Discovering St Alban the Martyr Church during Birmingham Heritage Week

by Damien Walmsley 23/09/2025 24/09/2025

St Alban the Martyr Church, Highgate, Birmingham, September 2025

St Alban the Martyr Church is situated in Highgate, Birmingham. To get there, I took the No. 35 bus and then walked up the hill towards the church. Birmingham Heritage Week is a highlight of September, offering Birmingham residents the chance to visit places that are normally closed to the public or venues that many may not have considered visiting. The Church of St Alban the Martyr falls into the latter category. Anyone travelling into Birmingham will likely have seen its bell tower, which commands an impressive presence on the approach to the city.

This church had been on my list to visit as part of Birmingham Heritage Week. The doors opened for the event, and I visited on a sunny Friday afternoon. On entering, one cannot fail to be struck by the interior architecture. The high stone-vaulted ceiling was designed by J. L. Pearson, a leading 19th-century Gothic architect who also designed Truro Cathedral. Tall stone pillars rise to support the vault, creating a repeating symmetrical pattern. The ceiling is just one of the many highlights of a church rich in treasures. Even the arrangement of chairs echoes the symmetry above, reinforcing the beauty of the space. I was the only visitor at the time, free to savour the majesty of this Gothic design and to take uninterrupted photographs. The play of light through the windows and the soaring ceiling were especially captivating. Adding to the atmosphere, the church was filled with uplifting music. The organist, David Briggs, was once the organist at the church, and now, lives in New York, where he is Artist in Residence at the Cathedral of St John the Divine. He had just dropped in to practise on the church organ, on his way to Germany to give a recital. I was so fortunate to hear him play whilst I was taking photographs of the church.

One of the highlights is St Patrick’s Chapel. The altar is striking, and the surrounding artwork is outstanding. Sisters Kate and Myra Bunce, associated with the Arts and Crafts movement at the turn of the 20th century, created the Bunce Altarpiece (or Reredos) that dominates the chapel. The artwork, painted by Kate Bunce, takes the form of a triptych depicting Christ, angels, and the Virgin Mary. The beaten copper frame was designed and made by Myra Bunce. I found myself drawn to this historic piece, which is now a treasured part of St Alban the Martyr Church.

The church community was warm and welcoming. Teas and coffees were served, questions were readily answered, and photography was encouraged. St Alban’s contribution to Birmingham Heritage Week is both valuable and memorable: rich with community history and enhanced by its remarkable architecture and artwork. This should be high on everyone’s list to visit during the Heritage week.

Details

The following are a selection of details that I photographed from around the church. I hope, like me, you find them interesting.

This is one of several churches that I have visited during the Birmingham Heritage Open Week. I include my visit to the Serbian Church of the Holy Prince Lazer for your interest. I also include a link to Birmingham Heritage Week 2025.

Discovering the Serbian Church of the Holy Prince Lazar in Bournville

St Alban’s Church Open Days

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Discovering the Serbian Church of the Holy Prince Lazar in Bournville

by Damien Walmsley 20/09/2025 20/09/2025

The Serbian Church of the Holy Prince Lazar, Birmingham Heritage Week, Bournville, Birmingham

Birmingham Heritage Week always reveals intriguing places to explore. Each year, the programme goes live at the end of summer, and tickets for the most popular destinations are quickly snapped up. For this year’s Birmingham Heritage week, I set my sights on two churches I had not previously visited, along with a guided walk in Birmingham.

The first of these visits took me to the Serbian Church of the Holy Prince Lazar, a striking Orthodox church situated in Bournville. Renowned for its ornate ceilings and rich decoration, the church stands proudly on a hill overlooking the area. Arriving from Bristol Road, via the number 61 bus, I made the short walk uphill to the gates, where I was warmly welcomed by a member of the congregation.

Stepping inside, the splendour of the Byzantine design is immediately apparent. The ceiling is dominated by a powerful image of Christ, while the dome above the altar features a serene depiction of Mary. Stone pillars draw the eye across the space, emphasising the church’s harmonious proportions.

Unlike many Western churches, the Serbian Church has few seats. This open design is characteristic of Orthodox worship and allows visitors to move freely around. I spent much time admiring the icons and intricate details on the walls. The murals are painted in fresco, a technique where pigment is applied directly onto wet plaster, creating luminous images that glow in the light. I found myself mesmerised, pausing often to steady my concentration so that my photographs might capture even a fraction of the beauty that was before me.

The exterior holds equal charm. In the gardens, a golden crucifix stands proudly, while the church’s architectural form blends gracefully with its leafy surroundings. Time was against me, and with the church busy that day, I was unable to explore or photograph the adjacent hall—an omission I intend to rectify on a future visit.

The Serbian Church of the Holy Prince Lazar is a landmark building and a must see place on the Birmingham Heritage week schedule. The church rewards not only the photographer but also anyone with an interest in history, faith, or art. For those wishing to learn more, the church maintains a comprehensive website offering detailed background on its story and traditions. My own visit left a lasting impression long after I put down my camera. Enjoy the pictures.

If you enjoyed this blog then please visit my other Birmingham Heritage visits that I have done over the years

Birmingham heritage week – Visiting the Greek orthodox cathedral

Opening the door to a treasure trove of history – my visit to the Birmingham Museum Collection Centre

Birmingham Heritage Week 12—21 Sept 2025

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Terracotta and Skylines: Exploring Paradise Birmingham’s New Landmark – Three Chamberlain Square

by Damien Walmsley 22/08/2025 01/10/2025

Three Chamberlain Square, Birmingham, August 2025

The newest addition to Paradise Birmingham, Three Chamberlain Square, is close to opening. This distinctive building sits next to the historic Town Hall and is stone’s throw from Victoria square. Its exterior design incorporates natural terracotta tones, giving a warm red ochre glow to the rows of vertical lines. Walking past the building, I often wondered what it would be like to look around inside and longed to visit the terrace on the top floor.

I was therefore delighted when an invitation arrived from Core, the marketing team promoting Paradise Birmingham. They were hosting a special Photographers’ Event at Three Chamberlain Square to mark World Photography Day.

On a warm but initially cloudy afternoon, a collective of photographers gathered in Chamberlain Square near the new building. There were many familiar faces amongst the group, and we did not have to wait long before being taken into the foyer of Three Chamberlain Square. The entrance is impressive, with a large, open multipurpose area. After a short introduction, we went straight up to the ninth floor and the terrace.

The terracotta design was an instant hit with the photographers, and we all had to be careful not to photobomb each other’s shots. The photographic talent among the group was very high, and I knew their images would be excellent. My own thought was, try something different, easier said than done when surrounded by such skilled photographers.

Reaching the ninth floor, the sun broke through the clouds. Before stepping onto the terrace, I paused to capture the light as it streamed into the room. Then it was time for the terrace itself, which offered stunning views across the city. The red support beams provided a perfect frame for iconic landmarks. I was able to capture the Octagon, BT Tower, the Rotunda, 103 Colmore Row, and the Town Hall clock, each neatly framed by the beams. Using my telephoto lens I was able to capture the street scenes below. The terrace was undoubtedly the highlight of the visit and will be an instant favourite for those working in the building.

We then moved down to the eighth floor to view the open-plan offices. I took several pictures, and while the space itself was impressive, my eyes kept drifting to the windows. People working there will certainly not be bored—the passing trams and other activities below may prove to be quite a distraction.

Although I had to leave before the full tour was over, the terrace remained the highlight of my photographic journey through the building. On my way back to the car, I captured a few final shots outside. What struck me most was the contrast of styles: the terracotta of Three Chamberlain Square set against the Roman revival elegance of the Town Hall, with the towering Octagon rising in the background.

Birmingham looks splendid with its mix of bold new buildings complementing the city’s historic landmarks. Thank you to Paradise Birmingham for allowing us to photograph this beautiful building.

If you like tall buildings then I have highlighted more reading about my photographic visits on my blog.

Birmingham sunset and sunrise from the Octagon

The popular key – 103 Colmore Row

London Times – The London Horizon from Horizon22

Top of the Rotunda

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Spaghetti Junction Stories: A Photo Essay

by Damien Walmsley 08/08/2025 08/08/2025

Spaghetti Junction, Birmingham, August 2025

IgersbirminghamUK organised a walk around Spaghetti Junction on a warm Saturday afternoon at the beginning of August. For this blog entry, I have 24 frames which is the number of a roll of film. These pictures were taken with either my iPhone or Fujifilm x100vi. The stories and sights under the motorway are always changing and always surprising. Enjoy this photo essay.

Figures

People move around the complex concrete structures. They look apologetic for their presence as the concrete really does enjoy its own company.

Cyclists

People move quickly on the towpath nobody wants to stay too long as they may get lost in the concrete.

Pillars

The main feature of the concrete structures is the pillars. Reaching to the sky they hold the roads in place. If the pillars disappear then there so will the roads.

Are you lost yet?

A line from the 25 paintings project by Bill Drummond.

Traces of humanity

There are examples that humans have passed through the area.

Nature fights back

Nature is slowly eroding the concrete jungle. Trees and greenery have established themselves amongst the pillars.

I hope you enjoyed this photo essay of my recent visits to Spaghetti Junction. If you ever have the chance to visit the area then do take up the opportunity. There are regular tours that take in Aston Reservoir and the more interesting parts of the canal network. The interchange does become very quiet at the weekends. During the week, there is construction activity focused on maintaining the pillars that are essential to holding the motorway network together. The highs and lows of a visit around the Gravelley Hill interchange are illustrated below. The highlights include the wonders of the construction and architecture. The lows are the faceless nature of the area which has areas that are not particularly inviting.

Are you wanting to read more about Spaghetti Junction then here are more of my visits about what lies beneath the M6. I recommend starting with this blog post that sets the scene for my photo essay.

Are You Lost Yet? A Walk Beneath Spaghetti Junction

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A City in Mourning: Remembering Ozzy Osbourne in the Heart of Birmingham

by Damien Walmsley 31/07/2025 01/08/2025

Ozzy Osborne, Black Sabbath, Birmingham, July 2025

The passing of Ozzy Osborne leaves a large imprint on the people of Birmingham. The band Black Sabbath are very much loved and their Birmingham origins are celebrated throughout the city. Back in 1974, I remember “Paranoid” blasting out loudly through the student common room speakers. I loved the Black Sabbath album covers which stood out from others at the time with their own distinctive take on the early seventies. Even as my musical tastes moved towards glam rock, punk and new wave, I still had fondness for the distinctive Tony Iommi guitar riffs from “Iron Man,” and “Paranoid”. Black Sabbath and Ozzy Osbourne still connect with me especially as their influences are all around Birmingham.

Getting caught up in the emotion around the city from the reunion concert and people gathering to honour Ozzy, I went in the day before his funeral to visit the notable Black Sabbath sites in the city and pay my respects.

My first stop was the Crown pub often known as the birthplace of legends. Many famous bands played there including the early Black Sabbath concerts. Closed since 2014, the building is now protected by its Grade II listed status although what the future will be is uncertain. The Crown has had a lick of paint and the boarded-up windows now have pictures of the band. A small shrine has taken shape below the picture of Ozzy. There are a few candles, flowers and fan messages set out. Pedestrians entering New Street rail station glance curiously at all the commotion.

Then there is Ozzy the Bull. Towering above the concourse of New Street Station, this animatronic sculpture was a massive success during the Commonwealth Games. Once forgotten, now restored, much like the man himself, Ozzy the Bull is a great symbol of the City.

Outside the front of the station, Navigation street has attracted the City’s attention where Mr Murals, a local artist has created a striking Black Sabbath mural. Along the wall facing the station are photorealistic spray can pictures of the four band members. The Black Sabbath logo looms large beside them. Less than a month ago, the group came to look at the murals and each signed their name against their picture. The signatures have been protected with Perspex glass. The length of the street has become another shrine for Ozzy with flowers lined up against the wall.

The focus of the outpouring of grief for Ozzy was taking place at the Black Sabbath Bridge on Broad Street. In 2019, the city dedicated this space to the band with a bench featuring the faces of Ozzy, Tony, Geezer, and Bill. Now, the bench is transformed with flowers, tributes, hand-written notes, empty Jack Daniels bottles, and even a guitar. The tribute has taken over the pavement and security are required to keep a semblance of order. On the day of the funeral, this was the place where the hearse bearing Ozzy stopped and the family paid their respects. The news and pictures from the BBC and Rolling Stone magazine show how much he will be missed.

Next I find myself in the Birmingham Museum and Art Gallery. Here a special tribute holds centre stage. The ” Ozzy Osbourne (1948-2025): Working Class Hero” exhibition celebrates the lead singer’s astonishing career. Videos play on loop; photographs of his successful career adorn the walls. The many gold and platinum records are displayed. At the entrance, The civic book of condolence for Ozzy waits. I stood in the queue, looking up at all the artwork around waiting my turn to add my condolences.

On my way home, I pass through Victoria Square where there is an exhibition of Black Sabbath with many posters arranged to tell the history of the band that will forever be associated with Birmingham.

Even at Selfridges, the modern temple of retail, screens shimmered with Black Sabbath’s images. Pictures of the band and Ozzy great you at the store entrance. A place is set aside to stand and watch a continual loop of the greatest Black Sabbath songs.

There is much to take in and the legacy of Ozzy and Black Sabbath is celebrated on the streets. He is a hero not only of the working class but everyone who looks to make a better future for themselves. Ozzy with his charismatic personality will forever symbolise the City of Birmingham.

There are a few Ozzy images in my past blogs. See if you can spot one in this blog.

The Icons walk from Five ways to Victoria Square with IgersbirminghamUK

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Are You Lost Yet? A Walk Beneath Spaghetti Junction

by Damien Walmsley 14/07/2025 14/07/2025

Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025

As it happened, my car windscreen needed replacing in Nechells, so I had time to explore the canals. I headed for the Birmingham and Fazeley Canal and walked along it to the lock below Holborn Hill. Turning left, I arrived at Aston train station. It is a five-minute walk from there to Spaghetti Junction and then a short descent to the Tame Valley Canal.

Repairs are currently being carried out on the supports of the motorway, and there were many workers in and around the area. This made it relatively safe to stroll around. I stopped to view the art project run by Bill Drummond, former drummer of the KLF rock group and now an influential artist. He paints a line at regular intervals on the concrete walls opposite the towpath. The line currently displayed reads, “Are you lost yet?”

Luckily, I knew exactly where I was on the canals, and I walked further along to take pictures of the motorway pillars reflected in the canal water. There is some rubbish around, but also many opportunities for interesting photographs.

Retracing my steps, I explored the junction where the Birmingham canals meet the Tame Valley Canal. This was also the site where most of the repair work was taking place. I then made my way to Aston Reservoir, accessing it just past a sports centre. The elevated sections of the motorway rise in the distance and overlook the water. I always find it amazing that speedboat races once took place on this small area of water.

I have visited the Junction several times before and here are some of my accounts of my previous visits.

Spaghetti Junction Rollercoaster

Spaghetti Junction 50 years on

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From the Mona Lisa to a McChurch: Exploring Imbue’s Vision

by Damien Walmsley 13/07/2025 13/07/2025

Lost all meaning by Imbue, Digbeth, Birmingham

I follow Imbue on Instagram and enjoy his thought-provoking artwork. Over the last few weeks, my Instagram feed went wild with notifications about his forthcoming exhibition. The images circulating included the Mona Lisa as viewed on mobile phones and a horse constructed from Amazon boxes. The exhibition was called ‘Lost All Meaning’, so I headed down to Digbeth to see the artwork. I do enjoy contemporary art. Having lived through the glam rock, punk and new romantic music movements, the album covers were always treasured. Imbue’s work captures much of that excitement and brings it right up to date.

I arrived at the building on Floodgate Street and was immediately drawn to the walls where Imbue had arranged his work. A food and drinks machine was set up to dispense “faith healing” drugs. I bought a pack from the machine dispenser, and inside the blister pack, the tablets were arranged in the shape of a cross. This religious theme ran throughout the exhibition, with pieces such as The Fall of Man (UV print on a used MacBook lid) and McChurch, which, when cut out, resembles a McDonald’s Happy Meal box. The 100 Phones exhibit depicting the Mona Lisa was remarkable, though it makes me feel I really must go and see the actual Mona Lisa now!

Leonardo da Vinci — Faithhealers make a cross.

Many of the prints were mounted on the wall and arranged in a 3-by-3 grid, including Leonardo da Vinci–inspired printed circuit boards with images of the Mona Lisa, Salvator Mundi, and Saint John the Baptist. Kids with Guns used shooting targets with added Mickey Mouse ears, a powerful indictment of the world’s current gun problems. Nearby was a bullet encased in a bottle, designed to be used in a 3D-printed gun.

The theme of 3D printing ran through the exhibition, with the interplay of technology and everyday life presented not only to shock but also to make you think.

Two large exhibits dominated the centre of the warehouse. The horse made from Amazon boxes must have stood 12 metres tall, as shown in the photos. Quite a few home deliveries were needed to construct this horse. To my mind, it resembled a Trojan Horse. Very fitting, as we bring Amazon boxes into our homes without a moment’s thought.

The other large exhibit was a veiled statue that Imbue had secretly scanned during a visit to the Louvre. The replica of Antonio Corradini’s Femme Voilée rotated in front of a bank of 3D printers. Small white statues were being printed and stored in a box, ready to be sold. This work raised many questions: how is it possible to scan such famous statues and then make them accessible to all? Did Imbue “steal” the statue from the Louvre, or is this simply how art will be shared in the future?

There were many other exhibits, too many to describe in detail. There are several accounts of the exhibition on the Internet each featuring their favoured artwork.

Personally, my favourite work was DNArk. I am currently watching a cheesy but entertaining TV series on the Syfy channel called The Ark, where the last of humanity is sent into space carrying the DNA of the animal world. Imbue’s artwork consists of a transparent boat with multiple rows of red vials representing DNA samples. It left me wondering: how are we going to preserve the world’s DNA if we keep destroying the environment?

The bonus of the visit was meeting Imbue himself and taking his picture. He was open to conversation and happy to discuss his artwork and the ideas behind it. The exhibition only ran for a few days, but I will be on the lookout for his future work. Imbue has created artwork that resonates with today’s technology, cleverly weaving in references to past masters while exploring how we interact with the modern world. The role of religion seems to have morphed into technology, as people reinvent the world around them.

As a photographer, I appreciated how the exhibition was staged against the backdrop of an old industrial engineering workshop. The natural light from the ceiling windows and the texture of the walls provided the perfect setting for the artwork. As always, I used my X100VI for most of the pictures, whilst favouring my iPhone’s wide-angle lens for the overall views.

I found this exhibition space interesting as last year I was at the same place for the final day of the Floodgate an entertainment complex. As ever Digbeth changes and I have added my blog link below.

The closing of the Floodgate in Digbeth

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Behind the Scaffolding: A Glimpse Inside the Golden Lion

by Damien Walmsley 17/06/2025 19/06/2025

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025

The Golden Lion is a building with a long and varied history. Walk along the main path in Canon Hill Park, and you will soon come across it. The scaffolding surrounding the structure gives its location away. You then realise that it commands a striking view of the green space, the boating lake, and the MAC.

The Golden Lion has served many purposes over the years, including being used as a living space, public house, and a cricket pavilion. Its original location was on Deritend High Street, but it was moved to Canon Hill Park in 1911. If you wish to learn more about its background, the Birmingham Conservation Trust (BCT) website is a good place to start.

This blog describes my hard hat tour of the Golden Lion, organised by the BCT. Irene from the Trust was our guide, and she explained that restoration work on the building would soon begin. Only a few tours were scheduled before work commenced, so this was a rare opportunity to see inside the structure before any changes took place.

Irene was full of enthusiasm. As she explained both the history and the upcoming plans for the building, it became clear how closely the two are connected. We donned our hard hats and entered. Since the windows were boarded up, we needed torches to see. We were warned about low ceilings—and spiders. The latter, we were told, were actually a good sign, as they indicated that bats had not nested in the building, which would have delayed the restoration.

We explored the ground floor and then the first floor. Debris lay scattered on the floors, and shards of light pierced through cracks in the walls. Despite this, the building was remarkably dry and structurally intact. Small holes in the walls provided natural ventilation, allowing the building to dry out quickly after rain.

As we moved through the space, there were clear reminders of its previous uses as a cricket pavilion and a ranger’s office. These later modifications were visible on the interior walls. There were fittings for benches, and the windows had been fitted with modern locks and latches. Originally, the building had another floor, and the outlines of where it once stood could still be seen on the walls. Early records from the 1851 census report that up to 50 people once lived in and around the building when it stood in Deritend. This included the courtyard at the rear where there were 6 small (slum) dwellings

The visit was fascinating, and the history embedded in the walls came alive during our conversations. I am looking forward to seeing the Golden Lion restored and given a new lease of life. Thank you to the Birmingham Conservation Trust for organising the visit, and to Irene for being such an informative and enthusiastic guide. Finally a special thanks to Pat Rodwell for obtaining tickets.

There is a good article with arguably better pictures by Birmingham Live in 2024

If you are interested in exploring historical buildings around Birmingham which are a lot safer and accessible then I would recommend a visit to Selly Manor as my blog shows below.

Visiting Bournville Village Trust with IgersbirminghamUK

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Subway street art and hip hop: A reflection on the Epic Story of Graffiti

by Damien Walmsley 05/06/2025 05/06/2025

The Epic Story of Graffiti, through the lens of Henry Chalfont, Rotunda Square Bullring, Birmingham, June 2025

This photography exhibition celebrated the work of Henry Chalfant Living in New York City in the early seventies and eighties. Chalfant befriended the newly emerging Graffiti artists who were painting the subway trains. The city was run down and there was rampant crime and homelessness. Businesses left the city leaving behing areas with problems of drugs and homelessness. The subway system reflected this period of decay with fewer people willing to risk journeys due to crime and train breakdowns. Young people started spray painting the trains in the depots. This upset New Yorkers who did not like the tagging of the subway trains as to them it epitomised the depth of decay.

The picture shows several boards with the subway trains meticulously photographed in their number order. — The Exhibition Entrance featured the photography of Henry Chalfont.

I remember visiting Manhattan in 1980 and 1988. There were still no-go areas such as the area around Alphabet City and I visited St Patrick’s cathedral the day after a killing in the church. But I do remember the exciting and energetic Greenwich Village gay parade that took place during my visit in 1988. There was a feeling of new life and the city was regenerating and rediscovering itself.

Roll forward 40 plus years and the young spray painters are now world-renowned artists. The exciting music scene of Hip Hop sprung out from this period.

The Epic Story of Graffiti was held in one of the empty department stores in the Bullring. This was brought to Birmingham by Birmingham Hippodrome and Soul City Arts. On opening night, this colourful exhibition brought Chalfont to Birmingham and the pictorial history of graffiti and hip hop was celebrated. The exhibition was curated by one of our very own street artists, Muhammed Ali Aerosol. I visited on a quiet mid-week morning and had the place to myself. A visually striking display of countless trains tagged with graffiti was on a long display board. I found it fascinating looking at all the artistic designs sprayed on the trains. Chalfont had paid attention to small details such as lining up all the trains in numerical order.

There were pictures of the young artists and moving displays that made you feel as if you were in an underground station. I sat and watched a video about hip hop and interviews with the young New Yorkers excitedly telling the interviewer about their life. I also enjoyed reading the quotes that were placed around the exhibition.

I had spent time before the exhibition opened photographing the Graffiti in Digbeth so I was in the right space to appreciate the brilliant photography of Henry Chalfont and what the exhibition had to offer. There is a further in depth review by BBC Birmingham.

Finally a nostalgic view of the streets of NYC from 1980 when I visited as I student.

I love to photography Graffiti and Digbeth offers the best of the street art in the City. Here is one of my blogs on Digbeth.

Digbeth Street Photography

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Pigeon Talk and other conversations – black and white Birmingham

by Damien Walmsley 09/05/2025 09/05/2025

I took a walk from Snow Hill train station up towards Edgbaston village where I had a meeting. This is a collection of 10 images in black and white from my walk. All taken with my Fujifilm x100vi and converted to monochrome.

Enjoyed this, then read some more about Birmingham in Black and White.

Black and White Architecture in Birmingham

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Tag Archives: Birmingham

Figures

Cyclists

Pillars

Are you lost yet?

Traces of humanity

Nature fights back