The day was black and white, and the Birmingham weather matched the mood. A dull sky hung overhead as mist rolled in, partially obscuring several buildings along the way.
The area of my journey at Snow Hill StationThe tree branches out and covers the tower blocks
Walking beside the Birmingham Canal Navigations, the mist created a stark, atmospheric view of the city. I found the conditions ideal for photography, with a strong black and white theme naturally emerging in my images.
Pointing the way to what is happening in Birmingham.A close up of the moss on the brickwork around the canal
I was using what I like to call my big camera, a Canon R6 Mark II. Paired with a fast zoom lens, it’s a setup I’m comfortable with, although it’s not something you can slip into a coat pocket like a compact camera. Because of that, I was careful not to keep the camera out from under my coat for long periods.
I saw this person with a white coat and she lined up perfectly with the surround viewsA classic view of the Gas Street Basin
During those brief moments when I did take it out, I looked for both unusual and familiar views of the canals focussing on the black and white. The walk from Snow Hill to Gas Street Basin was an enjoyable one, and the photographs reflect that journey through Birmingham in misty, monochrome conditions.
A cyclist goes past at speed just off Water Street.
January offers many advantages when photographing Digbeth. The sunset lines up along many of the streets, including Floodgate Street. The main thoroughfares through the area have lights strung across the sides of buildings. The combination of the yellow lights and the blue-hour skies makes for a pleasing picture. My blog has photography of my visit last year.
Blue Hour in Digbeth: Winter Street Photography at Sunset
When I arrived in Digbeth, I was despondent, as there were roadworks under the railway arches and traffic light controls were in place. This was going to spoil the aesthetics of my pictures. I walked around the familiar sights along Gibb Street and Floodgate street. I took photographs of the murals and other interesting features. I like the satirical messages from Fokawolf and his posters were in the garden of the Old Crown. There is so much to see in Digbeth.
One way directions along Gibb Street.The artist Fokwolf and his poster on culture wash.
As the sunset began, there were some colours in the sky, which helped create a suitable backdrop. The light faded further, and the yellow lights above became more prominent. The blue hour was well underway, and the bright lights shone strongly overhead. I found that the roadworks had turned to my advantage. The traffic lights made the cars slow down and stop. The green, red and yellow lights added colour to the scene.
The cars go slow for the roadworks in Floodgate Street
Young people had finished at the local colleges for the day and added their silhouettes to the street scenes as they blocked the bright lights from the cars. Some of the street art appeared to come alive, as the silvers and yellows jumped out when stray light caught the paint.
Silhouettes on Floodgate Street.The long walk along Gibb Street.
There is a classic puddle that is ever-present at the end of Gibb Street. I am aware that the area has a high water table, but this may simply be a blocked drain. I enjoy seeing this puddle, as I like photographing reflections. Using the reflections, I captured several images that were different from those I had taken before. I was able to catch more of the Digbeth lights.
Blue Hour reflections in the puddles of Gibb Street.On the way home
I returned to Floodgate Street and captured the lights, people, and buildings against the blue-hour sky. Pleased with the results, I walked back towards Moor Street. On the way, I noticed the bus station fully lit and, of course, took a few photographs of the scene. As I reflected on the train, photography in Digbeth always delivers.
Waiting for the bus at the bus station.
Digbeth features a lot in my blog over the years and here are some links to get you up to speed with the area.
Marcin SZ has been leading Birmingham photowalks since 2020. An accomplished photographer, he shares his work on Instagram under Birmingham_Photography, capturing the city during the golden and blue hours in vibrant colour and bold black and white.
Marcin our host for the Birmingham photowalk
As part of my New Year’s resolution to explore new photographic opportunities, I joined one of Marcin’s photowalks. We met outside the Library of Birmingham, where a small group of photographers gathered before heading out to explore the city.
Dancers gather outside the windows of the Library to practice their routines. This causes bemusement to people passing by.A street cleaner creates a striking silhouette in the light.The brand new Octagon building towers over the former four-star Copthorne Hotel now scheduled for demolition.
Despite the cold winter weather, Centenary Square was full of activity. The low afternoon sun reflected off the Library’s glass façade, creating long shadows and strong contrast—ideal conditions for street photography in Birmingham.
Whilst the walkways between buildings are wide, they are made to look narrow by the height of the buildings.Two figures move along the walkway between buildings.The Town Hall is partly revealed by the available light.Major Birmingham landmarks take their turn in catching the light.
Our Birmingham photowalk took us through Chamberlain Square and past the Town Hall, where Marcin encouraged us to look for architectural details and light patterns often overlooked. Hill Street, bathed in winter light, offered compositions reminiscent of New York. Along the way, spontaneous moments appeared, including a group of cyclists performing wheelies near Brunel Street.
Hill street has those New York vibes about it especially with the low level sun.This picture is to remind me that sometimes the best pictures arise when you least expect them.This cyclist was performing a wheelie on his bicycle as he ride down Brunel Street.
We continued towards the Mailbox and the Cube, where intense horizontal light produced striking graphic shadows. After photographing the frozen waters of Gas Street Basin, Marcin invited us to his studio on the 10th floor of Quayside Tower. From there, we enjoyed panoramic views across Birmingham as the setting sun filled the sky with warm tones and soft pink clouds.
Overlooking the towpath from the Cube bridge. Long shadows in the setting sun start to look atmospheric.The surface of the water in Gas Street Basin has frozen leaving consumer debris on the ice.Golden hour over the City generates vibrant colours.
Birmingham Photowalk reflections
I highly recommend joining such a Birminghamphotowalk with Marcin SZ. He is genuinely passionate about photography and has a natural ability to guide people towards compelling scenes. The atmosphere is relaxed, welcoming, and suitable for all experience levels. It was a memorable afternoon, made even better by beautiful winter light and inspiring company.
If you enjoyed this account of a Birmingham photowalk then here are some links to previous walks done in Manchester and London.
Every year, the Birmingham Christmas markets take over the city centre. Visitors come to enjoy festive food, warming drinks, and the lively atmosphere created by the stalls. While prices can be high, knowing what to expect makes the experience enjoyable, although deep pockets do help.
The classic decorations along Birmingham New Street.there are many stalls selling Christmas gifts.Buying that expensive food and drink. Prices on display.Walking along New Street.I captured the conductor on the tram. who seems to be singing a Black Sabbath song for Christmas.
Cathedral Square and Colmore Row
The Cathedral Market is my preferred part of the Birmingham Christmas markets. It is better organised than along New Street and uses the footpaths around St Philip’s Cathedral, which makes it easier to walk around. The food stalls here are linked to the Colmore Row business district, giving this area a calmer and more relaxed feel. This year, Asha’s has a stall in the square, and the food is excellent. Another popular stop is the pop-up pub Pigeon in the Park, which is always busy and adds to the festive spirit.
I visited Cathedral Square during the day and sampled some fine street food.
Lights, Rides, and Winter Attractions
As the nights grow darker, the Christmas lights across the city shine even brighter. They look especially impressive around Victoria Square and Chamberlain Square, where the decorations draw large crowds.
Victoria Square looking festive.Ho, Ho, Ho!Lots of Choice to be had.
Over in Centenary Square, the big wheel dominates the skyline. Nearby, the Magic Mouse rollercoaster is entertaining to watch, although riding it may not be for everyone. The illuminate ride makes a great subject for photographs. The ice-skating rink is also packed most evenings, proving how popular these winter attractions are.
The big wheel.Mesmorising colours on the Wild Mouse rollercoaster.
Why the Birmingham Christmas Markets Still Work
Every year, I take time to wander around the Birmingham Christmas markets and the city itself, and I never tire of it. Although I often hear critical comments about Christmas in Birmingham, the crowds tell a different story. People clearly enjoy the atmosphere and the chance to celebrate the season together.
Below are a few photos of the markets and decorations. They are very different from the lights of London and show that Birmingham does Christmas in its own distinctive way.
Waiting for the punters.
Links
More Christmas links with London. There is also a blog describing the Birmingham market in 2023.
There is one certainty in Birmingham: Digbeth always changes. For anyone interested in Digbeth photography, this makes the area endlessly fascinating. New buildings appear, artwork evolves, and the streets never look the same from one visit to the next.
New Buildings Transforming Digbeth
One of the most noticeable recent developments is the new block of flats being built opposite the Custard Factory. The building stands on the former site of the old Peugeot Garage and Irish Centre. From a photography point of view, this construction is already changing sightlines and creating new contrasts between old and new Digbeth. We wait and see if these contrasts are really beneficial to the area.
Cranes overlook Digbeth
As more people live closer to the city centre, Digbeth continues to evolve into a place where work, culture, and residential life sit side by side.
Digbeth adds extra colour to where we live. @MrPenfold
Street Art Through a Photographer’s Lens
For Digbeth photography, the street art is a major draw. New shops and restaurants continue to open, while the artwork on the walls constantly changes. Because there are only a limited number of spaces, older murals are often painted over to make way for new designs. Some murals stay the same.
Fresh graffiti now sits alongside long-standing pieces. In some areas, heavy tagging covers earlier murals in a more random style. Even so, bold colours and striking shapes continue to dominate, making Digbeth a living canvas for urban photography.
Love this artwork from @miscfitFigure in the Archway.Arch reflections (artists unknown)
Photographing a Changing District
This post is a roundup of some of the new scenes and artwork I’ve photographed recently. Wherever possible, I’ve credited the artists. If any credits are missing, please leave a comment and I’ll update the post.
The yellow door (artwork @phithblake and @Fum.ArmadaBike lineup (artist unknown)Blue mural on the walls of the Red Brick Market (artist unknown)
I’ll be back in the new year to focus once again on Digbeth photography during the blue hour, which is one of my favourite times to capture the light and shadows in this changing part of Birmingham. One thing remains true — Digbeth always changes.
Why am I so fascinated with Spaghetti Junction? Perhaps it’s the way the urban landscape blends nature with man-made geometry, or the history embedded within the structure. In an alternative life, I imagine myself travelling the motorway system, passing along the M6 and then indicating to join the Aston Expressway into Birmingham. Yet during such journeys in the car, I rarely think about what lies beneath these roads.
The look of an unfinished cathedral within Salford Circus.Movement in the underpass.
Under the concrete pillars that support the motorway network, the space resembles an incomplete cathedral, a place to worship the industry of construction workers, accompanied by the hymns of thundering traffic overhead. Cars and lorries make their presence known through constant noise and vibration. In contrast, the quiet canal network predates the junction. Around the concrete pillars, flows the River Tame and the still waters of Salford Reservoir reflect the motorway traffic. A train line also cuts through the area, all converging at what we know as Spaghetti Junction, or more formally the Gravelly Hill Interchange. The regimented concrete pillars and the patterns created by the elevated roads provide endless photographic opportunities. Inspiration is everywhere.
Waiting for the World Cup draw. So that is where the channel changer is.Careful where you tred.Cycling along the arches.Watch out for the cyclists as they speed along the towpaths.
Back in July, I visited Spaghetti Junction with a group of photographers. One of the highlights of any trip beneath the M6 is the artwork of Bill Drummond. Formerly of the KLF and now a recognised artist, Drummond has been regularly posting his work on a particular wall near the heart of the junction. I was surprised to find the artwork wall completely white. In the photo I took, one of the few pedestrians we encountered beneath Spaghetti Junction walks past the empty space. Although I was disappointed not to capture any of Drummond’s artwork, I’m intrigued to see what reappears here in the coming weeks.
Surveying a white wall at the iconic graffiti site under the M6.
This Spaghetti visit started with a request from a fellow photographer Nicky who knew a photographer friend who had never been to the area before. I agreed to be involved in planning such a walk and enjoyed visiting the place again. John Waine was the visiting photographer and his work is outstanding. Follow the link to see more of his work. If anyone who reads this blog and wishes to visit what lies beneath the motorway then please contact me. Depending on timing and commitments, I will be happy to show them around.
Construction workers on a break.Abandoned trailer.Best seat in the Junction.This has to be posted as it is one of the classic views of the walk along the canal underneath the Junction.
Finally here is an account my last visit under the Interchange and the blog includes links of previous visits.
Balsall Heath is an absorbing place to photograph. As part of the Balsall Heath Observation Project, I have connected with many local groups. Several individuals have kindly taken the time to walk with me around the streets of Balsall Heath and share their memories—both past and present—of the area. During these photowalks, I have photographed the surroundings and recorded their stories. I have also spoken with many residents to learn about daily life, how the community works together, and the ways people support one another.
The mobile citizen Advice Logo
One of the charities that has welcomed me and offered an opportunity to see their work is the MECC on Court Road. The MECC charity supports the local community by offering advice and information on a wide range of topics, including employment opportunities, education, and training. The Trust also provides access to household support funds that help vulnerable Birmingham households with essential living costs. Their website offers further details, where you can learn more about the valuable contribution they make to the Balsall Heath community.
Discussing the merits of the MECC
One activity that particularly interested me was the MECC bus. This “energy” bus serves as a mobile base that provides advice and information to the local community. At the invitation of Tony Fox, a volunteer with the Trust, I went to see the bus for myself. The blue MECC bus was parked in Cannon Hill Park near the gates leading to Cannon Hill Road. There I met Tony and Bashir, who were running the information centre for the day. The weather was bright and sunny, and many people stopped to speak with them as they passed by. Several members of the public showed interest, and Tony and Bashir were more than happy to engage, explain their work, and share information leaflets.
Tony displays the MECC uniform.
I found that we had a great deal in common, and I really enjoyed my time learning about their work. My photographs show the bus along with Tony and Bashir. The MECC charity has many aims, and if you would like to learn more, please visit their website: https://www.mecctrust.co.uk.
Advice sheets.MECC-Zero
If you happen to see the MECC bus on your travels especially when it is in Canon Hill Park then please give Tony and Bashir a shout out. Their work is improving the wellbeing of the community.
The sun shines on the MECC bus.
Balsall Heath Observation Project
This blog is part of my documentary project taking place in Balsall Heath. The project is a continuation of similar work completed in Stirchley, where over several weeks in 2024 we interacted with members of the local community. The Stirchley Observation Project was very successful, and I subsequently enrolled with the same group of photographers for the Balsall Heath Observation Project. We meet at the Old Print Works on Saturdays for formal lectures and project feedback. Each of us is undertaking a different project around Balsall Heath, an area of Birmingham rich in community activity and spirit. The project is part of the PRISM photography network.
I had been feeling a little jaded and in need of some new inspiration for my photography. To spark a fresh way of seeing, I decided to give myself a challenge: to photograph the Library of Birmingham without showing any books. It sounded simple, but it pushed me to look at the building differently and find views that have not already been captured a thousand times.
Looking up at the patterns in the skylights.
The Library of Birmingham never fails to surprise me. Its striking architecture, spacious interiors, futuristic escalators and sweeping balconies all have a story to tell. Although it is, of course, a library filled with books, I wanted to focus on its atmosphere and design rather than what sits on the shelves.
The sharp angles against the cloud filled sky.
Autumn had arrived and the leaves on the trees were a deep contrasting red colour. The outside gardens are a peaceful place to visit. Visitors to the library enjoy finding quiet spots to reflect and relax from the busy City below.
The colours of Autumn against the backdrop of the library.Finding a quiet place to reflect and take time out.
For this project, I used three cameras: my Canon 5D Mark IV, my Fujifilm X100VI, and my iPhone. Each one encouraged a different way of seeing. The Canon, with its wide-angle lens, delivered crisp and detailed shots. The Fujifilm, which has a fixed 50 mm lens, performed beautifully in the softer light but required a slower, more considered approach. The iPhone proved surprisingly powerful when capturing reflections, as its lens can be placed right up against a surface to create playful and unexpected effects.
A place to meet and look out over the square below.
This collection of photographs shares what I discovered on that visit. It is my attempt to show the Library of Birmingham from a new angle and to remind myself that inspiration often appears when you look at familiar places in unfamiliar ways.
An example of the futuristic design of the interior.A reflective window to the outside world.Colour contrasts on the balcony.
This is not the first time that I have photographed the library and you may well enjoy this earlier account. Be warned a few library books creep into the pictures.
St Alban the Martyr Church is situated in Highgate, Birmingham. To get there, I took the No. 35 bus and then walked up the hill towards the church. Birmingham Heritage Week is a highlight of September, offering Birmingham residents the chance to visit places that are normally closed to the public or venues that many may not have considered visiting. The Church of St Alban the Martyr falls into the latter category. Anyone travelling into Birmingham will likely have seen its bell tower, which commands an impressive presence on the approach to the city.
Looking upwards at the amazing ceiling details.The front row of chairs in the sunlight.The gothic inspired interior of St Alban the Martyr.The sun streaming into the Church.
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The crucifixion with the vault in the background.St Patrick’s side chapel with the Bunce Altar.
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This church had been on my list to visit as part of Birmingham Heritage Week. The doors opened for the event, and I visited on a sunny Friday afternoon. On entering, one cannot fail to be struck by the interior architecture. The high stone-vaulted ceiling was designed by J. L. Pearson, a leading 19th-century Gothic architect who also designed Truro Cathedral. Tall stone pillars rise to support the vault, creating a repeating symmetrical pattern. The ceiling is just one of the many highlights of a church rich in treasures. Even the arrangement of chairs echoes the symmetry above, reinforcing the beauty of the space. I was the only visitor at the time, free to savour the majesty of this Gothic design and to take uninterrupted photographs. The play of light through the windows and the soaring ceiling were especially captivating. Adding to the atmosphere, the church was filled with uplifting music. The organist, David Briggs, was once the organist at the church, and now, lives in New York, where he is Artist in Residence at the Cathedral of St John the Divine. He had just dropped in to practise on the church organ, on his way to Germany to give a recital. I was so fortunate to hear him play whilst I was taking photographs of the church.
A view of the organ being played by David Briggs.
One of the highlights is St Patrick’s Chapel. The altar is striking, and the surrounding artwork is outstanding. Sisters Kate and Myra Bunce, associated with the Arts and Crafts movement at the turn of the 20th century, created the Bunce Altarpiece (or Reredos) that dominates the chapel. The artwork, painted by Kate Bunce, takes the form of a triptych depicting Christ, angels, and the Virgin Mary. The beaten copper frame was designed and made by Myra Bunce. I found myself drawn to this historic piece, which is now a treasured part of St Alban the Martyr Church.
The Bunce Art and Craft displayed on the alter in St Patrick’s chapel.
The church community was warm and welcoming. Teas and coffees were served, questions were readily answered, and photography was encouraged. St Alban’s contribution to Birmingham Heritage Week is both valuable and memorable: rich with community history and enhanced by its remarkable architecture and artwork. This should be high on everyone’s list to visit during the Heritage week.
The Church and Bell Tower.
Details
The following are a selection of details that I photographed from around the church. I hope, like me, you find them interesting.
Church bannersMadona and Child.Painting and candle holder.A cherub.The beautiful lectern in the form of an eagle.Postcards for sale.Looking upwards to the stained glass windows.
This is one of several churches that I have visited during the Birmingham Heritage Open Week. I include my visit to the Serbian Church of the Holy Prince Lazer for your interest. I also include a link to Birmingham Heritage Week 2025.
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