Ozzy Osborne, Black Sabbath, Birmingham, July 2025

The passing of Ozzy Osborne leaves a large imprint on the people of Birmingham. The band Black Sabbath are very much loved and their Birmingham origins are celebrated throughout the city. Back in 1974, I remember “Paranoid” blasting out loudly through the student common room speakers. I loved the Black Sabbath album covers which stood out from others at the time with their own distinctive take on the early seventies. Even as my musical tastes moved towards glam rock, punk and new wave, I still had fondness for the distinctive Tony Iommi guitar riffs from “Iron Man,” and “Paranoid”. Black Sabbath and Ozzy Osbourne still connect with me especially as their influences are all around Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The shrine to Ozzy outside the Crown pub on Station Street.

Getting caught up in the emotion around the city from the reunion concert and people gathering to honour Ozzy, I went in the day before his funeral to visit the notable Black Sabbath sites in the city and pay my respects.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The Crown pub, Station St.

My first stop was the Crown pub often known as the birthplace of legends. Many famous bands played there including the early Black Sabbath concerts. Closed since 2014, the building is now protected by its Grade II listed status although what the future will be is uncertain. The Crown has had a lick of paint and the boarded-up windows now have pictures of the band. A small shrine has taken shape below the picture of Ozzy. There are a few candles, flowers and fan messages set out. Pedestrians entering New Street rail station glance curiously at all the commotion.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy the Bull at New Street station.

Then there is Ozzy the Bull. Towering above the concourse of New Street Station, this animatronic sculpture was a massive success during the Commonwealth Games. Once forgotten, now restored, much like the man himself, Ozzy the Bull is a great symbol of the City.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy’s signature on the wall in Navigation Street.

Outside the front of the station, Navigation street has attracted the City’s attention where Mr Murals, a local artist has created a striking Black Sabbath mural. Along the wall facing the station are photorealistic spray can pictures of the four band members. The Black Sabbath logo looms large beside them. Less than a month ago, the group came to look at the murals and each signed their name against their picture. The signatures have been protected with Perspex glass. The length of the street has become another shrine for Ozzy with flowers lined up against the wall.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
More floral tributes along the Black Sabbath mural.

The focus of the outpouring of grief for Ozzy was taking place at the Black Sabbath Bridge on Broad Street. In 2019, the city dedicated this space to the band with a bench featuring the faces of Ozzy, Tony, Geezer, and Bill. Now, the bench is transformed with flowers, tributes, hand-written notes, empty Jack Daniels bottles, and even a guitar. The tribute has taken over the pavement and security are required to keep a semblance of order. On the day of the funeral, this was the place where the hearse bearing Ozzy stopped and the family paid their respects. The news and pictures from the BBC and Rolling Stone magazine show how much he will be missed.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
This is the day before the funeral at Black Sabbath Bridge.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
A guitar with inscription amongst the tributes.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
More details of the tributes.

Next I find myself in the Birmingham Museum and Art Gallery. Here a special tribute holds centre stage. The ” Ozzy Osbourne (1948-2025): Working Class Hero” exhibition celebrates the lead singer’s astonishing career. Videos play on loop; photographs of his successful career adorn the walls. The many gold and platinum records are displayed. At the entrance, The civic book of condolence for Ozzy waits. I stood in the queue, looking up at all the artwork around waiting my turn to add my condolences.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The working class hero exhibition.

On my way home, I pass through Victoria Square where there is an exhibition of Black Sabbath with many posters arranged to tell the history of the band that will forever be associated with Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
The Black Sabbath poster board exhibition in Victoria Square.

Even at Selfridges, the modern temple of retail, screens shimmered with Black Sabbath’s images. Pictures of the band and Ozzy great you at the store entrance. A place is set aside to stand and watch a continual loop of the greatest Black Sabbath songs.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Tributes to Black Sabbath.
Ozzy Osborne, Black Sabbath, Birmingham, July 2025
A mini theatre inside the store.

There is much to take in and the legacy of Ozzy and Black Sabbath is celebrated on the streets. He is a hero not only of the working class but everyone who looks to make a better future for themselves. Ozzy with his charismatic personality will forever symbolise the City of Birmingham.

Ozzy Osborne, Black Sabbath, Birmingham, July 2025
Ozzy at the Commonwealth Games in 2022. (picture from the Working class hero exhibition).

There are a few Ozzy images in my past blogs. See if you can spot one in this blog.

Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025

As it happened, my car windscreen needed replacing in Nechells, so I had time to explore the canals. I headed for the Birmingham and Fazeley Canal and walked along it to the lock below Holborn Hill. Turning left, I arrived at Aston train station. It is a five-minute walk from there to Spaghetti Junction and then a short descent to the Tame Valley Canal.

Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025
The classic view of the Tame Valley Canal underneath the motorway.

Repairs are currently being carried out on the supports of the motorway, and there were many workers in and around the area. This made it relatively safe to stroll around. I stopped to view the art project run by Bill Drummond, former drummer of the KLF rock group and now an influential artist. He paints a line at regular intervals on the concrete walls opposite the towpath. The line currently displayed reads, “Are you lost yet?”

Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025
Directions on the tow path

Luckily, I knew exactly where I was on the canals, and I walked further along to take pictures of the motorway pillars reflected in the canal water. There is some rubbish around, but also many opportunities for interesting photographs.

Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025
Reflections and rubbish.
Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025
Men at work.
Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025
Ongoing repair work under the motorway.
Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025
The old road and the M6 motorway.

Retracing my steps, I explored the junction where the Birmingham canals meet the Tame Valley Canal. This was also the site where most of the repair work was taking place. I then made my way to Aston Reservoir, accessing it just past a sports centre. The elevated sections of the motorway rise in the distance and overlook the water. I always find it amazing that speedboat races once took place on this small area of water.

Are you lost yet, underneath Spagetti Junction, Gravelly Hill, Birmingham, July 2025
Aston or sometimes known as Salford reservoir with the M6 link road to the Aston Expressway in the background.

I have visited the Junction several times before and here are some of my accounts of my previous visits.

Lost all meaning by Imbue, Digbeth, Birmingham

I follow Imbue on Instagram and enjoy his thought-provoking artwork. Over the last few weeks, my Instagram feed went wild with notifications about his forthcoming exhibition. The images circulating included the Mona Lisa as viewed on mobile phones and a horse constructed from Amazon boxes. The exhibition was called ‘Lost All Meaning’, so I headed down to Digbeth to see the artwork. I do enjoy contemporary art. Having lived through the glam rock, punk and new romantic music movements, the album covers were always treasured. Imbue’s work captures much of that excitement and brings it right up to date.

Lost all meaning by Imbue, Digbeth, Birmingham
The exhibition space for the Imbue artwork.

I arrived at the building on Floodgate Street and was immediately drawn to the walls where Imbue had arranged his work. A food and drinks machine was set up to dispense “faith healing” drugs. I bought a pack from the machine dispenser, and inside the blister pack, the tablets were arranged in the shape of a cross. This religious theme ran throughout the exhibition, with pieces such as The Fall of Man (UV print on a used MacBook lid) and McChurch, which, when cut out, resembles a McDonald’s Happy Meal box. The 100 Phones exhibit depicting the Mona Lisa was remarkable, though it makes me feel I really must go and see the actual Mona Lisa now!

Leonardo da Vinci
Faithhealers make a cross.
Lost all meaning by Imbue, Digbeth, Birmingham
Mc Church which if brought allows you the option to but out and make a box.
Lost all meaning by Imbue, Digbeth, Birmingham
Close up of the 100 phones Mona Lisa.

Many of the prints were mounted on the wall and arranged in a 3-by-3 grid, including Leonardo da Vinci–inspired printed circuit boards with images of the Mona Lisa, Salvator Mundi, and Saint John the BaptistKids with Guns used shooting targets with added Mickey Mouse ears, a powerful indictment of the world’s current gun problems. Nearby was a bullet encased in a bottle, designed to be used in a 3D-printed gun.

Lost all meaning by Imbue, Digbeth, Birmingham
Leonardo da Vinci series
Lost all meaning by Imbue, Digbeth, Birmingham
Shooting targets for kids.
Lost all meaning by Imbue, Digbeth, Birmingham
A bullet for a 3D printed gun.

The theme of 3D printing ran through the exhibition, with the interplay of technology and everyday life presented not only to shock but also to make you think.

Lost all meaning by Imbue, Digbeth, Birmingham
Liquidising Alexa which I have to admit is such a good idea.

Two large exhibits dominated the centre of the warehouse. The horse made from Amazon boxes must have stood 12 metres tall, as shown in the photos. Quite a few home deliveries were needed to construct this horse. To my mind, it resembled a Trojan Horse. Very fitting, as we bring Amazon boxes into our homes without a moment’s thought.

Lost all meaning by Imbue, Digbeth, Birmingham
The Amazon Boxes Horse.

The other large exhibit was a veiled statue that Imbue had secretly scanned during a visit to the Louvre. The replica of Antonio Corradini’s Femme Voilée rotated in front of a bank of 3D printers. Small white statues were being printed and stored in a box, ready to be sold. This work raised many questions: how is it possible to scan such famous statues and then make them accessible to all? Did Imbue “steal” the statue from the Louvre, or is this simply how art will be shared in the future?

Lost all meaning by Imbue, Digbeth, Birmingham
The veiled lady in front of a bank of 3D printing machines.
Lost all meaning by Imbue, Digbeth, Birmingham
A reflection of the veiled lady in the 3D printing window.
Lost all meaning by Imbue, Digbeth, Birmingham
The one that I want.

There were many other exhibits, too many to describe in detail. There are several accounts of the exhibition on the Internet each featuring their favoured artwork.

Personally, my favourite work was DNArk. I am currently watching a cheesy but entertaining TV series on the Syfy channel called The Ark, where the last of humanity is sent into space carrying the DNA of the animal world. Imbue’s artwork consists of a transparent boat with multiple rows of red vials representing DNA samples. It left me wondering: how are we going to preserve the world’s DNA if we keep destroying the environment?

Lost all meaning by Imbue, Digbeth, Birmingham
DNArk

The bonus of the visit was meeting Imbue himself and taking his picture. He was open to conversation and happy to discuss his artwork and the ideas behind it. The exhibition only ran for a few days, but I will be on the lookout for his future work. Imbue has created artwork that resonates with today’s technology, cleverly weaving in references to past masters while exploring how we interact with the modern world. The role of religion seems to have morphed into technology, as people reinvent the world around them.

Lost all meaning by Imbue, Digbeth, Birmingham
The artist, Imbue.

As a photographer, I appreciated how the exhibition was staged against the backdrop of an old industrial engineering workshop. The natural light from the ceiling windows and the texture of the walls provided the perfect setting for the artwork. As always, I used my X100VI for most of the pictures, whilst favouring my iPhone’s wide-angle lens for the overall views.

Lost all meaning by Imbue, Digbeth, Birmingham
Lost all Meaning.

I found this exhibition space interesting as last year I was at the same place for the final day of the Floodgate an entertainment complex. As ever Digbeth changes and I have added my blog link below.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025

The Golden Lion is a building with a long and varied history. Walk along the main path in Canon Hill Park, and you will soon come across it. The scaffolding surrounding the structure gives its location away. You then realise that it commands a striking view of the green space, the boating lake, and the MAC.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Hard Hats at the Ready.

The Golden Lion has served many purposes over the years, including being used as a living space, public house, and a cricket pavilion. Its original location was on Deritend High Street, but it was moved to Canon Hill Park in 1911. If you wish to learn more about its background, the Birmingham Conservation Trust (BCT) website is a good place to start.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
The outside scaffolding.

This blog describes my hard hat tour of the Golden Lion, organised by the BCT. Irene from the Trust was our guide, and she explained that restoration work on the building would soon begin. Only a few tours were scheduled before work commenced, so this was a rare opportunity to see inside the structure before any changes took place.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Inside the Golden Lion, Ground Floor inspecting the ceiling.
The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Looking at the walls.
The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, birmingham, June 2025
Looking up to the roof and the space where orignially there was a second floor.

Irene was full of enthusiasm. As she explained both the history and the upcoming plans for the building, it became clear how closely the two are connected. We donned our hard hats and entered. Since the windows were boarded up, we needed torches to see. We were warned about low ceilings—and spiders. The latter, we were told, were actually a good sign, as they indicated that bats had not nested in the building, which would have delayed the restoration.

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, Birmingham, June 2025
Debris on the floor.

We explored the ground floor and then the first floor. Debris lay scattered on the floors, and shards of light pierced through cracks in the walls. Despite this, the building was remarkably dry and structurally intact. Small holes in the walls provided natural ventilation, allowing the building to dry out quickly after rain.

As we moved through the space, there were clear reminders of its previous uses as a cricket pavilion and a ranger’s office. These later modifications were visible on the interior walls. There were fittings for benches, and the windows had been fitted with modern locks and latches. Originally, the building had another floor, and the outlines of where it once stood could still be seen on the walls. Early records from the 1851 census report that up to 50 people once lived in and around the building when it stood in Deritend. This included the courtyard at the rear where there were 6 small (slum) dwellings

The Golden Lion, Hard Hat Tour, Birmingham Conservation Society, Canon Hill Park, Birmingham, June 2025
Going down the stairs

The visit was fascinating, and the history embedded in the walls came alive during our conversations. I am looking forward to seeing the Golden Lion restored and given a new lease of life. Thank you to the Birmingham Conservation Trust for organising the visit, and to Irene for being such an informative and enthusiastic guide. Finally a special thanks to Pat Rodwell for obtaining tickets.

There is a good article with arguably better pictures by Birmingham Live in 2024

If you are interested in exploring historical buildings around Birmingham which are a lot safer and accessible then I would recommend a visit to Selly Manor as my blog shows below.

The Epic Story of Graffiti, through the lens of Henry Chalfont, Rotunda Square Bullring, Birmingham, June 2025

This photography exhibition celebrated the work of Henry Chalfant Living in New York City in the early seventies and eighties. Chalfant befriended the newly emerging Graffiti artists who were painting the subway trains.  The city was run down and there was rampant crime and homelessness.  Businesses left the city leaving behing areas with problems of drugs and homelessness.  The subway system reflected this period of decay with fewer people willing to risk journeys due to crime and train breakdowns.  Young people started spray painting the trains in the depots.  This upset New Yorkers who did not like the tagging of the subway trains as to them it epitomised the depth of decay.  

The picture shows several boards with the subway trains meticulously photographed in their number order.
The Exhibition Entrance featured the photography of Henry Chalfont.

I remember visiting Manhattan in 1980 and 1988.  There were still no-go areas such as the area around Alphabet City and I visited St Patrick’s cathedral the day after a killing in the church. But I do remember the exciting and energetic Greenwich Village gay parade that took place during my visit in 1988.  There was a feeling of new life and the city was regenerating and rediscovering itself. 

The picture shows several boards with the subway trains meticulously photographed in their number order.
The details of the subway carriages. Many of these designs are gone but recorded as pictures.

Roll forward 40 plus years and the young spray painters are now world-renowned artists.  The exciting music scene of Hip Hop sprung out from this period.  

The picture shows several boards with the subway trains meticulously photographed in their number order.
The set out and curation of the pictures was cleverly done.

The Epic Story of Graffiti was held in one of the empty department stores in the Bullring.  This was brought to Birmingham by Birmingham Hippodrome and Soul City Arts. On opening night, this colourful exhibition brought Chalfont to Birmingham and the pictorial history of graffiti and hip hop was celebrated.  The exhibition was curated by one of our very own street artists, Muhammed Ali Aerosol.  I visited on a quiet mid-week morning and had the place to myself.  A visually striking display of countless trains tagged with graffiti was on a long display board.  I found it fascinating looking at all the artistic designs sprayed on the trains.  Chalfont had paid attention to  small details such as lining up all the trains in numerical order.  

The picture shows several boards with the subway trains meticulously photographed in their number order.
Watching the video on Hip Hop.

There were pictures of the young artists and moving displays that made you feel as if you were in an underground station.  I sat and watched a video about hip hop and interviews with the young New Yorkers excitedly telling the interviewer about their life.  I also enjoyed reading the quotes that were placed around the exhibition.

The Epic Story of Graffiti, through the lens of Henry Chalfont, Rotunda Square Bullring, Birmingham, June 2025
Ready for Hip Hop
The Epic Story of Graffiti, through the lens of Henry Chalfont, Rotunda Square Bullring, Birmingham, June 2025
This quote is so true.

I had spent time before the exhibition opened photographing the Graffiti in Digbeth so I was in the right space to appreciate the brilliant photography of Henry Chalfont and what the exhibition had to offer. There is a further in depth review by BBC Birmingham.

Finally a nostalgic view of the streets of NYC from 1980 when I visited as I student.

The Epic Story of Graffiti, through the lens of Henry Chalfont, Rotunda Square Bullring, Birmingham, June 2025
Streets of NYC, August 1980.

I love to photography Graffiti and Digbeth offers the best of the street art in the City. Here is one of my blogs on Digbeth.

Birmingham BnW, May 2025

I took a walk from Snow Hill train station up towards Edgbaston village where I had a meeting. This is a collection of 10 images in black and white from my walk. All taken with my Fujifilm x100vi and converted to monochrome.

Enjoyed this, then read some more about Birmingham in Black and White.

Street Photography in Digbeth, April 2025

I am always on the lookout for new street art in Digbeth and on social media I learnt that there was new artwork by Fokawolf under one of the railway arches. Another popular street artist, Gent48 frequently puts out vibrant murals and his new artwork was mentioned in recent instagram posts. My third reason for a visit was to take a look at the Colour Palette of Digbeth by Stacey Barnfield.  This made it the perfect time for one of my regular visits to Digbeth, giving me the chance to refine my street photography techniques. I have experimented with different ways of capturing people, and a recent visit to London had proved quite successful. Now it was time to see whether the streets of Digbeth would be just as receptive.

Street Photography in Digbeth, April 2025
Story by the arches.

The railway arches are a defining feature of Digbeth and often make a strong impression in photographing the area. I took the opportunity to capture the stories that unfolded beneath them. My Fujifilm X100VI was set up with back-button focusing, and as the sun was shining, I attached my Urth polarising filter to cut down on glare. The resulting images tell distinct stories, and I was pleased with how they turned out.

Street Photography in Digbeth, April 2025
Twist again and again.

When searching for street photography opportunities, the combination of artwork and typography is incredibly helpful. Timing is everything. I try to blend into the background. Focusing away from the subject while drawing them into the story is often a delicate balancing act.

Street Photography in Digbeth, April 2025
Let us sort the city out.
Street Photography in Digbeth, April 2025
Red Brick Market soaking up the sun.
Street Photography in Digbeth, April 2025
The colours of Gent48

Eventually, I found the Fokawolf piece—a large printout of the Chuckle Brothers pasted under the arches on Heath Mill Lane. Although I took many shots of people passing by the artwork, I was not satisfied with the initial results. Then I noticed someone approaching down the road. I waited in position. This is a useful technique: appearing to photograph the artwork and then capturing the subject as they enter the frame. I pretend I am still waiting for the right moment, even though I have already taken the shot. This approach only works in certain situations, but when it does, it can be very effective.

Street Photography in Digbeth, April 2025
The chuckle brothers by Fokawolf.

I also took some close-ups and other images of the surrounding streets. Digbeth naturally lends itself to photography. The colours of the street art are vibrant, and the architectural features add depth and texture. Messages on the walls and passing people add narrative and character to the photographs.

Street Photography in Digbeth, April 2025
The colour palette of Digbeth.
Street Photography in Digbeth, April 2025
Close ups of Digbeth.
https://thecolourpalettecompany.com/blogs/the-colour-palette-company/the-digbeth-colour-palette-a-super-sized-celebration-of-birmingham-s-creative-heart
The dentist in me appreciated this close up
Street Photography in Digbeth, April 2025
The green heart of Digbeth

Enjoy my latest venture into Digbeth, and there are more adventures and photography in Digbeth in my blog.

Blossom, Oozell's Square, March, 2025

Every year, Blue Square blossoms into a wonderland. The cherry trees wake up from the long winter months, and the blossoms that appear are captivating, making the square look beautiful. The trees are arranged in front of the Icon Gallery, where the warm brick contrasts with the soft cream colour of the blossoms.

Blossom, Oozell's Square, March, 2025
People flock to the square to take pictures of the blossom.

Many people converge on the square, with celebrations ranging from Eastern European dance performances to Asian cultural gatherings. The arrival of the blossoms draws in people from all over Birmingham. Capturing a unique picture of the square has now become a challenge, as so many photographers have documented it over the years—some even choose to stay away, feeling they have seen it all.

Blossom, Oozell's Square, March, 2025
The view from the IKON and the bench under the blossom.

However, I still enjoy visiting the square and taking pictures whenever I have the opportunity. These are the results of my yearly visits since the start of my blog, and it is fascinating to compare the images over time.

Blossom, Oozell's Square, March, 2025
The IKON gallery with reflections in the nearby restaurant windows.

This is an account of last year’s blossoms in the square.

Digbeth Community Garden, Birmingham, March 2025

While organising a walk for the photographic group Negative Space, we explored Digbeth using the canals as our guide. After lunch, we headed back into town, walking via Shaw’s Passage. I was pleasantly surprised to find the community garden open, so as a group, we went in.

Digbeth Community Garden, Birmingham, March 2025
The entrance to the community garden

The garden is a small green space situated close to the HS2 works. In fact, the HS2 project is not particularly welcomed here, as one of my pictures shows. The walls of the garden are adorned with street murals several of which I have always wanted to see.  Such colourful images add to the space’s character. A path around the perimeter leads to the back walls, where I met one of the volunteers, who was dressed as a bumblebee. (I have forgotten his name, though I believe it began with an H.) His striking yellow-and-black costume stood out, and he was more than happy to have his photograph taken.

Digbeth Community Garden, Birmingham, March 2025
Street art and bath tubs
Digbeth Community Garden, Birmingham, March 2025
A resident bee keeper
Digbeth Community Garden, Birmingham, March 2025
HS2 is not welcome here
Digbeth Community Garden, Birmingham, March 2025
Art on the walls

Compost was the main topic of conversation that day. A few members of Negative Space were particularly enthusiastic about learning how the volunteers in the garden produce and distribute the compost. As it was early March, spring was only just beginning to emerge, so much of the garden’s work was focused on preparation. At the heart of the space is a beehive, though activity there was also just beginning.

Digbeth Community Garden, Birmingham, March 2025
Discussing the merits of compost.
Digbeth Community Garden, Birmingham, March 2025
Watering can at the ready.
Digbeth Community Garden, Birmingham, March 2025
Bee hive and flags

My aim is to return in the summer when the garden will be in full bloom and compare my photos from then to now. In the meantime, I hope you enjoy my record of this visit.

Digbeth Community Garden, Birmingham, March 2025
An overview of the garden.

If you wish to know more about the Digbeth Community Garden then there is a website with further information.

There are other community gardens around Birmingham and I discovered a few on my journey with my Key to the City (links below).

16 Acre Wood, Berkswell, HS2, February, 2025

I encouraged my daughter and grandson to join me on a walk to see the HS2 works next to 16 Acre Wood. It’s now 2025, and it’s time for an update on my visits to the site. These visits began in 2021, and I’ve kept a diary documenting all the changes that have taken place over the years.

16 Acre Wood, Berkswell, HS2, February, 2025
Over the hill and far away
16 Acre Wood, Berkswell, HS2, February, 2025
HS2 signs
16 Acre Wood, Berkswell, HS2, February, 2025
New bridges on the line.
16 Acre Wood, Berkswell, HS2, February, 2025
Concrete structures.
16 Acre Wood, Berkswell, HS2, February, 2025
Heavy machinery.
16 Acre Wood, Berkswell, HS2, February, 2025
The gate

We’ve had a lot of rain recently, and the walk reflected this as the footpath became quite muddy. When we reached the area, the first thing I noticed was the progress made with two bridges. A lot of concrete had been poured, resulting in two large structures. The special pond had also received some attention. The overgrown foliage had been cut back, and we were now able to see the water and grass more clearly. No trees have been planted around the pond yet, so it will be interesting to see how it fares over the coming summer.

16 Acre Wood, Berkswell, HS2, February, 2025
Lots of numbers
16 Acre Wood, Berkswell, HS2, February, 2025
The new pond.
16 Acre Wood, Berkswell, HS2, February, 2025
The pond is still looking on.
16 Acre Wood, Berkswell, HS2, February, 2025
Nature is always near.
16 Acre Wood, Berkswell, HS2, February, 2025
The wood is a lot thinner.

Walking around the site on the weekend meant there were no concerns about taking photographs, which was a nice bonus. However, it was a long walk which Noah was not so happy about!

16 Acre Wood, Berkswell, HS2, February, 2025
Walking along the footpath.

This is an update on a continuing story on 16 Acre Wood and the intrusion of HS2. Feel free to read the my other entries starting with the one highlighted below.