Spaghetti Junction, Gravelly Hill Interchange, November 2025

Why am I so fascinated with Spaghetti Junction? Perhaps it’s the way the urban landscape blends nature with man-made geometry, or the history embedded within the structure. In an alternative life, I imagine myself travelling the motorway system, passing along the M6 and then indicating to join the Aston Expressway into Birmingham. Yet during such journeys in the car, I rarely think about what lies beneath these roads.

Spaghetti Junction, Gravelly Hill  Interchange, November 2025
The look of an unfinished cathedral within Salford Circus.
Spaghetti Junction, Gravelly Hill Interchange, November 2025
Movement in the underpass.

Under the concrete pillars that support the motorway network, the space resembles an incomplete cathedral, a place to worship the industry of construction workers, accompanied by the hymns of thundering traffic overhead. Cars and lorries make their presence known through constant noise and vibration. In contrast, the quiet canal network predates the junction. Around the concrete pillars, flows the River Tame and the still waters of Salford Reservoir reflect the motorway traffic. A train line also cuts through the area, all converging at what we know as Spaghetti Junction, or more formally the Gravelly Hill Interchange. The regimented concrete pillars and the patterns created by the elevated roads provide endless photographic opportunities. Inspiration is everywhere.

Spaghetti Junction, Gravelly Hill  Interchange, November 2025
Waiting for the World Cup draw.
Spaghetti Junction, Gravelly Hill  Interchange, November 2025
So that is where the channel changer is.
Spaghetti Junction, Gravelly Hill  Interchange, November 2025
Careful where you tred.
Spaghetti Junction, Gravelly Hill Interchange, November 2025
Cycling along the arches.
Spaghetti Junction, Gravelly Hill Interchange, November 2025
Watch out for the cyclists as they speed along the towpaths.

Back in July, I visited Spaghetti Junction with a group of photographers. One of the highlights of any trip beneath the M6 is the artwork of Bill Drummond. Formerly of the KLF and now a recognised artist, Drummond has been regularly posting his work on a particular wall near the heart of the junction. I was surprised to find the artwork wall completely white. In the photo I took, one of the few pedestrians we encountered beneath Spaghetti Junction walks past the empty space. Although I was disappointed not to capture any of Drummond’s artwork, I’m intrigued to see what reappears here in the coming weeks.

Spaghetti Junction, Gravelly Hill  Interchange, November 2025
Surveying a white wall at the iconic graffiti site under the M6.

This Spaghetti visit started with a request from a fellow photographer Nicky who knew a photographer friend who had never been to the area before. I agreed to be involved in planning such a walk and enjoyed visiting the place again. John Waine was the visiting photographer and his work is outstanding. Follow the link to see more of his work. If anyone who reads this blog and wishes to visit what lies beneath the motorway then please contact me. Depending on timing and commitments, I will be happy to show them around.

Spaghetti Junction, Gravelly Hill Interchange, November 2025
Construction workers on a break.
Spaghetti Junction, Gravelly Hill Interchange, November 2025
Abandoned trailer.
Spaghetti Junction, Gravelly Hill Interchange, November 2025
Best seat in the Junction.
https://damienwalmsley.com/spaghetti-junction-stories-a-photo-essay/
This has to be posted as it is one of the classic views of the walk along the canal underneath the Junction.

Finally here is an account my last visit under the Interchange and the blog includes links of previous visits.

The Library of Birmingham, October 2025

I had been feeling a little jaded and in need of some new inspiration for my photography. To spark a fresh way of seeing, I decided to give myself a challenge: to photograph the Library of Birmingham without showing any books. It sounded simple, but it pushed me to look at the building differently and find views that have not already been captured a thousand times.

The Library of Birmingham, October 2025
Looking up at the patterns in the skylights.

The Library of Birmingham never fails to surprise me. Its striking architecture, spacious interiors, futuristic escalators and sweeping balconies all have a story to tell. Although it is, of course, a library filled with books, I wanted to focus on its atmosphere and design rather than what sits on the shelves.

The Library of Birmingham, October 2025
The sharp angles against the cloud filled sky.

Autumn had arrived and the leaves on the trees were a deep contrasting red colour. The outside gardens are a peaceful place to visit. Visitors to the library enjoy finding quiet spots to reflect and relax from the busy City below.

The Library of Birmingham, October 2025
The colours of Autumn against the backdrop of the library.
The Library of Birmingham, October 2025
Finding a quiet place to reflect and take time out.

For this project, I used three cameras: my Canon 5D Mark IV, my Fujifilm X100VI, and my iPhone. Each one encouraged a different way of seeing. The Canon, with its wide-angle lens, delivered crisp and detailed shots. The Fujifilm, which has a fixed 50 mm lens, performed beautifully in the softer light but required a slower, more considered approach. The iPhone proved surprisingly powerful when capturing reflections, as its lens can be placed right up against a surface to create playful and unexpected effects.

The Library of Birmingham, October 2025
A place to meet and look out over the square below.

This collection of photographs shares what I discovered on that visit. It is my attempt to show the Library of Birmingham from a new angle and to remind myself that inspiration often appears when you look at familiar places in unfamiliar ways.

The Library of Birmingham, October 2025
An example of the futuristic design of the interior.
The Library of Birmingham, October 2025
A reflective window to the outside world.
The Library of Birmingham, October 2025
Colour contrasts on the balcony.

This is not the first time that I have photographed the library and you may well enjoy this earlier account. Be warned a few library books creep into the pictures.

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