As readers will know, I regularly post oil and water pictures on my blog. I have completed a couple of sessions and now have a new set of pictures to share. The differences in these photos lie in the various backgrounds I have used. These backgrounds come from several sources, including magazines, children’s books, and abstract colour pictures that I have created in Photoshop.
The use of LED lights in the background has worked in this picture
I am also improving how I use the light source and am working to prevent the reflections that occasionally compromised the quality of previous photos. LED lights were used in some of the pictures. Although they mostly overpowered the images of the oil drops, though there was the occasional success. Switching to another brand of oil may have helped but, again I am unsure whether this is truly critical to the success of the pictures.
A colourful black hole.A background of some lips from a magazine cover was used for this picture.Compartments of colour.An exposed centre.
I use a spirit level app on my iPhone placed on the top to ensure the lens is at 90 degrees to the surface of the water. A large open aperture ensures that the maximum light is hitting the sensor. However, at f/2.8 your depth of field becomes narrow so focussing and positioning of the lens is critical to a sharp picture. Good technique helps reduce ISO noise and allows more information to be retained in the image which again will undergo cropping to get the desired photograph.
A cluster of moons around larger planets.
I hope you enjoy the current crop of pictures (pardon the pun).
Here are a few more oil and water pictures to enjoy.
Street photographers love London, and everyone has their favourite area for taking pictures. I simply enjoy watching people move around the streets. Sometimes, you find a street teeming with opportunities for photographs; other times, it is not so fruitful. But, as they say, go with the flow—good pictures are always waiting for you.
The upside down world of Soho.Good will on Earth to Refugees.
When wandering the streets, having a companion to share your journey is invaluable. Peter is an excellent photo buddy (link to Website). Living in London, Peter knows the best places to visit and is adept at finding ideal spots to stand. My other companion is my Fujifilm X100vi. The inbuilt image stabilisation makes it perfect for street photography. I shoot with a low shutter speed (1/30,1/60), a wide aperture (f4), and auto ISO to adapt to unexpected moments. The resulting pictures can be noisy, but a quick edit with Lightroom’s denoise function cleans them up effectively.
Everyone is taking pictures of the Piccadilly light show.The streets were atmospheric giving a Christmas look.
I have also set up my camera with back-button focusing, which has significantly improved my ability to capture scenes in focus. However, this technique introduces a slight delay as I focus before pressing the shutter. I overcome this by anticipating the scene forming in front of me.
Regent street shop displays are very elegant making super street photography backdrops.
My first stop was to see the lights along Regent Street, with the beautiful angels soaring above the centre of the road. The shop windows offered bright, eye-catching displays. My technique here was simple: stand still for a few minutes and point my camera at the scene waiting for a suitable picture to materialise. The magic in this series of pictures came from the rain earlier in the afternoon. A light drizzle was falling on the pavement, creating reflections that shimmered with colours.
Reflections and colours
I met Peter at Waterstones’ coffee shop, and we set off together. Starting with the bright lights of Piccadilly, we walked along Shaftesbury Avenue before exploring Chinatown. The city was bustling as it was the end of the working day. Pubs were overflowing, and people were moving everywhere, on foot and by bicycle. There was so much activity that pictures appeared all around us.
Umbrella for the rainRed Coat
— The rain added another layer to the story, bringing out umbrellas that enhanced the scenes. As we wandered into the narrow streets of Soho, the vibrant atmosphere gave way to Leicester Square. Here, we encountered a German market, but it was a disappointment. The stalls were no different from those found in Birmingham, and their circular arrangement felt uninspired. I did, however, find an interesting tree to photograph, though not much else of note.
Tree decorations – Leicester Square.Busking away looking for an audience.
We did not stay long at the market. Instead, we headed to the Diamond Jubilee Garden facing St Paul’s Church in Covent Garden. The coloured lights reflecting off the wet pavements created a stunning view, and the silhouettes of people walking through the garden added depth to the composition of my pictures. We arrived at Covent Garden itself, and the decorations there were breathtaking. The large decorative bells and Christmas ornaments hanging from the ceiling filled the space with festive charm. The place was alive with energy, and I could have spent hours photographing the scene. This was my final stop on my visit to the lights of London. There were a few more pictures to take along the Strand before arriving at Charing Cross station and the Bakerloo line up to Marylebone station.
Approaching Covent Garden.St Paul’s Church Covent Garden.Street reflections and silhouettes. St Paul’s Church, Covent Garden.The Christmas tree and decorations in Covent GardenThe beauty of the interior of Covent Garden.
All that remains for me to say is: enjoy my photographs and the short descriptions accompanying each one. There are some fantastic backdrops, including a particularly amusing one where a poster is upside down. I am sure this was deliberate, designed to catch the eye of keen street photographers like Peter and me as we wander London’s streets.
Toys and Souvenirs.Blue tyres and red lights on the Strand.Outside Ronnie Scott’s Jazz Club.Walking in the rain outside the Hippodrome.I love London.The shop window says it all.Escalator at Charing Cross.
If you enjoyed this view of Christmas lights then please follow the links below for more stories. One is about Christmas in Birmingham this year. The second is snow in our village in 2017.
There are many photography projects to do during the Lockdown and Star Trails is one that I fancied doing. I have an App on my phone called Star Walk and it shows the sky at night. There are many stars out there but with light pollution is not possible to get particularly good images. I have always liked seeing the stars and wondered if there was a simple project to get started in this area. Star trails looked just what I needed. Using a long exposure technique it is possible to record the moving stars. I read my Digital Photographer magazine and also looked over several articles on the web. I discovered that my Canon 5D had an auto setting that would continuously take pictures. So I set up the camera on a tripod and using the Star Walk App located Polaris the North Star. I took my wide angle lens Canon EF 16-33 mm and used the largest aperture of f/4. The focus was set at infinity. The camera was pointed directly towards Polaris and the neighbour’s house and my Magnolia tree were used to frame the picture. The exposure was set at 30 seconds. Also the auto was set to take a picture every 30 seconds. There were a few false starts and then once I was happy, I let the camera run on automatically. Then 167 pictures later it was time to go to sleep so I processed all the pictures in the morning in a program called StarstaX which blends them together. I learnt a new synchronisation technique in Lightroom as well. The final picture was very impressive although there is still a lot of light pollution around as the trails should be more intense. The picture got a lot of interest on Social media and I was pleased with the final result. I will have to go out again and do some more picture taken of the stars!
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