This year, the Real Confetti Company offered evening viewings of the Confetti Fields for the first time, and I signed up immediately. There is always a short window when the Confetti Fields at Wick, near Pershore, open to the public. The weather and the timing of the delphinium blooms have a significant influence on this.
The view from the top of the field looking down towards Bredon Hill.
Although the dates did not suit the family calendar during the day, the evening timing worked for me. On a warm June evening, I arrived at the fields two hours before sunset.
On top of the viewing platform.The Delphinium flowers
As always, the vibrant colours of the flowers, neatly arranged in colour zones, were quite magical. The evening opening meant the field was less busy, allowing time to take pictures without the usual distractions of people walking through the lanes and avenues. When I arrived, the light was excellent and really brought out the colours. I met up with fellow photographer Dave Wells, and we were able to compare notes as we took our pictures.
The wildflowers were spectacular.Colour contrasts in the field.
Unfortunately, a sunset never materialised. The sun disappeared behind clouds on the horizon, and rain arrived just as we were leaving. However, this did not dampen my enthusiasm for photographing the flowers. Enjoy the pictures—and I have provided links to previous visits to the Confetti Fields in 2023, 2020, 2019, and 2018.
The Golden Lion is a building with a long and varied history. Walk along the main path in Canon Hill Park, and you will soon come across it. The scaffolding surrounding the structure gives its location away. You then realise that it commands a striking view of the green space, the boating lake, and the MAC.
Hard Hats at the Ready.
The Golden Lion has served many purposes over the years, including being used as a living space, public house, and a cricket pavilion. Its original location was on Deritend High Street, but it was moved to Canon Hill Park in 1911. If you wish to learn more about its background, the Birmingham Conservation Trust (BCT) website is a good place to start.
The outside scaffolding.
This blog describes my hard hat tour of the Golden Lion, organised by the BCT. Irene from the Trust was our guide, and she explained that restoration work on the building would soon begin. Only a few tours were scheduled before work commenced, so this was a rare opportunity to see inside the structure before any changes took place.
Inside the Golden Lion, Ground Floor inspecting the ceiling.Looking at the walls.Looking up to the roof and the space where orignially there was a second floor.
Irene was full of enthusiasm. As she explained both the history and the upcoming plans for the building, it became clear how closely the two are connected. We donned our hard hats and entered. Since the windows were boarded up, we needed torches to see. We were warned about low ceilings—and spiders. The latter, we were told, were actually a good sign, as they indicated that bats had not nested in the building, which would have delayed the restoration.
Debris on the floor.
We explored the ground floor and then the first floor. Debris lay scattered on the floors, and shards of light pierced through cracks in the walls. Despite this, the building was remarkably dry and structurally intact. Small holes in the walls provided natural ventilation, allowing the building to dry out quickly after rain.
Window latch.Secrets in the wood.Markings on the door.
As we moved through the space, there were clear reminders of its previous uses as a cricket pavilion and a ranger’s office. These later modifications were visible on the interior walls. There were fittings for benches, and the windows had been fitted with modern locks and latches. Originally, the building had another floor, and the outlines of where it once stood could still be seen on the walls. Early records from the 1851 census report that up to 50 people once lived in and around the building when it stood in Deritend. This included the courtyard at the rear where there were 6 small (slum) dwellings
Going down the stairs
The visit was fascinating, and the history embedded in the walls came alive during our conversations. I am looking forward to seeing the Golden Lion restored and given a new lease of life. Thank you to the Birmingham Conservation Trust for organising the visit, and to Irene for being such an informative and enthusiastic guide. Finally a special thanks to Pat Rodwell for obtaining tickets.
If you are interested in exploring historical buildings around Birmingham which are a lot safer and accessible then I would recommend a visit to Selly Manor as my blog shows below.
Birmingham is being spray-painted, and colourful graffiti is appearing on walls around the city. There is a vibrant street art scene in Birmingham, centred in and around Digbeth. The artwork has spread out to the Southside, with several walls and car parks receiving their share of art. New pieces are always appearing in Digbeth, and I have recorded photographs of the area over the last few weeks. Some of these will if not already disapper to be either painted over or lost to redevelopment.
Street art activity increases during the Hi Vis festival, which is an annual celebration of the Hip Hop community. The festival has moved from Digbeth to become a large public event in Southside. To coincide with the festival, the exhibition “The Epic Story of Graffiti Through the Lens of Henry Chalfant” opened in the Bullring, just off Rotunda Square. This was the subject of a previous blog post.
Digbeth – no parking @gent48Digbeth colours against a blue sky. (artist TBC)
The exhibition inspired me to undertake a photographic walkabout in both Southside and Digbeth. This collection of photographs, taken in the first week of June, is a snapshot of the vibrant scene. As a photographer, I enjoy capturing street art and aim to vary my pictures — from close-ups to wider shots showing the environment. Including people in the images often provides a useful human element.
Walk like an Egyptian. A colourful take in Southside. (artist TBC) Mixture of paste up posters and street art with a message. Seen in Digbeth. @brumpasteup on the top @ginger_dan on the lower level.Walk in the light (artist TBC)Just love the glasses and the overall feel of this mural by VOID ONE
The art is public, although I try, where possible, to learn the names behind the work so I can credit the artists. Occasionally, it is not possible, but I am always happy to update my blog and amend the details.
NFA crew – once a hostel now just letters.Just so you know. This is Digbeth!Murals around the new building going up next to Selfridges. (artist TBC)
Finally @mrmurals is painting a nice piece of work on Navigation Street near to New Street Station. The subject is Black Sabbath and the photorealistic work is very eye catching. A great tribute to one of the great heavy metal bands of all time.
Careful you do not trip over the guys in Black Sabbath.
If you like this blog then please visit my blog on the Epic Story of Graffiti which inspired me to go out and photograph the streets of Brum.
This photography exhibition celebrated the work of Henry Chalfant Living in New York City in the early seventies and eighties. Chalfant befriended the newly emerging Graffiti artists who were painting the subway trains. The city was run down and there was rampant crime and homelessness. Businesses left the city leaving behing areas with problems of drugs and homelessness. The subway system reflected this period of decay with fewer people willing to risk journeys due to crime and train breakdowns. Young people started spray painting the trains in the depots. This upset New Yorkers who did not like the tagging of the subway trains as to them it epitomised the depth of decay.
The Exhibition Entrance featured the photography of Henry Chalfont.
I remember visiting Manhattan in 1980 and 1988. There were still no-go areas such as the area around Alphabet City and I visited St Patrick’s cathedral the day after a killing in the church. But I do remember the exciting and energetic Greenwich Village gay parade that took place during my visit in 1988. There was a feeling of new life and the city was regenerating and rediscovering itself.
The details of the subway carriages. Many of these designs are gone but recorded as pictures.
Roll forward 40 plus years and the young spray painters are now world-renowned artists. The exciting music scene of Hip Hop sprung out from this period.
The set out and curation of the pictures was cleverly done.
The Epic Story of Graffiti was held in one of the empty department stores in the Bullring. This was brought to Birmingham by Birmingham Hippodrome and Soul City Arts. On opening night, this colourful exhibition brought Chalfont to Birmingham and the pictorial history of graffiti and hip hop was celebrated. The exhibition was curated by one of our very own street artists, Muhammed Ali Aerosol. I visited on a quiet mid-week morning and had the place to myself. A visually striking display of countless trains tagged with graffiti was on a long display board. I found it fascinating looking at all the artistic designs sprayed on the trains. Chalfont had paid attention to small details such as lining up all the trains in numerical order.
Watching the video on Hip Hop.
There were pictures of the young artists and moving displays that made you feel as if you were in an underground station. I sat and watched a video about hip hop and interviews with the young New Yorkers excitedly telling the interviewer about their life. I also enjoyed reading the quotes that were placed around the exhibition.
Ready for Hip HopThis quote is so true.
I had spent time before the exhibition opened photographing the Graffiti in Digbeth so I was in the right space to appreciate the brilliant photography of Henry Chalfont and what the exhibition had to offer. There is a further in depth review by BBC Birmingham.
Finally a nostalgic view of the streets of NYC from 1980 when I visited as I student.
Streets of NYC, August 1980.
I love to photography Graffiti and Digbeth offers the best of the street art in the City. Here is one of my blogs on Digbeth.
Bourton-on-the-Water is one of the most picturesque and popular spots in the Cotswolds. I assumed a Monday in May might mean fewer visitors – but I was mistaken. Arriving just after 10 a.m., I found the crowds already beginning to arrive. Fortunately, I managed to take a few photos of the village’s iconic bridges before too many people started crossing them.
The picturesque scenes at Bourton-on-the-water,
My main reason for visiting was to explore the Cotswold Motoring Museum, recommended by Dom – a fellow photographer and Land Rover employee with a deep knowledge of classic cars.
Everywhere there is something to admire
Tucked beside the River Windrush, this boutique museum is much bigger than it looks from the outside. The moment you step in, you sense the passion and attention to detail that has gone into the displays. The exhibits are filled with character. From ceiling to floor, every corner is packed with motoring history. Overhead, the ceiling is covered in vintage motoring items. Inside the cars, there are artefacts matching the era each vehicle comes from.
My personal favourite was the Hillman Imp, the first car I ever drove and owned – a lovely bit of nostalgia. I have a soft spot for car badges and handlamps too – all that polished chrome is a dream for capturing reflections.
A Hillman Imp similar to my first car.Wonderful details.Lots of Chrome work.
There is also an impressive collection of model cars. The whole museum feels like a tribute to the motoring enthusiast, especially with its vintage car toys and signs. It may have a slightly male feel, but the charm is universal.
Part of the extensive range of model cars.
The final room brought a smile to everyone’s face: Brum, the little car loved by children across generations. All my children watched Brum when they were younger, and it was lovely to see it featured so prominently.
Everyone’s favourite little car – Brum,
Other highlights included old road signs, which I found particularly fascinating, and a cheerful section on vintage caravanning, full of colour and character.
Leaving the museum, I was greeted by warm sunshine. I found a spot to enjoy lunch outdoors – ideal for a bit of people watching in the buzzing village centre.
Next Stop: Hawkstone Brewery
Familiar faces in the mural at Hawkstone Brewery.
On my way home, I stopped at the Hawkstone Brewery, where a large mural of Jeremy Clarkson celebrates the brewery’s link with Diddly Squat Farm. A quirky and fun end to a thoroughly enjoyable day.
Final Thoughts
Bourton-on-the-Water may be busy, but it is always worth the visit. The Cotswold Motoring Museum exceeded expectations – full of nostalgia, stories, and surprises. Add in good weather, a relaxing lunch, and a quick brewery stop, and it made for a perfect Cotswolds outing.
Colours in the Museum
——– The Cotswolds is a lovely area of England and if you wish to see more of my photographs of this part of the world then follow my blog link below.
The poppy season does throw up surprises. Most poppy fields in the West Midlands are found around Bewdley and Kidderminster. Last year, there was a spectacular field in Kinver. Occasionally, a field appears closer to home, such as in Leamington Spa. This year’s surprise poppy field which was initially photographed by Jack March, a fellow weather watcher based around Nuneaton. He had posted some striking pictures taken in a poppy field in Leicestershire which were featured on the BBC.
The dramatic red of the poppies at dusk.
After some internet detective work, it became clear that the field was in Witherley, a charming village just outside Atherstone — only a 30-minute drive from home. As soon as I discovered the location, I checked the weather forecast. The month of May had brought good weather, though a change was expected later in the month. Fortunately, the forecast looked promising for the evening and the following morning. It was time for action. I packed my camera kit and tripod into the car and set off for Witherley to catch the evening light.
Sunset on the poppy field.
Finding the field was straightforward compared to some other locations I have written about. It was both easy to find and to access. When I arrived, two photographers were already there, focusing on close-ups of the poppies. I parked at the top of the field, and walked down towards the village along the side of the poppies. I found a good vantage point and began taking photographs. I captured some lovely images of the church bathed in the warm evening light. Looking back up the field, I noticed the sun setting beautifully over the crest. I quickly reset my camera to catch several shots of the golden sunset. The poppies glowed, their paper-thin red petals shimmering with life and shadows of nearby flowers. Poppy fields lend themselves both to sweeping landscapes and intimate portraits of individual flowers. Time passed quickly, and soon dusk settled in. I stayed to capture the colours of the clouds and the twilight. As the temperature dropped sharply, I was grateful for the warmth of the car once it had heated up.
One of many close ups of the flowers. Panorama of the field
It was a superb poppy field. I had enjoyed the evening session so much that I decided to return the next morning. With sunset at 9:00 pm in late May, I knew sunrise would be early — at 5:00 am. After just a few hours of sleep, I was up again and back with the poppies before dawn. This time, I parked closer to the village and entered the field via the footpath. I made my way to the opposite side and settled in to await the sunrise. The field is bordered on the west by the River Anker. As the sun began to rise, the scene transformed. Mist started to rise from the river and slowly spread across the field. For a surreal five to ten minutes, the entire field was shrouded in mist. Just as suddenly as it appeared, the mist lifted as the sun’s warmth burned it away.
The rise of mist from the river Anker.Sunlight bursting through the poppies.Close ups of the different poppies taking in the sunrise.Mist hanging over the poppy filed.
The sunrise was glorious, and I took many photographs with the cameras I had brought. The iPhone, always a reliable companion, captured some great shots as well. Eventually, there comes a point where you know you have taken enough pictures. Unbeknown to me, Jack March, the weather watcher himself, had been observing me and taking photos. I was so engrossed in my work that I had not realised he was there. At the end of the session, as I returned to my car, I met Jack, who had been waiting. Jack is an excellent photographer, and I have long admired his work. We had a fantastic chat about the poppy field, weather watching, and photography in general. I even took a selfie of us with the poppy field in the background. After saying our goodbyes, I set off home to review and post my pictures.
Selfie with Jack March, BBC Weather WatcherThe poppy field capital
Epilogue
There was another benefit from this trip to Witherley. On my way home after the evening session, I took a short detour to Church End Brewery. I found it tucked away behind Ridge Lane in a small village near Nuneaton. The tap room was open, and I came away with bottles of Fallen Angel and Goat’s Milk pale ale. It was a perfect photographic outing — capturing poppies at both sunset and sunrise, and returning home with some excellent beers for the evenings to come.
A few bottles brought at Church End Brewery to help during editing of my pictures.
If you enjoyed the latest addition to my poppy field journey then please read last year’s visit to Kinver. There are many other places I have visited and sadly some of these fields are no more. However, there are good memories of these places.
I took a walk from Snow Hill train station up towards Edgbaston village where I had a meeting. This is a collection of 10 images in black and white from my walk. All taken with my Fujifilm x100vi and converted to monochrome.
Brutilistic designCube 20Tagged windowsBusy towpathBnW not blueFive ways HouseForgotten entranceBroken WindowsEdgbaston Village
Enjoyed this, then read some more about Birmingham in Black and White.
Halifax, Nova Scotia is a city alive with creativity. During my visit for an ultrasonics symposium, I discovered just how vibrant and artistic the city is especially when it comes to street art. Between conference sessions, I made time to explore. Dr Andrew Mathieson is on the board of UIA and also lives in Dartmouth. Andrew kindly shared recommendations of the city with the conference delegates. When I mentioned my love for street art, he immediately suggested I visit Quinpool Road. This is a student-friendly area just behind the Halifax Citadel.
On the last day of the conference, the sessions wrapped up early, giving me a free afternoon. The sun was shining as I set off on foot, making my way through the lively Dalhousie University campus. Students filled the walkways and the place was buzzing with energy.
Quinpool Road and a tantalising glimpse of a mural.
Arriving at the head of Quinpool Road, I was disappointed. There were one or two artistic pieces here and there, but not the mural-rich environment I had been told about. I passed by Dilly Dally Coffee Shop, still searching. Behind the cafe at the intersection of Quinpool and Vernon, I found beautifully crafted lettering by mural artist Kristen De Palma (@kdpletters | kdpletters.com). Her work stands out in an otherwise hidden spot.
Colourful Typography by by mural artist Kristen De Palma.
I was still looking for more murals and asked a local resident for guidance. They gave me a valuable tip: “Look around — check the alleyways and look behind buildings.”
The first large mural I encountered was on the Recreation Nova Scotia building. This was a striking blue mural of local fishing boats by Dom Laporte. From that moment on I began to notice murals everywhere.
A blue harbour scene mural by Dom Laporte
Across the street stood the old cinema building which is now home to a climbing gym and a brewery. On the wall there was a quote from The Wizard of Oz, commemorating one of the final films screened there in 2017. This nostalgic piece was painted by @alexjfowkes.
Tribute to the Wizard of Oz.
One of my personal favourites was tucked away in a car park just off the main road. Titled Cattails and Pansies, the mural by Montreal-based artist Bosny (@bosny.jpg) pulled me into its intricate details. His artistic approach invites viewers to slow down and look more closely at the style of the artwork.
Cattails and Pansies, by the artist Bosny
As I walked towards the more residential end of Quinpool Road, I came across a dominant mural on the wall of Pro Skates across from Oddfellows Barbershop. Created by Jeks One (@jeks_nc) the mural honours the late John Dunsworth, best known for playing Jim Lahey on the cult Canadian series Trailer Park Boys, which is set in the fictional Sunnyvale Trailer Park in nearby Dartmouth. Although I am not familiar with the show, I appreciated the care and character captured in this tribute.
Trailer Park Boys
On the return walk, I found more murals, including a wonderfully detailed wall painting outside Busan Korean BBQ. Created by local artist Dan Burt, it is a vibrant homage to Quinpool Road’s history. The artwork is full of local references, stories, and even a bus seemingly rising from the pavement.
Seen outside on the wall of the Busan Korean BBQA street scene with a real bus!
Other pieces had no listed artist but were just as memorable. Even the electrical power boxes had been transformed and were painted with bright, creative designs.
@deliveravalon@nessyrt@mollymargaretart
.
Other examples of street art along Quinpool Road.
Love EvolvesColours on the old Cinema.Dog FoodStrike out
. Quinpool Road is a lively area with restaurants and shops. The people who live and work there seem to accept that their everyday lives are part of the artwork, making it an ideal place for street photography. This student road is just one example of street murals in Halifax .
More examples of street art around Halifax – seen outside Pier 22, where the cruise ships arrive.
Reflections in the rainPuffins and Deck ChairsLighthouse on the pier.
Halifax harbour waterfront.
Surfing the WaveAn Eagle mural by WarriorSunrise on the pier
Street Murals on Burlington Street walking Northwards
Colourful wallsPiano playersRainbow shaking handsMural depicting the people of Halifax
From large-scale murals to hidden gems, Halifax is a city full of colour, character, and creativity. If you are an enthusiast for street art and love to photograph such murals then Halifax offers many opportunities. Quinpool Road stands out but there are many other places where colourful art greets you. I did enjoy walking along the streets of Halifax looking out for examples of murals on buildings.
Much of the background information I gathered came from the Discover Halifax website which is an excellent resource for anyone keen to explore the city’s artistic side. I have not been able to list all the artists and for this I apologise. Please let me know and I will add your name to the list.
Further blog reading
I do enjoy taking pictures of street art along with the street photography that goes along with it. Two of my blogs will lead you into more UK based street art. Please feel free to browse through the articles.
There is something hauntingly beautiful about the Atlantic coast of Nova Scotia. The dramatic skies, the churning sea, and the wind-whipped coast all make for a landscape that is as raw as it is inspiring. I recently had the opportunity to explore this iconic stretch of Canada’s coastline during a weekend trip to Halifax—and what a memorable journey it turned out to be.
Fishing boat with lobster cases.
I was in Nova Scotia for the UIA Symposium, hosted at the Westin Hotel in Halifax. A colleague, Lisa, and I had arrived a few days early, hoping to explore the local sights—specifically, Peggy’s Cove and the historic town of Lunenburg. Both are about an hour’s drive from the city. Unfortunately, my plans to hire a car fell through when I realised that I had left my credit card at home. That setback turned Saturday into a relaxed day of exploring Halifax on foot, which was no bad thing. However, I still held out hope for a coastal adventure.
The rugged and wild Atlantic coast at Peggy’s Cove.
Sunday’s weather forecast was dire—rain, mist, and wind. Not ideal for a scenic drive. But fate stepped in. Over breakfast at the hotel, Lisa and I met Nico and Rebecca from Nami Surgical, who were also interested in seeing the coast. Nico kindly offered to hire a car, and just like that, our impromptu road trip was on. As we headed towards Peggy’s Cove, the weather worsened. A thick mist blanketed the road, and the wind grew stronger by the minute. When we finally arrived, the visibility was low, and the air had a sharp, salty bite.
The village at Pegg’s Cove
The village of Peggy’s Cove lies in a protected inlet, with its famous lighthouse perched precariously on a granite outcrop. Warning signs near the rocks made it very clear: venturing too close to the water’s edge could lead to death. The wind was creating a dramatic frenzy—white foam and crashing waves everywhere. For a photographer, the conditions were perfect.
A reflecting pool (iPhone picture)A stark warning sign as death is nearby.Nico surveys the stormy water at a safe distance.
After taking countless photos of the lighthouse and the surrounding seascape, we wandered back into the village and stumbled across a small museum housed in the old schoolhouse. From there, we discovered a hidden gem: a photography exhibition entitled, “Visions of Time: Peggy’s Cove Captured Through the Lens of Photography and Film, 1920s to 1950s.” The exhibition featured vintage photographs and early film footage that documented the lives of fishermen and their families before tourism would change the village. The work of Edward A. Bollinger, Helen Creighton, W.R. MacAskill, and others brought to life a way of living now largely gone. Their black and white images inspired me. Although my visit was brief, I felt connected to this lineage of storytellers who have been drawn to Peggy’s Cove for nearly a century. I took more photos—my own small contribution to the village’s long visual history.
The fishing heritage features heavily around the village.The harbour waters are calm compared to the sea.The cove and the path to the sea.St John’s Anglican Church is an imposing Gothic structure.
No trip to the coast is complete without seafood, and we found the perfect spot at Shaw’s Landing, just up the road in West Dover. The restaurant was recommended by Lee one of the concierge at the Westin Hotel. This was a great recommendation. The lobster roll was so tasty and full of flavour with a lovely salad to go with it. The meal was the perfect ending to out visit of Peggy’s Cove.
The counter in Shaw’s Landing. Beer and Lobster the ideal combination.
Final Thoughts
Peggy’s Cove is everything you hope for in a coastal destination—dramatic scenery, a rich history, and that unmistakable Atlantic charm. The mist added so much atmosphere making my visit memorable. As a photographer, this tiny village was a joy to visit and photograph.
The majority of my pictures were taken with my Fujifilm x100vi unless stated. The pictures were converted to black and white in Paint Shop Pro and contrast applied.
Further links to Lighthouses
If you like Lighthouse photography then I have more blogs to satisfy your interest in this area.
The Stirchley Observation Project exhibition took place at the Old Print Works in Balsall Heath. On the last day, Francesco Falciani had arranged for a cyanotype printing workshop led by Tracey Thorne to take place. Tracey is a documentary photographer with a particular interest in the colonial links between Jamaica and Britain. Tracey’s enthusiasm for cyanotype printing shone through in her presentation. Her PowerPoint covered the history of cyanotype and highlighted the work of contemporary artists, including some fascinating examples of large-scale printing. She has woven cyanotype into her documentary practice, including her current project Intended for Jamaica, which she also spoke about.
Dried flowers ready for exposureTracey is washing the developed paper in clean water.
Francesco then took over, having prepared laser-printed acetate negatives of selected photographs from the Stirchley Observation Project for each participant. For each of us he had chosen a photo. Mine was a portrait that I had taken of Ben who worked behind the bar at the Glasshouse Brewery in Stirchley.
Francesco shows the technique with Tracey on the right looking on (Picture by Inderjit Dean)The cyanotype printing goes through several stages as shown.
Francesco explained the different types of paper we would use, all of which had been pre-coated and were ready to go. He had also brought his homemade ultraviolet light box. Each of us placed our previously prepared acetate negative onto a sheet of prepared paper, sandwiched between two clear plastic plates, clipped together temporarily with paperclips. We then exposed the image under the UV light for about 60 seconds, after which we rinsed the paper in clean tap water. Watching the deep blue tones gradually emerge was a highlight of the process.
Each of us took turns developing our picture. Here Dave and Nadia are working through the process.
Afterwards, we reviewed our prints and discussed the outcomes. Although the process seems deceptively simple at first, there is so much more involved—from preparing the digital image carefully in Photoshop, to choosing the correct exposure time, to selecting the right kind of paper. We had the chance to experiment with two paper types: a smooth cotton and a rougher variant. Paper selection merits further attention if you are to venture into cyanotype printing.
The all important chemicals that require mixing together.Group discussion on cyanotype printing.
We spent the rest of the afternoon printing and experimenting. As a workshop, it was first-class. We were lucky to benefit from Tracey’s insight into how cyanotype plays a role in her own photographic practice, and Francesco’s meticulous preparation gave us everything we needed to immerse ourselves in the technique. One of the participants, Dom, even experimented with layering his image with toy horses, which showed how creative the method can be.
The outline of toy horses added a creative aspect to the process (Dominic Piras’s Cyanotype).
Here are more examples of the work from the participants.
Cyanotype printing by Nadia MalikWork by Dave Fennel WellsWork by Inderjit Deau put into the light box.
This course was part of the Strichley Observation Project organised by the PRISM Photographic Network. The course leaders were Tracey Thorne and Francesco Falciani. The participants on the course whose work is shown in this blog are Nadia Malik, Dave Fennel Wells, Dominic Piras, Inderjit Deau and Damien Walmsley.
If you want to learn more about these projects that join the PRISM mailing list or visit Tracey Thorne’s website.
The entrance to the Darkroom facilities at the Old Print Works, Balsall Heath
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