Balsall Heath. Birmingham, September, 2025

Balti Triangle, the Number 50 bus, Alcester Road, Ladypool Lane, Moseley Road Baths, and the Home Secretary, Shabana Mahmood. The diversity of Balsall Heath is renowned, which provides an insight into its character. The area does not stand still, with a rich history reflecting the growth and wealth of the city. Whilst Balsall Heath was initially an affluent area, over the years it has faced many difficulties with poor housing and social deprivation. The area is now undergoing a revival, and house prices are similar to those in other parts of the city. This brings its own share of challenges, as young people strive to set foot on the housing ladder.

Balsall Heath. Birmingham, September, 2025
Entering Balsall Heath on the No 50 bus as you pass over Belgrave Road.
Balsall Heath. Birmingham, September, 2025
Moseley Road swimming baths.

Last year, I became involved with the PRISM photographic network, who organised a photographic project around Stirchley. The Stirchley Observation Project proved to be a very successful venture where I met and interacted with a group of talented photographers. We took pictures, we discussed them, and then we exhibited our best work. Now, a year later, we are turning our attention to Balsall Heath.

Balsall Heath. Birmingham, September, 2025
Seven streets pocket park. One of the many green spaces in Balsall Heath.
Balsall Heath. Birmingham, September, 2025
One of 6 arches that pass under the railway line that runs through Balsall Heath. This one is on Runcorn Street near to Seven streets pocket park.

Before the course starts, I decided that I needed to have a brief walkabout the area to acquaint myself with the streets, the architecture, and the character of the neighbourhood. I have eaten many times in the Balti Triangle, and I have often driven down the Alcester Road towards Moseley. More recently, I have got to know the Old Print Works and attended photographic workshops there.

Balsall Heath. Birmingham, September, 2025
The street art reflects the politics of our time.
Balsall Heath. Birmingham, September, 2025
Tribute to Mohammad Ali underneath the Brighton Road railway bridge.

Taking the Number 50 bus from the town centre, I got off near the Castle and Falcon pub. I love cityscapes, and my eye was drawn to the railway arches that connect the west and east wards of Balsall Heath. During the day, the area is busy as traffic moves along the Alcester Road. Students travel to and from Joseph Chamberlain Sixth Form College, and the coffee shops are lively. Walk along the side streets, and you immediately notice how quiet it becomes. There is still activity in these secluded area, and the nature of the urban landscape throws up countless photographic views.

Balsall Heath. Birmingham, September, 2025
The houses along Mary Road contrast with the shiny new elevated buildings in the nearby city centre.
Balsall Heath. Birmingham, September, 2025
Ladypool Road seen on a quiet weekday morning.
Balsall Heath. Birmingham, September, 2025
Street scenes – Workin’ at the car wash.
Balsall Heath. Birmingham, September, 2025
Open all hours.
Balsall Heath. Birmingham, September, 2025
The value of education.

These photographs are a small selection of my observations from my walk around Balsall Heath. I am looking forward to the forthcoming project, and you can follow my adventures on my blog.

Balsall Heath. Birmingham, September, 2025
A luxury camper underneath the bridge.
Balsall Heath. Birmingham, September, 2025
The ongoing bin strike leads to piles of uncollected rubbish around Birmingham.
Balsall Heath. Birmingham, September, 2025
Changing places

.

Balsall Heath. Birmingham, September, 2025
Luxury seating is available on Alcester Road.

If you wish to learn more about our Stirchley Observation project, I wrote a short blog at the beginning and there will be more material being published from our work. I also provide an account of one of the courses on cyanotype that we undertook during the Stirchley course.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025

The Stirchley Observation Project exhibition took place at the Old Print Works in Balsall Heath. On the last day, Francesco Falciani had arranged for a cyanotype printing workshop led by Tracey Thorne to take place.  Tracey is a documentary photographer with a particular interest in the colonial links between Jamaica and Britain. Tracey’s enthusiasm for cyanotype printing shone through in her presentation. Her PowerPoint covered the history of cyanotype and highlighted the work of contemporary artists, including some fascinating examples of large-scale printing. She has woven cyanotype into her documentary practice, including her current project Intended for Jamaica, which she also spoke about.


Tracey demonstrated the cyanotype technique using dried flowers. Her website includes a detailed section on the cyanotype process, detailing the materials needed and where to find them. Tracey was generous with her time, answering questions and sharing prints of her own work.

Francesco then took over, having prepared laser-printed acetate negatives of selected photographs from the Stirchley Observation Project for each participant. For each of us he had chosen a photo.  Mine was a portrait that I had taken of Ben who worked behind the bar at the Glasshouse Brewery in Stirchley.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Francesco shows the technique with Tracey on the right looking on (Picture by Inderjit Dean)
Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
The cyanotype printing goes through several stages as shown.

Francesco explained the different types of paper we would use, all of which had been pre-coated and were ready to go. He had also brought his homemade ultraviolet light box. Each of us placed our previously prepared acetate negative onto a sheet of prepared paper, sandwiched between two clear plastic plates, clipped together temporarily with paperclips. We then exposed the image under the UV light for about 60 seconds, after which we rinsed the paper in clean tap water. Watching the deep blue tones gradually emerge was a highlight of the process.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Each of us took turns developing our picture. Here Dave and Nadia are working through the process.

Afterwards, we reviewed our prints and discussed the outcomes. Although the process seems deceptively simple at first, there is so much more involved—from preparing the digital image carefully in Photoshop, to choosing the correct exposure time, to selecting the right kind of paper. We had the chance to experiment with two paper types: a smooth cotton and a rougher variant. Paper selection merits further attention if you are to venture into cyanotype printing.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
The all important chemicals that require mixing together.
Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Group discussion on cyanotype printing.

We spent the rest of the afternoon printing and experimenting. As a workshop, it was first-class. We were lucky to benefit from Tracey’s insight into how cyanotype plays a role in her own photographic practice, and Francesco’s meticulous preparation gave us everything we needed to immerse ourselves in the technique. One of the participants, Dom, even experimented with layering his image with toy horses, which showed how creative the method can be.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
The outline of toy horses added a creative aspect to the process (Dominic Piras’s Cyanotype).

Here are more examples of the work from the participants.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Cyanotype printing by Nadia Malik
Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Work by Dave Fennel Wells
Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
Work by Inderjit Deau put into the light box.

This course was part of the Strichley Observation Project organised by the PRISM Photographic Network. The course leaders were Tracey Thorne and Francesco Falciani. The participants on the course whose work is shown in this blog are Nadia Malik, Dave Fennel Wells, Dominic Piras, Inderjit Deau and Damien Walmsley.

If you want to learn more about these projects that join the PRISM mailing list or visit Tracey Thorne’s website.

Cyanotype printing, The Old Printworks, Balsall Heath, April 2025
The entrance to the Darkroom facilities at the Old Print Works, Balsall Heath

Stirchley Taster, July, 2024

Stirchley has many good memories as a place to visit.   Our first family drink, after lockdown restrictions were relaxed, took place on a cold night in May at an outside table at Birmingham Brewing Company.   I have also visited the other two breweries Attic and Glass House, the latter brewery is on the other side of the canal and is just in the Stirchley boundary.  

Stirchley Taster, July, 2024
Street scene Stirchley style.

I took part in previous Birmingham half marathons when the route passed along Bourneville Lane with a return down Mary Vale road.  In the process, you ran along part of the Stirchley High Street.  The Birmingham suburb is easy to reach using the No 45/47 bus route that connects the city via the Pershore Road.  All this contrasts with how Stirchley would have looked in 1600 as the area got its name from pastures where cattle grazed undisturbed. There are records of Roman roads that went to the nearby fort which is now the University of Birmingham campus.  Stirchley does have history. These days the suburb is recognised as one of the best places to live in the Midlands, an accolade given by the Sunday Times 

Stirchley Taster, July, 2024
Arriving on the Stirchley side of the tracks. Bourneville Station.

Therefore when I heard about an in-depth photographic project involving Stirchley then I took advantage of the unique offering from the Prism Photographic Network.  The aim is to develop a documentary photography project focussed on the neighbourhood of Stirchley.  The course is run by Oksana Bischin with support from the Prism Network. Full details are on their web site.  I attended the second of two taster workshops where we had a lecture on an aspect of photography followed by a photographic walk in Stirchley.  When the course starts in September, there will be several themes which will come together allowing participants to produce an exhibition of the group work.

We gathered at Stirchley baths which is a beautifully restored community centre.  A representative from the Stirchley Residents Association outlined their work and extolled the benefits of living in the area.  She was not a great fan of the Stirchley beer mile but recognised the benefits such activity creates for Stirchley.  She highlighted the presence of several industrial units either side of the high street and the layout of the terraced houses that are around the area.  After introductions, Oksana introduced the camera topic which was how to use the program controls on the camera and then Francesco discussed Typography using the work of Tom Hicks who created “Black Country Type”.  After a question-and-answer session, it was time for us to discover Stirchley with our cameras.   I am not sure what the shopkeepers and coffee shop owners thought of the small army of photographers patrolling down the street, taking pictures of their shops.  

Stirchley Taster, July, 2024
The lamp posts have a story to tell.

Before I arrived at the baths, I spent a few minutes taking photographs and scouting the area.  There was an opportune moment as carpets were being moved at the shops with the Stirchley Gorilla overseeing the activity.  On the way onto the street, I like to spend time by myself and I noticed some letter boxes and the typography of 70 in a doorway.  But there was also a need to stay with the group and see what the others were up to.  Being a Saturday morning, there was a great deal of activity so the picture taking began.  One shopkeeper came out to check what we were doing, other people just wandered by keen to get on with their shopping.  

Stirchley Taster, July, 2024
Letter boxes
Stirchley Taster, July, 2024
Is this no 70?

The high street is a mix of lively coffee shops and general shops. Several shop fronts have roller shutters that ensure privacy.  A lone gorilla logo on one of these shutters adds colour. After photographing the high street we turned right and walked along Ash Tree road onto Charlotte Road.  I like the style of the houses and my eye is drawn to the names and dates of the houses.  We walked along Mary Vale Road to the Industrial estate that houses Attic Brewery.

Then it was time to get a brunch and talk about the pictures we took and those that got away.  The taster session gave me an insight into how the course will develop.  I like the idea of the themes as outlined and the idea of curating one’s work for an exhibition.  

Stirchley Taster, July, 2024
Coffee shop viewing.

As a postscript, I discovered on my research of Stirchley an informative website created by users which is a mix of photographic links and historical notes.  I am sure that this will prove to be a good background resource and provide a source of inspiration.

Mapping Stirchley is a Walkspace project that came out of the spring lockdown of 2020.