Balsall Heath. Birmingham, September, 2025

Balti Triangle, the Number 50 bus, Alcester Road, Ladypool Lane, Moseley Road Baths, and the Home Secretary, Shabana Mahmood. The diversity of Balsall Heath is renowned, which provides an insight into its character. The area does not stand still, with a rich history reflecting the growth and wealth of the city. Whilst Balsall Heath was initially an affluent area, over the years it has faced many difficulties with poor housing and social deprivation. The area is now undergoing a revival, and house prices are similar to those in other parts of the city. This brings its own share of challenges, as young people strive to set foot on the housing ladder.

Balsall Heath. Birmingham, September, 2025
Entering Balsall Heath on the No 50 bus as you pass over Belgrave Road.
Balsall Heath. Birmingham, September, 2025
Moseley Road swimming baths.

Last year, I became involved with the PRISM photographic network, who organised a photographic project around Stirchley. The Stirchley Observation Project proved to be a very successful venture where I met and interacted with a group of talented photographers. We took pictures, we discussed them, and then we exhibited our best work. Now, a year later, we are turning our attention to Balsall Heath.

Balsall Heath. Birmingham, September, 2025
Seven streets pocket park. One of the many green spaces in Balsall Heath.
Balsall Heath. Birmingham, September, 2025
One of 6 arches that pass under the railway line that runs through Balsall Heath. This one is on Runcorn Street near to Seven streets pocket park.

Before the course starts, I decided that I needed to have a brief walkabout the area to acquaint myself with the streets, the architecture, and the character of the neighbourhood. I have eaten many times in the Balti Triangle, and I have often driven down the Alcester Road towards Moseley. More recently, I have got to know the Old Print Works and attended photographic workshops there.

Balsall Heath. Birmingham, September, 2025
The street art reflects the politics of our time.
Balsall Heath. Birmingham, September, 2025
Tribute to Mohammad Ali underneath the Brighton Road railway bridge.

Taking the Number 50 bus from the town centre, I got off near the Castle and Falcon pub. I love cityscapes, and my eye was drawn to the railway arches that connect the west and east wards of Balsall Heath. During the day, the area is busy as traffic moves along the Alcester Road. Students travel to and from Joseph Chamberlain Sixth Form College, and the coffee shops are lively. Walk along the side streets, and you immediately notice how quiet it becomes. There is still activity in these secluded area, and the nature of the urban landscape throws up countless photographic views.

Balsall Heath. Birmingham, September, 2025
The houses along Mary Road contrast with the shiny new elevated buildings in the nearby city centre.
Balsall Heath. Birmingham, September, 2025
Ladypool Road seen on a quiet weekday morning.
Balsall Heath. Birmingham, September, 2025
Street scenes – Workin’ at the car wash.
Balsall Heath. Birmingham, September, 2025
Open all hours.
Balsall Heath. Birmingham, September, 2025
The value of education.

These photographs are a small selection of my observations from my walk around Balsall Heath. I am looking forward to the forthcoming project, and you can follow my adventures on my blog.

Balsall Heath. Birmingham, September, 2025
A luxury camper underneath the bridge.
Balsall Heath. Birmingham, September, 2025
The ongoing bin strike leads to piles of uncollected rubbish around Birmingham.
Balsall Heath. Birmingham, September, 2025
Changing places

.

Balsall Heath. Birmingham, September, 2025
Luxury seating is available on Alcester Road.

If you wish to learn more about our Stirchley Observation project, I wrote a short blog at the beginning and there will be more material being published from our work. I also provide an account of one of the courses on cyanotype that we undertook during the Stirchley course.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025

The Stirchley Observation Project exhibition took place at the Old Print Works in Balsall Heath. On the last day, Francesco Falciani had arranged for a cyanotype printing workshop led by Tracey Thorne to take place.  Tracey is a documentary photographer with a particular interest in the colonial links between Jamaica and Britain. Tracey’s enthusiasm for cyanotype printing shone through in her presentation. Her PowerPoint covered the history of cyanotype and highlighted the work of contemporary artists, including some fascinating examples of large-scale printing. She has woven cyanotype into her documentary practice, including her current project Intended for Jamaica, which she also spoke about.


Tracey demonstrated the cyanotype technique using dried flowers. Her website includes a detailed section on the cyanotype process, detailing the materials needed and where to find them. Tracey was generous with her time, answering questions and sharing prints of her own work.

Francesco then took over, having prepared laser-printed acetate negatives of selected photographs from the Stirchley Observation Project for each participant. For each of us he had chosen a photo.  Mine was a portrait that I had taken of Ben who worked behind the bar at the Glasshouse Brewery in Stirchley.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Francesco shows the technique with Tracey on the right looking on (Picture by Inderjit Dean)
Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
The cyanotype printing goes through several stages as shown.

Francesco explained the different types of paper we would use, all of which had been pre-coated and were ready to go. He had also brought his homemade ultraviolet light box. Each of us placed our previously prepared acetate negative onto a sheet of prepared paper, sandwiched between two clear plastic plates, clipped together temporarily with paperclips. We then exposed the image under the UV light for about 60 seconds, after which we rinsed the paper in clean tap water. Watching the deep blue tones gradually emerge was a highlight of the process.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Each of us took turns developing our picture. Here Dave and Nadia are working through the process.

Afterwards, we reviewed our prints and discussed the outcomes. Although the process seems deceptively simple at first, there is so much more involved—from preparing the digital image carefully in Photoshop, to choosing the correct exposure time, to selecting the right kind of paper. We had the chance to experiment with two paper types: a smooth cotton and a rougher variant. Paper selection merits further attention if you are to venture into cyanotype printing.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
The all important chemicals that require mixing together.
Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Group discussion on cyanotype printing.

We spent the rest of the afternoon printing and experimenting. As a workshop, it was first-class. We were lucky to benefit from Tracey’s insight into how cyanotype plays a role in her own photographic practice, and Francesco’s meticulous preparation gave us everything we needed to immerse ourselves in the technique. One of the participants, Dom, even experimented with layering his image with toy horses, which showed how creative the method can be.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
The outline of toy horses added a creative aspect to the process (Dominic Piras’s Cyanotype).

Here are more examples of the work from the participants.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Cyanotype printing by Nadia Malik
Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Work by Dave Fennel Wells
Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Work by Inderjit Deau put into the light box.

This course was part of the Strichley Observation Project organised by the PRISM Photographic Network. The course leaders were Tracey Thorne and Francesco Falciani. The participants on the course whose work is shown in this blog are Nadia Malik, Dave Fennel Wells, Dominic Piras, Inderjit Deau and Damien Walmsley.

If you want to learn more about these projects that join the PRISM mailing list or visit Tracey Thorne’s website.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
The entrance to the Darkroom facilities at the Old Print Works, Balsall Heath

Canon Hill Park, Birmingham, December, 2024

I have been involved with the Stirchley Observation Project over the last few months. I have not featured my experiences of the project on my blog, as I am waiting until the course is complete. We still have a portrait session and the all-important exhibition to look forward to, so these will form part of a later post. However, with the formal teaching now nearly finished, I found myself with a free Saturday morning. The photography group suggested a visit to the MAC (Midlands Arts Centre), followed by a stroll around Cannon Hill Park. Being near to where I used to work at Pebble Mill, I know the park well, particularly the Nature Centre entrance and, of course, the MAC.

Canon Hill Park, Birmingham, December, 2024
The MAC needs a lick of paint.
Canon Hill Park, Birmingham, December, 2024
The MAC

Three of us from the group were free, and we met for coffee early in the morning. Inderjit and Dave were already waiting and both were sporting stylish silver cameras for the photographic walkabout. The park was bustling with runners participating in the Park Run, but the area quieted down once the event finished. As we began our walk around the park, we enjoyed the peaceful atmosphere.

Canon Hill Park, Birmingham, December, 2024
Watching the world go by.

Cannon Hill Park offers several photographic highlights. One iconic spot is where seagulls line up along the railings, seemingly watching the world go by. Another notable feature is the Golden Lion, a historic pub relocated from Digbeth. Sadly, the building is in desperate need of restoration, but Historic England is overseeing efforts to preserve it, with work expected to begin soon.

Canon Hill Park, Birmingham, December, 2024
The scaffolding around the Golden Lion.

A more reflective part of the park is the memorial dedicated to the victims of the 2015 terrorist attack on a Tunisian beach. This quiet area is home to Infinite Wave, a fascinating metal sculpture designed by George King Architects. The structure features 31 tubes, each engraved with the name of one of the UK victims, brought together in a continuous loop. From a photographer’s perspective, the memorial is captivating, offering different viewpoints depending on where you stand.

Canon Hill Park, Birmingham, December, 2024
Detail of the 31 Steel loops with the names of those who lost their lives.
Canon Hill Park, Birmingham, December, 2024
Dave takes pictures inside the memorial.
Canon Hill Park, Birmingham, December, 2024
Whilst Inderjit surveys the outside.

Cannon Hill Park has many other areas of interest, each with its own story to tell. One such place is the Sons of Rest, a building I’ve often passed but never fully appreciated. Though it appears unused now, it was once a meeting spot where people gathered for social activities like board games and conversation. Another highlight is the Victorian bandstand, an ornate octagonal structure that serves as a focal point for park events, including the Park Run held earlier that morning.

Canon Hill Park, Birmingham, December, 2024
The Sons of Rest.
Canon Hill Park, Birmingham, December, 2024
The Victorian Bandstand.

I was also charmed by the Park Train station stop, a whimsical feature of the park.

Canon Hill Park, Birmingham, December, 2024
Train stop.

Our walk took us into the northwest section of the park, where remnants of a tropical garden remain. Unfortunately, the area needs care and attention. The historic greenhouse was dismantled in 2012 after falling into disrepair, and the council’s plan to maintain the space as a subtropical garden has not been entirely successful. The area now looks somewhat neglected, with graffiti-tagged walls adding to the sense of abandonment.

Canon Hill Park, Birmingham, December, 2024
The path that lies before us.
Canon Hill Park, Birmingham, December, 2024
Parts of of the supporting poles remain.
Canon Hill Park, Birmingham, December, 2024
The broken path in the subtropical garden area.
Canon Hill Park, Birmingham, December, 2024
Grafitti on the outside walls of a once tropical Glasshouse.

Further along, we came across a model of the Elan Valley Aqueduct, another interesting and quirky feature of the park. However the park does need some tender loving care and the following set of photographs show how the park is being run down.

Canon Hill Park, Birmingham, December, 2024
Keep together whatever happens.
Canon Hill Park, Birmingham, December, 2024
The rule of three.
Canon Hill Park, Birmingham, December, 2024
Recognition of former times.
Canon Hill Park, Birmingham, December, 2024
Warning sign.
Canon Hill Park, Birmingham, December, 2024
Free Advertising.
Canon Hill Park, Birmingham, December, 2024
More threesomes that need painting.

As we continued to explore, I was struck by the stillness of the park during late November and early December. With the vibrant summer crowds long gone, the park felt as though it were bedding down for the winter, waiting patiently for the warmth and liveliness of the summer months to return.

If you enjoyed this account of Birmingham then you may like to read about a visit to Edgbaston reservoir that was organised by my friends at IgersbirminghamUK.