I am always on the lookout for new street art in Digbeth and on social media I learnt that there was new artwork by Fokawolf under one of the railway arches. Another popular street artist, Gent48 frequently puts out vibrant murals and his new artwork was mentioned in recent instagram posts. My third reason for a visit was to take a look at the Colour Palette of Digbeth by Stacey Barnfield. This made it the perfect time for one of my regular visits to Digbeth, giving me the chance to refine my street photography techniques. I have experimented with different ways of capturing people, and a recent visit to London had proved quite successful. Now it was time to see whether the streets of Digbeth would be just as receptive.
Story by the arches.
The railway arches are a defining feature of Digbeth and often make a strong impression in photographing the area. I took the opportunity to capture the stories that unfolded beneath them. My Fujifilm X100VI was set up with back-button focusing, and as the sun was shining, I attached my Urth polarising filter to cut down on glare. The resulting images tell distinct stories, and I was pleased with how they turned out.
Twist again and again.
When searching for street photography opportunities, the combination of artwork and typography is incredibly helpful. Timing is everything. I try to blend into the background. Focusing away from the subject while drawing them into the story is often a delicate balancing act.
Let us sort the city out.Red Brick Market soaking up the sun.The colours of Gent48
Eventually, I found the Fokawolf piece—a large printout of the Chuckle Brothers pasted under the arches on Heath Mill Lane. Although I took many shots of people passing by the artwork, I was not satisfied with the initial results. Then I noticed someone approaching down the road. I waited in position. This is a useful technique: appearing to photograph the artwork and then capturing the subject as they enter the frame. I pretend I am still waiting for the right moment, even though I have already taken the shot. This approach only works in certain situations, but when it does, it can be very effective.
The chuckle brothers by Fokawolf.
I also took some close-ups and other images of the surrounding streets. Digbeth naturally lends itself to photography. The colours of the street art are vibrant, and the architectural features add depth and texture. Messages on the walls and passing people add narrative and character to the photographs.
The colour palette of Digbeth.Close ups of Digbeth.The dentist in me appreciated this close upThe green heart of Digbeth
Enjoy my latest venture into Digbeth, and there are more adventures and photography in Digbeth in my blog.
While organising a walk for the photographic group Negative Space, we explored Digbeth using the canals as our guide. After lunch, we headed back into town, walking via Shaw’s Passage. I was pleasantly surprised to find the community garden open, so as a group, we went in.
The entrance to the community garden
The garden is a small green space situated close to the HS2 works. In fact, the HS2 project is not particularly welcomed here, as one of my pictures shows. The walls of the garden are adorned with street murals several of which I have always wanted to see. Such colourful images add to the space’s character. A path around the perimeter leads to the back walls, where I met one of the volunteers, who was dressed as a bumblebee. (I have forgotten his name, though I believe it began with an H.) His striking yellow-and-black costume stood out, and he was more than happy to have his photograph taken.
Street art and bath tubsA resident bee keeperHS2 is not welcome hereArt on the walls
Compost was the main topic of conversation that day. A few members of Negative Space were particularly enthusiastic about learning how the volunteers in the garden produce and distribute the compost. As it was early March, spring was only just beginning to emerge, so much of the garden’s work was focused on preparation. At the heart of the space is a beehive, though activity there was also just beginning.
Discussing the merits of compost.Watering can at the ready.Bee hive and flags
My aim is to return in the summer when the garden will be in full bloom and compare my photos from then to now. In the meantime, I hope you enjoy my record of this visit.
I love January days when there is a clear blue sky and the weather is dry and crisp. We have had a few cold days like these, which have also featured bright sunrises and warm sunsets. January is also a great time to photograph the streets of Digbeth. Warm colours are created as the sun sets, highlighting the character of the old industrial brick buildings of the area. The brickwork soaks up the light and emits a deep warm glow. Checking my TPE, I found that the setting sun aligns along Floodgate Street during the golden hour.
Long shadows starting to form along Floodgate Street.The Moon above Spiderman at Luna Springs
Wrapping up warm with plenty of layers of clothing, I arrived at Moor Street Station. My route to Digbeth took me past the old Typhoo tea factory, which is under renovation and will soon become the new Midlands headquarters for the BBC. Along the way, I met fellow photographer Simon MacCreedy, who was out with his trusty Pentax. We caught up on the latest news and talked about our photography. Simon specialises in black and white photography, and his work is worth exploring, especially on his @Macindigbeth Instagram account.
Striding towards with ambition.
After saying our goodbyes, I headed to Little Ann Street. The sun was low, and only the tops of buildings were still bathed in light. Shadows crept across the street but had not yet obscured the words “Striving forward with ambition,” painted on the side of the Performers and Screen and Film School building, part of the BIMM Music Institute group. The sign was created by FokaWolf, a subversive street artist known for parody and satire.
Adam and his mate flagged me down and asked for a picture of them in their car. They had heard of @dammodammo.Long shadows in the sunset.A billboard with a message seen on the High Street.
On Floodgate Street, long shadows stretched behind pedestrians walking along the pavements. Having taking a few pictures, I walked over the canal to Montague street to visit the Digbeth Loc. Studios where the filming of the forthcoming “Peaky Blinders” movie is taking place. The film studios were established by Steven Knight and he commissioned Mr Murals to paint a mural the building of the iconic Peaky Blinders characters. The hand-painted street art features the characters, Thomas Shelby, Ada Shelby, and Alfie Solomons, with a scene of Birmingham from the past behind Thomas Shelby. It is a fantastic piece of art, though not the easiest building to photograph.
Part of the Peaky Blinder mural on Montague Street.The eyes have it, Alfie, Ada and Thomas.
Back on Gibb Street and Floodgate Street, the sun had almost set. I lingered, taking pictures, and noticed the sky beginning to change colour as the blue hour approached. Standing at the entrance to Gibb Street, I saw the city’s high-rise buildings silhouetted against the deepening blue sky. Searching for the best view, I crossed over the high street to the newly laid tram tracks. Standing on the tracks I saw classic leading lines that conveniently pointed back towards the city. I know that his would be a good picture. After activating the RAW function on my iPhone for the most detailed information, I captured several shots and was very pleased with the resulting pictures.
The tracks of the city.
The temperature was dropping fast, but I was determined to photograph more of Digbeth during the blue hour. The contrast between the warm streetlights and the cool blue sky created vibrant, colourful scenes. Eventually, the cold won, and I retreated to the warm carriages of a train back to Olton for dinner at my daughter’s house. Reflecting on the day, the two to three hours spent in Digbeth were worthwhile and added another chapter to my photographic diary of this dynamic area of Birmingham.
The yellows and blues along Floodgate Street.The classic view of Gibb Street.Yo Birmingham
I have done many visits to Digbeth and I am spoilt for choice. I have narrowed down my selection of my two more popular blogs on Digbeth. I hope you enjoy reading them. My first choice is a visit to Digbeth in January 2024 but the setting is in the morning. My second is a study of the street art and the pictures were taken during the day in July 2020. Enjoy!
The winter months are an ideal time to photograph Digbeth. The lights that criss-cross the main streets are a feature of the area and are turned off around 8am. Just before this happens, the white lights stand out against the “blue hour” sky. At this time of the day, the colourful streets are enriched by the light of the dawn. The next ingredient for a good photograph in Digbeth is when rainfall has happened in the previous few days. Digbeth has several large puddles which provide ideal opportunities for reflections. Over the years, I have learnt where these puddles are likely to occur.
Floodgate street in the blue hour.Fancy a game?Classic puddle photography in Gibb Street.More classic views of Gibb Street.Green lights
My urban photography is done with wither my iPhone or Fujifilm x100vi. The pictures in this blog are from both cameras and you should be able to distinguish between the two picture styles that they produce. The iPhone gives vibrant colours whilst the Fujifilm gives a grittier feel to the pictures. I like both effects.
The colourful smiley by Tempo33 on Hack StreetMore Hack Street graffiti.This art by Golden Boy is still there on Hack Street.
Arriving in Digbeth, I plan to walk around the following streets, Lower Trinity, Gibb and Floodgate. I do visit other streets that lead off from the crucial three as these pictures show. The street art in Digbeth constantly changes. Newer pieces appear, older artwork gets tagged whilst some of the murals remain untouched. When photographing in Digbeth, I try to capture the interactions of the locals with the street activities. There are a few people moving around on their way to work at the Custard Factory or the industry units around the area. Pre pandemic the area was very busy but post pandemic people are working from home so the footfall is less. However I am still able to capture people on the street. I am building up a large portfolio of images from Digbeth although I am not alone and many other photographers pitch up on the streets. The area still retains its charms and I see the slow but persistent march of gentrification which is changing the Digbeth scene. I hope the area still retains the charm that makes Digbeth a place to visit in Birmingham.
Your friendly neighbourhood……Follow the leader.Seen on Adderley Street (part 1)Seen on Adderley Street (part 2)Easy Rider on Upper Trinity Street.Trainvaders, Lower Trinity StreetMade in Digbeth, Lower Trinity Street
Technique used for my puddle photography
The iPhone is ideal for this style of reflective photography. The lenses can be placed close to the surface of the puddle to provide a perfect reflection. The technique I employ, once I have located an ideal puddle, is to orientate the phone in landscape with the 3 lenses placed to the bottom right for the picture. The iPhone has no flip out screen so bending down is necessary which may be difficult when you are standing in a large puddle. I generally use the standard view or the wide angled setting. Care is needed not to place the iPhone lenes so low that they touch the water. The focus may start jumping to the nearest point in the puddle which will leads to blurring of the background. Looking at the screen is difficult, so some guesswork of where you are focussing and handling the phone is necessary. I must keep remembering to toggle the RAW setting although the resulting pictures on standard Live View are of sufficient quality to withstand the post editing.
Sticker wall still going strong.More views of Floodgate Street with only a few cars around.
If you want more views of Digbeth then follow my links through the blog posts below.
The Floodgate featured in one of my favourite pictures which was taken in Floodgate street during the early hours of morning. Although I had never been inside the venue, I have passed the front entrance on many occasions during my photographic visits to Digbeth. When I heard that The Floodgate was closing then I knew that I had to photograph the place before it closed. On a Friday afternoon, which was the penultimate day of the venue being open, I ventured into the place and brought a drink at the bar. I asked the staff whether I could take photographs of the inside and they kindly said that I could go ahead. So a big thank you to them for this blog.
Baseball cagesThe Floodgate RacewayBeth who works at the Floodgate with artwork in the background.
The Floodgate is one large games entertainment venue with curling, baseball, table golf and model car racing amongst the sports that punters can take part in. I met Beth who worked in the Floodgate. Beth explained that the Floodgate was closing due to the sky-high rent. When Beth told me the figures that they were being charged for rent then it is no surprise that independents are struggling. Digbeth is undergoing changes and the early success of independents has attracted larger businesses who want a slice of the action. Digbeth is becoming a very popular part of Birmingham (if it was not popular already). There are plans for several high rise residences to be built in the vicinity. Many of the old warehouses and industrial units are being earmarked for demolition with a complete revamp of the area planned. Already the Boxpark franchise will be pumping 5 million pounds under the nearby railway arches that will create bars and restaurants. The independents have difficulty in matching this sort of investment.
The Floodgate had only just opened for the evening and apart from a few customers playing curling, I had the place to myself for taking pictures. The Floodgate has one large bar area situated in the main warehouse. Table tops are in the form of baseballs and colourful murals adorn the walls. There are baseball cages and an impressive model car racing track. The latter has a set of seats complete with steering wheels where people can control the model cars they see in front of them around the track.
You never know who you will meet in the darkWith a little help from my friendsHole 18 – Table GolfThe Trotter’s car and other lights.
Leading off from the main warehouse, there are two games areas . The walls are covered with colourful graffiti art that glows in the UV light. The area is a psychedelic experience and the Jimi Hendrix song Purple Haze came to mind. I enjoyed taking pictures with both my cameras, the Fujifilm x100vi and my iPhone. This is where the new Fujifilm with IBIS worked well. Such pictures taken in low light with this camera would have been impossible without a tripod in the past. The iPhone is well known for its low light photography, The curling lanes were surrounded by lights and a ceiling of springs. The table golf set up looked impressive when set against the graffiti. The area was a little spooky with no people present. Beth did tell me that there were stories about ghosts in the warehouse and occasionally I felt a presence as I wandered around the darkly lit areas of the table golf rooms.
Outside CurlingGlory DaysNHS Angel wings in the light
Under the arches
The outside area has more curling lanes and baseball cages that are set against a backdrop of the towering railway arches. The cameras now had to deal with strong light and harsh shadows as for once it was not raining.
My final shot was of Beth and other staff in the bar area. It is sad to see such places closing but I guess this is progress. The early charm of Digbeth with venues taking advantage of the old industrial warehouses is slowly disappearing. The Floodgate is an example of creating different types of entertainment. Such places will disappear and be replaced with new shiny establishments that will cater for most of the new residents that will be entering Digbeth.
Beth with the Floodgate bar in the background
Floodgate Street
If you enjoyed this blog then please take a look at my other Digbeth entries starting with Digbeth Art from July 2020
Initially the weather forecast for St Patrick’s Day was rain but someone must have had a word with heaven. The rain stopped and the sun started to show itself from behind the clouds. Bradford Street in Birmingham is as straight as a die and runs parallel to Digbeth High street. At the top of the hill by Trinity Church, the floats, dignitaries and people were congregating.
The Lord Mayor by one of the Irish banners.Getting ready to paradeReady to sing Dirty Ole Town by the Pogues .Irish DancersThe Dana FanclubSitting in the cabDrum ReadyIn the greenAll those flagsPeaky BlindersThe day was warmSwan ready
The entry code was you had to wear something green and St Patrick was there overseeing the proceedings. The Peaky Blinders were behaving themselves and they had brought their own police force. Irish dancers and marching bands were adding to the entertainment. There were a group of dancers who had flown in from Bolivia. Their costumes contributed to the colourful noise around them. The scooters were polished so well that you got blinded by the reflections from the chrome work and mirrors. The floats were being loaded up and the Lord Mayor and the Lady Mayoress were greeting everyone and having their picture taken. With so many photographers around it was not long before the West Midland Mayor, Andy Street made an appearance. Everyone was so friendly and the atmosphere was one of excitement and merriment.
The parade on Bradford StreetThe BRMB bus loaded with dignitaries The Guinness hats were everywhereHaving fun was the aim of the day.Which will it be?
Then the parade was due to start so we rushed down the street to St Anne’s church. People were lining the barriers as you went down the hill towards the city centre. Even the dogs were dressed up in the Irish tricolour flag. The parade was long and varied, stopping every so often to let the marching bands and the Irish dancers demonstrate their skills. People waved towards the floats and people in the floats waved back. Everyone was so happy.
Dancing in the greenChrome workTaking time out.Leprechauns and MinionsBolivian coloursWaving to the crowdsShane McGowan by Tat VisionJust hanging aroundColours galore
. Some of the big names in construction were there including Murphy’s and Mahoney’s. The Irish came over to Birmingham and contributed to making the city an industrial powerhouse. The parade reflected this contribution and everyone reacted to celebrating the rich history of Birmingham. These pictures are my own interpretation. At an event such as the St Patrick’s Day parade every type of photographer is out and about. BBC teams and local newspapers, amateur photography organisations and the casual mobile phone snapper were in their element. Everyone wants their photograph taken.
The line up in a floatThe builders’ merchant (even I have used them)I am getting tired now.It was not just people who were having fun.
The BBC coverage is the best starting point for a record of the day’s events although a quick search of St Patrick’s Day Parade, Birmingham will open up many more.
BBC account of the parade
The next parade in Birmingham will be Pride 2024 and here is my account from last year.
Digbeth is known for streets of light and the area looks it best when the sky is dark. But not too dark. An ideal time to take photographs is during the blue hour. The warm yellows of the streetlights reflect on the colourful buildings. I watched a PhotoPills YouTube video on the Art of Travel Photography. The guest photographer was Scott Stulberg who said if you want to get the best pictures then you have to go out at night. So my first blog of 2024 is all about Digbeth in January.
Early workers walking down Gibb StreetMama Roux’sXOYO
The blue hour is great but you must get up early and that is not easy unless you plan to go out in January. The sun rises at around 8 o’clock and therefore you can get into the city early and be ready for the golden hour. The rewards are many and I know this, as last year my photograph of Floodgate Street taken on an early January morning was “Highly recommended” in the Landscape Photographer of the Year awards in 2023. Making sure I was there at the right time helped. If you are lucky enough to be around after a night of rain then the streets light up with multiple reflections. My aim as always is to be different but also to fit in a few of those classic views.
Iconic DigbethYellow TongueOnly in Digbeth
Arriving in Digbeth early in January I was hoping that Floodgate street and Trinity Street lights would be on but I was disappointed. The lights were off but I guess it was a Monday morning. However Gibb street was ablaze with lights and this is where I concentrated my efforts on my picture taking. I walked up and down Gibb Street looking for pictures of the shop windows and the street art. There were a few people moving around and coming into work at the Custard Factory. My cameras were the trusty Fujifilm x100v and my iPhone 15 proMax. I set up my mini tripod for some of the pictures with the x100v and went for high ISO to catch the people moving around. I did move around Floodgate and Lower Trinity Street to take pictures as there were still some neon lights on to assist early risers to find their way to the Custard Factory.
Shiny Digbeth
Lingering and loitering is a good plan as I waited for people to pass through entrances. I aimed to catch their silhouettes against the street art. Some photographers advise to have your camera on burst function so as to capture several pictures. In this way you capture the moment. However, I like to take in the surroundings and press the shutter button when I am ready. Yes I miss a few pictures but I am generally happy with what I get.
The Green ManDJ GymChanging Street Art – this is Mike Skinner and the Streets by Robbie Jeffcott. Those eyes…..Window ShoppingBaked in BrickDetails on the railings.Details on the wallsBlinking of an eye on Floodgate Street
The neon lights throw up some strong colours as my pictures show. I took many more pictures before the daylight overcame the night. The buildings reverted to a grey colour and Monday daytime was beginning. The time had come to move on and find a hot cup of coffee to warm me up.
Looking back along Gibb Street
Postscript – This is another of my Digbeth picture series which are a popular read. Please check them out below.
Looking back on my photographic year, 2023 was an exciting one and there were several achievements including making the Landscape Photographer of the Year book. Two pictures were featured and these are described in my blog. Therefore I decide to choose four pictures that summed up my activity over the year. I love sunrises and sunsets in the golden hour. I have included a few of my favourite locations including Moor Street Station, Digbeth (including the Custard factory), Normandy Hill in Houlton near Rugby and the Lake District. My photographs have strong themes in the areas of Cityscapes and Street Photography. I do like a good reflection and trying to be different with my pictures. Let us take a look at my selection of photographs.
Sunrise at Birmingham Moor Street offers many street photography opportunities. Arriving early to take a picture of the sunrise, I looked around for a good view. The first London train was about to leave and another commuter train was just leaving. This scene made me think of the KLF song ‘Train to Trancentral’. The man pushing the button to release the doors, the sunrise and the golden train in the distance all came together at once. A very fortunate capture at Moor Street Train Station. (Taken with my iPhone 15)
All aboard, all aboard, whoa.
Normandy Hill is near Houlton in Rugby. The area of Hillmorton is nearby and the canal runs along the foot of the hill. The place used to have wireless masts for Rugby radio. The masts have been removed and the remnants of the bases are all that remain. When the conditions are right the hill has spectacular sunrises and sunsets. There are also views of the surrounding Warwickshire countryside. On a barmy night in July, I set up my travel tripod for my Fujifilm X100V. My camera settings were f/11, s 1/250 ISO 160. The sun was setting low and was just on the horizon. I pressed the button and realised that I had capture three people and their dog passing through the picture. The result was pleasing with the line up of the men and the sun outlining the shaggy coat of the dog. The rays of the sun were captured too. The atmosphere of the shot provides a permanent reminder of all the pictures that I have taken on Normandy Hill.
The last rays of summer sun on Normandy Hill.
Our family summer holiday was at Lowfield House in Little Langdale. Arguably, this spot is the heart of the Lake District and is the starting point for several walks. A place I wished to visit was Cathedral Cave, which is a short 45 minute walk from Lowfield House. Cathedral Cave is an impressive chamber. As a former slate quary, the cave is atmospheric with an open window in the wall allowing light into the cavern. There is a large slate cylinder that appears to be supporting the ceiling. There is a pool of water to the back of the cave which provided many reflections allowing one to appreciate the grand space of the cavern. Needless to say, I, like many photographers who visit this place, just wanted to take lots of pictures. The picture of Jim, my son-in-law, at the mouth of the cave proved to be a popular post on Instagram. Taken with the iPhone13.
Jim standing at the entrance to Cathedral Cave. The surface water provided suitable reflections.
I spent a delightful Sunday afternoon wandering around Digbeth, Birmingham and came across @mr_h0spitalflip and his friends on the side steps of the Custard Factory. They kindly let me sit in and take a few pictures whilst they were skateboarding on the steps. I knew this was the best picture as soon as I viewed the result on the back of the camera. I was not using a burst on the shutter. Just one picture and I caught the skateboarder in the light doing the “Custard flip”. Taken with the Fujifilm X100v, ƒ/5.6, s 1/500, ISO 640.
The Custard flip
I also found my Top nine from Instagram and these show my most popular posts by the number of likes. The two UKLPOTY pictures feature heavily. There is a picture of Sandy and me. I was also pleased to see the blossom in Oozells square and my trip to the States feature in the high scores. All good fun!
My Top 9 Instagram posts in 2023.
Links to my Top 4 photographs of 2023. I realise that I do not have a blog about Normandy Hill and I shall write one up in 2024. I have also included my Top 4 ion 2022 for comparison.
Such great news. My picture “Reflections in Floodgate Street” was highly commended in the 2003 UK Landscape Photographer of the Year competition. This year I had two pictures and I was also commended for my picture “Fog in Gas Street Basin“. Both pictures feature in the Cityscapes section of the competition. This is the second year running that I have made the UKLPOTY book and I am very pleased with my achievement. I have written a fuller account of the background of both pictures together with some photographic tips and reflections on entering Landscape Photography of the Year.
Reflections in Floodgate Street
A classic picture of early morning on Floodgate Street in Digbeth. Not many people are stirring at this time and the lights do not turn off until 15 mins before sunrise. These old industrial buildings are a mixture of small businesses during the day and lively nighttime venues at night. The area is also well known for its street art and many artists have put up murals on the walls. The street got its name from the use of two “floodgates” that were used to stop any flooding from the nearby river Rea. This area of Birmingham was known for its wells and springs hence the street name.
This early morning picture was taken during a chance visit to Digbeth, Birmingham. I took advantage of the rainswept streets which provided reflections of the old industrial buildings and street art. I love the warm streetlights contrasting against the blue hour sky.
Post production notes – Straightened, contrast, highlights and shadows adjusted: texture, vignette and unsharp mask filter applied, levels lifted
Taking pictures of Urban landscapes
Go low for the picture is always great advice, a smaller camera or phone allows you to do this. The low viewpoint with a slight upwards angle provides a different view of an everyday scene and gets the viewer’s attention. I will sit down or kneel to see the viewfinder, as phones and some older cameras do not have a tilt screen.
Reflections are always fascinating for the viewer and so look for windows, puddles or shiny surfaces. The time after a spell of rain is a good time for mirrored views. However, combining both the low viewpoint and water puddles may be challenging for the photographer and camera!
Fog in Gas Street Basin
Fog in Gas Street Basin, Birmingham, commended UKLPOTY 2023
On a foggy day in January, I was lucky to find myself at Gas street canal basin in Birmingham City Centre which is a popular place for photography. The fog had created a ghostly backdrop around the area. The water was very still providing a perfect reflection. The old buildings stood out and the flash of yellow strips on the canal boats provided some welcome colour in the fog. The modern hotel in the background is faded providing an interesting background canvas. The eyes are drawn to the trees in the centre of the photograph and their reflections in the water. If you look carefully, there is a lone person in the picture admiring the view. This was an opportunistic photograph as the fog rolled in changed the nature of the scene.
Post production notes. This was taken on my iPhone and there was adjustment of the highlights and shadows and small minor changes of contrast. Some dodging of the colours on the boats was done to lift them out of the fog.
More reflections on UKLPOTY 2023
My second successful year in the LPOTY competition and I realise which of my photographs are getting the love and why this is the case. I dream of being successful in the classic view category. Pictures of beautiful mountains, gorgeous light and a lead in that takes your eye into the picture and beyond. However it looks as if my skill set is photographing the city. I love nothing more than wandering around the streets with my Fujifilm x100v and my iPhone. Also the best time to be out and about is at daybreak or sunset. Why is this? The light is magical at these times of day. The trouble is that cities are very quiet in the morning and staying safe is important. At night they are crowded but the quieter spots are where the light dwells. Again staying safe at night is key.
Try to be different in your picture taking. Even just thinking of taking a different picture starts you thinking on how to photograph an urban scene. Often this may not work out and you can go home frustrated. It is easily said but do not despair as that next picture is just around the corner. Be ready for it and when you see the scene, grab the opportunity.
I also enjoy looking at other people’s pictures and also where possible watch how they take their photographs. Learning from others is important. Any advice helps and I always listen to what people say. I have two photography friends, who have taught me the following. First, exercise patience and wait for those opportunities to arrive as they will. Secondly always look out for the small things as they matter and you have to be ready for them.
I enjoy a photographic walk with my Fujifilm x100v camera around the streets of Birmingham. The early hours are best when few people are around and about. This series of photographs begins at Eastside where the HS2 works are taking place. Digbeth was next and I returned to Birmingham along the canal exiting again near to the HS2 works.
Digging holes and barriers around HS2
What is there to tell you about my walk? No surprises, as building in Birmingham has not finished and HS2 is still digging and putting up barriers. I took a few pictures and was interested to see BBC midlands covering the HS2 disruption in the evening news. Why is HS2 taking so long and why is there so much disruption? I do get upset with the blasé way they are undertaking the HS2 works. I am sure it will look wonderful when finished but is it worth the upheaval and time taken. The latest BBC item puts HS2 under the spotlight.
Curson street station awaits a HS2 upgrade.The empty Woodman pub awaits customers but when will they return?
Digbeth was quiet for a Monday morning and since the pandemic there is less footfall during business hours. The nightlife is always busy but there is a definite change in activity during the day. My next observation is the encroachment of high rise living around Digbeth and the loss of character with the demolition and neglect of buildings.
Micheal Jackson on a furniture shop door.
There are several brownfield sites around the area that will become large skyscrapers. Other signs of change include the former Typhoo tea building which is starting to see activity around the relocation of the BBC to the building. Change may not always be positive and one of my pictures is outside what was the DigBrew entrance. Sadly this excellent brewery has ceased trading and artwork from the street artist Tempo33 marks the spot.
Don’t go there.The former Typhoo building soon to become the BBC Midlands Headquaters.Don’t park here.
There is much chaotic colour around the streets of Digbeth and the morning sun brings out the light and shadows. The canalside is another area in Digbeth that is changing with several buildings undergoing renovation. How this change will progress will be interesting to document in future months.
I’m late for an important date. (street art Tempo33)Colours stuck to a wall in Digbeth.Cryola’s wonderful street art is still attracting attention.Standing in Liverpool Street looking up Fazeley Street.Birmingham Canal Navigation through DigbethThe details under the Great Barr Street bridge.The Fox mural by Annatomix still impressesView of the canal buildings with Birmingham in the background.
My final picture was taken on my iPhone as I went past the Selfridges building. I went low and framed the iconic discs in the background. I was in luck as a woman walked past although she was confused by what I was doing. The picture turned out well but was also a reminder not to attract undue attention during my street photography.
The Selfridges Crossing.
Returning to the HS2 theme then there are more stories about the construction on my blog. I have been documenting 16 acre wood and the damage caused by HS2 around Balsall Common since 2020. Here is my account of this part of the HS2.
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This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
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The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.
Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.
Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.
