the effect, and I used the circular design of the flowers to fill the square crop.

Flowers in my garden, April 2025
the symmetry and geometry of nature.

I enjoyed this experimental approach to using the ring flash in this way and appreciated the sharpness and contrast in the images. Maybe next time, I will look out for some small insects to interact with the flowers. Nature certainly knows how to put on a good show—with beautiful symmetry and geometric design.

Flowers in my garden, April 2025
Intense yellow colours on a white background.

These pictures were of my flowers taken in my back garden. I also mentioned that I enjoyed pictures of wildflower landscapes. Please visit my link below to see a beautiful poppy field in Kinver, Staffordshire.

Blossom, Oozell's Square, March, 2025

Every year, Blue Square blossoms into a wonderland. The cherry trees wake up from the long winter months, and the blossoms that appear are captivating, making the square look beautiful. The trees are arranged in front of the Icon Gallery, where the warm brick contrasts with the soft cream colour of the blossoms.

Blossom, Oozell's Square, March, 2025
People flock to the square to take pictures of the blossom.

Many people converge on the square, with celebrations ranging from Eastern European dance performances to Asian cultural gatherings. The arrival of the blossoms draws in people from all over Birmingham. Capturing a unique picture of the square has now become a challenge, as so many photographers have documented it over the years—some even choose to stay away, feeling they have seen it all.

Blossom, Oozell's Square, March, 2025
The view from the IKON and the bench under the blossom.

However, I still enjoy visiting the square and taking pictures whenever I have the opportunity. These are the results of my yearly visits since the start of my blog, and it is fascinating to compare the images over time.

Blossom, Oozell's Square, March, 2025
The IKON gallery with reflections in the nearby restaurant windows.

This is an account of last year’s blossoms in the square.

Digbeth Community Garden, Birmingham, March 2025

While organising a walk for the photographic group Negative Space, we explored Digbeth using the canals as our guide. After lunch, we headed back into town, walking via Shaw’s Passage. I was pleasantly surprised to find the community garden open, so as a group, we went in.

Digbeth Community Garden, Birmingham, March 2025
The entrance to the community garden

The garden is a small green space situated close to the HS2 works. In fact, the HS2 project is not particularly welcomed here, as one of my pictures shows. The walls of the garden are adorned with street murals several of which I have always wanted to see.  Such colourful images add to the space’s character. A path around the perimeter leads to the back walls, where I met one of the volunteers, who was dressed as a bumblebee. (I have forgotten his name, though I believe it began with an H.) His striking yellow-and-black costume stood out, and he was more than happy to have his photograph taken.

Digbeth Community Garden, Birmingham, March 2025
Street art and bath tubs
Digbeth Community Garden, Birmingham, March 2025
A resident bee keeper
Digbeth Community Garden, Birmingham, March 2025
HS2 is not welcome here
Digbeth Community Garden, Birmingham, March 2025
Art on the walls

Compost was the main topic of conversation that day. A few members of Negative Space were particularly enthusiastic about learning how the volunteers in the garden produce and distribute the compost. As it was early March, spring was only just beginning to emerge, so much of the garden’s work was focused on preparation. At the heart of the space is a beehive, though activity there was also just beginning.

Digbeth Community Garden, Birmingham, March 2025
Discussing the merits of compost.
Digbeth Community Garden, Birmingham, March 2025
Watering can at the ready.
Digbeth Community Garden, Birmingham, March 2025
Bee hive and flags

My aim is to return in the summer when the garden will be in full bloom and compare my photos from then to now. In the meantime, I hope you enjoy my record of this visit.

Digbeth Community Garden, Birmingham, March 2025
An overview of the garden.

If you wish to know more about the Digbeth Community Garden then there is a website with further information.

There are other community gardens around Birmingham and I discovered a few on my journey with my Key to the City (links below).

16 Acre Wood, Berkswell, HS2, February, 2025

I encouraged my daughter and grandson to join me on a walk to see the HS2 works next to 16 Acre Wood. It’s now 2025, and it’s time for an update on my visits to the site. These visits began in 2021, and I’ve kept a diary documenting all the changes that have taken place over the years.

16 Acre Wood, Berkswell, HS2, February, 2025
Over the hill and far away
16 Acre Wood, Berkswell, HS2, February, 2025
HS2 signs
16 Acre Wood, Berkswell, HS2, February, 2025
New bridges on the line.
16 Acre Wood, Berkswell, HS2, February, 2025
Concrete structures.
16 Acre Wood, Berkswell, HS2, February, 2025
Heavy machinery.
16 Acre Wood, Berkswell, HS2, February, 2025
The gate

We’ve had a lot of rain recently, and the walk reflected this as the footpath became quite muddy. When we reached the area, the first thing I noticed was the progress made with two bridges. A lot of concrete had been poured, resulting in two large structures. The special pond had also received some attention. The overgrown foliage had been cut back, and we were now able to see the water and grass more clearly. No trees have been planted around the pond yet, so it will be interesting to see how it fares over the coming summer.

16 Acre Wood, Berkswell, HS2, February, 2025
Lots of numbers
16 Acre Wood, Berkswell, HS2, February, 2025
The new pond.
16 Acre Wood, Berkswell, HS2, February, 2025
The pond is still looking on.
16 Acre Wood, Berkswell, HS2, February, 2025
Nature is always near.
16 Acre Wood, Berkswell, HS2, February, 2025
The wood is a lot thinner.

Walking around the site on the weekend meant there were no concerns about taking photographs, which was a nice bonus. However, it was a long walk which Noah was not so happy about!

16 Acre Wood, Berkswell, HS2, February, 2025
Walking along the footpath.

This is an update on a continuing story on 16 Acre Wood and the intrusion of HS2. Feel free to read the my other entries starting with the one highlighted below.

Birmingham Light Festival, February, 2025

The Birmingham Light Festival has brightened up the city as look to the end of winter. Light festivals have been held previously, and this year, the company Opus supplied 11 imaginative light installations. Although many other activities were taking place, the BBC was planning a feature on the lights.   I tagged along with John Bray, and we systematically tracked down most of the installations.  It was also an opportunity to try out my night lens filter for my Fujifilm X100vi which was a present by my daughters. I was eager to try it out.

‘The Roof of Stars’ lights up Thorp Street, and transforms the area around Birmingham Hippodrome’s Stage Door.  It was fun trying to capture both the cars and the reflections of the stars. Near to the main entrance of the Hippodrome, there is a peace poem – the words are very much needed at present. 

Birmingham Light Festival, February, 2025
The Roof of Stars
Birmingham Light Festival, February, 2025
Peace Poem

‘The Light Door’ at New Street Station was very bright.  There were also many people around and catching either a clear shot or getting one where they were interacting with the light was not straight forward.  I soon realised that taking pictures of these light installations was going to be tricky due to their placement and the challenge of capturing the atmosphere of people interacting with the displays.

Birmingham Light Festival, February, 2025
The light door

The Mailbox featured a fruit machine installation, “Positive spin”. My Fujifilm did not have the wide angle view and I should have reached for my iPhone for a wide angled view. As we walked towards Gas Street Basin and Centenary Square, we spotted a light boat passing by on its way to the Mailbox, allowing us to capture the scene at just the right moment. There were volunteers from the Canal and River Trust who had been involved with the lights on the narrow boat.

Birmingham Light Festival, February, 2025
Positive Spin
Birmingham Light Festival, February, 2025
The narrowboat of light arrives at the Mailbox

Centenary Square had two installations: “Dance on Lava” Floor is LAVA x Silent Disco and “Night Badminton.”  People were having fun especially on the dance floor.  The badminton installation had a purple shuttlecock which was difficult to follow against the city lights and the dark night sky.  The people playing the game did not seem to mind.

Birmingham Light Festival, February, 2025
Dance Floor is Lava
Birmingham Light Festival, February, 2025
Night Badmington

I was not disappointed with the last three installations we visited. The first was “Ideas happen here” in Newhall Square, where the fountains and water reflections provided plenty of opportunities for great pictures. Saint Paul’s Square had a bioluminescent fungus display in lights, offering numerous leading lines and a quieter setting that made it easier to capture images. The final installation was “Flux” in Snow Hill Square. Fortunately, I found a display board where I could rest my camera, allowing me to take a long exposure shot of the bars of light as they whirled around.

Birmingham Light Festival, February, 2025
Ideas happen here.
Birmingham Light Festival, February, 2025
Mycelium network
Birmingham Light Festival, February, 2025
Flux

The one I missed was Alright Bab but as this is a legacy installation, I have time on my side to take pictures of it.  I returned on the Monday and took pictures of this iconic phrase.

Birmingham Light Festival, February, 2025
Alright Bab.

Tracking down the light installations made for an super night of photography. I was pleased with how my lens filter performed, as it cut down on light pollution and allowed for very small apertures, resulting in some nice starbursts. Winter is almost over, and spring is just around the corner, but I always enjoy these light installations.

Here are my blog entries from previous light festivals in Birmingham to enjoy.

Reflections, Selfridges, Birmingham, January, 2025

The year may have started with plenty of rain, but that never stops me from hunting for reflections. I have a few favourite spots where I find good puddles, and here is a selection from the start of 2025.

Reflections, Kingswood Junction, Lapworth, Warwickshire, January, 2025
Kingswood Junction after a very heavy downpour flooded the towpath.
Reflections, Gas Street Basin, Birmingham, January, 2025
Taken with my Fujifilm x100vi of Gas Street Basin. There is smoke billowing out of one of the narrowboats.

Someone recently asked about my technique for taking such pictures. When capturing reflections, I use my iPhone, seeking out patches of water and anticipating how a reflection may appear. A key step is to get as low as possible to the puddle. This can be challenging, especially with particularly muddy puddles, like the one on Normandy Hill. One wrong step, and you could end up a muddy mess if you stumble into the water.

Reflections, Normandy Hill, Hillmorton, Warwickshire, January, 2025
This reflection was taken from the surface of a very muddy puddle on Normandy Hill, Hillmorton, Rugby.

I position my phone so that the back lens is as close to the water as possible, just before autofocus engages. This creates a blurred background effect as the phone focuses on the nearest object. Since you are often crouching in muddy water while holding your phone, you must anticipate the outcome of your shot rather than seeing it perfectly in the moment. Using a larger camera—even a compact one—would be difficult in such conditions. Of course, larger cameras work well when photographing a lake beneath a mountain range, safely away from the water’s edge. However, the beauty of using a phone is its ability to capture reflections effortlessly during everyday walks.  There are two pictures, in this gallery that have been taken with my Fujifilm x100v and I am still able to capture the magic of reflections.

Reflections, Dorridge Train Station, January, 2025
Tow trains, one local, the other to London with the reflections framed by the footbridge.
Reflections, Paddington Basin, London, January, 2025
This contrast of colours of the blue hour and the warm lights is enhanced by the reflections. The picture was taken with my x100vi.

Having taken reflection photographs countless times, I now appreciate that the real skill lies in composition. It is about anticipating the possibilities that even a small puddle can offer.

Reflections, Selfridges, Birmingham, January, 2025
Reflections at Selfridges with a blue theme. A favourite place for photographs.

The final picture of Reflections at Selfridges was featured in the 52Frames project. I was really pleased that it was selected and I received many positive comments. I would recommend readers to get involved with the project.

Enjoy this small selection of my reflective photography—I am sure there will be more throughout the year, so check back for updates!

Here are two more links to follow if this section on reflections has “wetted” your appetite.